916 stories by "Laura Collins-Hughes"
Red Bull Theater's jaunty new production of Richard Brinsley Sheridan's work is directed by Marc Vietor at the Lucille Lortel Theater.
This new production from Ms. Satter's theater company, Half Straddle, combines a pop concert and a drama as it explores two relationships gone awry.
The British playwright's American debut, "Revolt. She Said. Revolt Again.," is a call for feminist revolution with a ferocity absent from her personal demeanor.
This play, an investigation of family, creativity and home, takes its main inspiration from Luigi Pirandello's "Six Characters in Search of an Author."
Laura Zlatos's play at 59E59 Theaters sets up a retro rom-com world of young marrieds and introduces a baby whose sex can't be determined.
The four characters in J. Julian Christopher's play consider this question: Is the priesthood a closet, a refuge or both?
Aaron Davidman's play about the Israeli-Palestinian conflict trusts in the power of the human voice and the capacity of the human heart.
On the care, feeding and wrangling of fog.
Carl Holder's "An Intimate Evening With Typhoid Mary," at the New Ohio Theater, mixes memory and cabaret.
In Aaron Loeb's play at 59E59 Theaters, co-workers take on an assignment that involves mass murder and the disposal of bodies.
Andrew Ondrejcak's play at the Kitchen examines characters inspired by Strindberg and Breugel.
George Bernard Shaw's first play, highlighting the social ills of slums, is reframed as an individual's moral struggle in this adaptation at Beckett Theater.
Playhouse Creatures Theater Company presents two of the playwright's one-acts from 1982, the year before he died.
This Charles Messina play features Ralph Macchio and Mario Cantone as part of a brash Italian-American family unconcerned with political correctness.
A new program at colleges and universities aims at cultivating female playwrights and the creation of more female characters in their work.
This comedy by Megan Hill, a real-time dance class of sorts, delves into a fight against Zumba.
Martha Clarke and Alfred Uhry's dance-theater piece follows a band of worshipers in stringent religion who are seeking refuge from worldly suffering.
In the postapocalyptic dystopia of Emilie Collyer's feminist sci-fi comedy, which darkens considerably as it goes along, intimacy is constrained.
James Ortiz's play uses puppets and actors, chorus and a lone violin to reimagine the corner of L. Frank Baum's Oz where the Tin Man came to be.
Ms. Mazzie, who had to pause her career for cancer treatment last year, is to make her debut in the show on May 3.
The Wooster Group's production of Harold Pinter's first play seems doomed not to be seen after Sunday.
Glyn Maxwell's stage adaptation, produced by Phoenix Theater Ensemble, focuses on a hapless tutor and a general with money problems.
In this play by Nandita Shenoy, the only thing that stands in the way of blissful living is a co-op that a wife refuses to give up.
This performance poet's latest show is "MotherStruck!," at the Culture Project.
Suicide is at the heart of "Museum of Memories," a production of the European company New International Encounter.
