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903 stories by "Laura Collins-Hughes"

Review: 'A Room of My Own' Recalls a Greenwich Village of 1979 by Laura Collins-hughes

This Charles Messina play features Ralph Macchio and Mario Cantone as part of a brash Italian-American family unconcerned with political correctness.

SOURCE: The New York Times Subscription at 9:40pm on February 25, 2016[SHARE]

Learning to Act, but Hungry for Roles to Practice by Laura Collins-hughes

A new program at colleges and universities aims at cultivating female playwrights and the creation of more female characters in their work.

SOURCE: The New York Times Subscription at 12:27pm on February 25, 2016[SHARE]

Review: In 'The Last Class: A Jazzercize Play,' Clutching to the Past by Laura Collins-hughes

This comedy by Megan Hill, a real-time dance class of sorts, delves into a fight against Zumba.

SOURCE: The New York Times Subscription at 12:25am on February 24, 2016[SHARE]

Review: In 'Angel Reapers,' Torment and Bliss, Hand in Hand, Seek Connection by Laura Collins-hughes

Martha Clarke and Alfred Uhry's dance-theater piece follows a band of worshipers in stringent religion who are seeking refuge from worldly suffering.

SOURCE: The New York Times Subscription at 12:32am on February 23, 2016[SHARE]

Review: In 'The Good Girl,' a Sexbot Gets Weepy by Laura Collins-hughes

In the postapocalyptic dystopia of Emilie Collyer's feminist sci-fi comedy, which darkens considerably as it goes along, intimacy is constrained.

SOURCE: The New York Times Subscription at 5:06pm on February 22, 2016[SHARE]

Review: In 'The Woodsman,' a Love Lost in Oz Under a Witch's Spell by Laura Collins-hughes

James Ortiz's play uses puppets and actors, chorus and a lone violin to reimagine the corner of L. Frank Baum's Oz where the Tin Man came to be.

SOURCE: The New York Times Subscription at 7:43pm on February 21, 2016[SHARE]

Marin Mazzie to Return to Broadway in 'The King and I' by Laura Collins-hughes

Ms. Mazzie, who had to pause her career for cancer treatment last year, is to make her debut in the show on May 3.

SOURCE: The New York Times Subscription at 12:52pm on February 17, 2016[SHARE]

Review: 'The Room,' a Pinter Play That Won't Be Onstage for Long by Laura Collins-hughes

The Wooster Group's production of Harold Pinter's first play seems doomed not to be seen after Sunday.

SOURCE: The New York Times Subscription at 12:11pm on February 12, 2016[SHARE]

Review: 'The Gambler,' Dostoyevsky With Laughs by Laura Collins-hughes

Glyn Maxwell's stage adaptation, produced by Phoenix Theater Ensemble, focuses on a hapless tutor and a general with money problems.

SOURCE: The New York Times Subscription at 6:07pm on February 5, 2016[SHARE]

Review: In 'Washer/Dryer,' a Marriage Goes Through the Spin Cycle by Laura Collins-hughes

In this play by Nandita Shenoy, the only thing that stands in the way of blissful living is a co-op that a wife refuses to give up.

SOURCE: The New York Times Subscription at 5:14pm on February 4, 2016[SHARE]

Staceyann Chin Worries About Money, and Selling Out by Laura Collins-hughes

This performance poet's latest show is "MotherStruck!," at the Culture Project.

SOURCE: The New York Times Subscription at 8:50am on January 14, 2016[SHARE]

Review: 'Museum of Memories' Explores What's Left of a Life Lost by Laura Collins-hughes

Suicide is at the heart of "Museum of Memories," a production of the European company New International Encounter.

SOURCE: The New York Times Subscription at 5:03pm on January 12, 2016[SHARE]

A Year of Mourning Steeped in African Tradition Leads to a Theater Piece by Laura Collins-hughes

Kaneza Schaal's mourning for her father's death led her to create "Go Forth," a performance and installation piece opening at Westbeth Artists Community.

SOURCE: The New York Times Subscription at 5:08pm on December 31, 2015[SHARE]

Marin Mazzie on Cancer and Songs in the Key of Life by Laura Collins-hughes

The Broadway star on the year she's had, how cancer has changed her outlook and why she's talking publicly about her illness.

SOURCE: The New York Times Subscription at 5:39pm on December 30, 2015[SHARE]

Review: Blue Man Group Shows a Sense of Fun at Astor Place Theater by Laura Collins-hughes

The group still performs its signature brand of entertainment at the theater, a space where the company has been performing since 1991.

SOURCE: The New York Times Subscription at 10:29am on December 29, 2015[SHARE]

Review: 'Land of Fire' Centers on a Victim Who Reaches Out to a Terrorist by Laura Collins-hughes

Mario Diament's play, at Theater for the New City, is partly based on the life of Yulie Cohen, an Israeli who sought to forgive a Palestinian involved in the attack that injured her.

SOURCE: The New York Times Subscription at 7:09pm on December 24, 2015[SHARE]

In 'A Wilder Christmas,' Darkness Laced With Sentiment by Laura Collins-hughes

This double bill of one-acts by Thornton Wilder traces 90 years in the life of a family over a dinner table, and invites audience participation during a fictional train trip.

SOURCE: The New York Times Subscription at 6:22pm on December 21, 2015[SHARE]

Review: 'The Unrepeatable Moment,' Six Plays by John Yearley by Laura Collins-hughes

This grab bag at the Barrow Group has a though-provoking start, an exhilarating finish and a few weak spots, Laura Collins-Hughes writes.

SOURCE: The New York Times Subscription at 7:14pm on November 30, 2015[SHARE]

Review: 'Nora,' Ingmar Bergman's Adaptation of Henrik Ibsen's 'A Doll's House' by Laura Collins-hughes

Austin Pendleton has directed this version, at the Cherry Lane Studio, in which Torvald Helmer is startlingly different from what is expected.

SOURCE: The New York Times Subscription at 4:55pm on November 27, 2015[SHARE]

Review: 'Shear Madness,' Where Getting a Haircut Is Murder by Laura Collins-hughes

This interactive comedy-mystery opens in New York, following its decades-long run in Boston.

SOURCE: The New York Times Subscription at 10:36pm on November 11, 2015[SHARE]

Avi Hoffman and Suzanne Toren on 'Death of a Salesman' and Yiddish by Laura Collins-hughes

The language has been an integral part of life for Mr. Hoffman and Ms. Toren, who star in a New Yiddish Rep production of the Arthur Miller play.

SOURCE: The New York Times Subscription at 7:27pm on November 10, 2015[SHARE]

Review: 'Mad Libs Live!,' a Musical With a Few Missing Pieces by Laura Collins-hughes

As in the word game, the audience is asked to help fill in the blanks " a license to go a little lowbrow " in this show at New World Stages.

SOURCE: The New York Times Subscription at 6:14pm on November 10, 2015[SHARE]

Review: 'Chang(e)' Explores a Woman's Self-Immolation by Laura Collins-hughes

Soomi Kim and Suzi Takahashi recount the life and death of Kathy Change, a political protester who died in 1996, in a work at Here Arts Center.

SOURCE: The New York Times Subscription at 5:40pm on November 8, 2015[SHARE]

Review: In Beckett's 'The End,' a Nameless Man Stares Down Death Onstage by Laura Collins-hughes

The company Gare St. Lazare Ireland has adapted this short story into a minimalist play consisting of a monologue.

SOURCE: The New York Times Subscription at 1:31pm on November 3, 2015[SHARE]

Review: 'Death of a Salesman' in Yiddish by Laura Collins-hughes

New Yiddish Rep is performing Arthur Miller's play at the Castillo Theater.

SOURCE: The New York Times Subscription at 6:01pm on November 2, 2015[SHARE]
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