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176 stories by "Laura Cappelle"

A Lot Has Changed in 50 Years, Off Paris Stages and On by Laura Cappelle

Our Paris theater critic looked though a new online archive to discover what was on offer for French theatergoers in 1970.

SOURCE: The New York Times Subscription at 5:12am on April 23, 2020

As Stages Go Dark, Companies Stumble by Laura Cappelle

Several French theater companies, closed in the coronavirus outbreak, have rushed to put content online. Much of it is underwhelming.

SOURCE: The New York Times Subscription at 6:06am on April 2, 2020

'I don't conform': backstage with the indomitable Isabelle Huppert by Laura Cappelle

The French star's fearless performances " and work ethic " are the stuff of legend. In her dressing room, she talks about the pain of theatre, acting in English and #MeToo In 2005, days befo…

SOURCE: The Guardian at 3:54pm on March 24, 2020

With a 7-Hour Saga, Robert Lepage Returns to Safer Ground by Laura Cappelle

The Canadian director's "The Seven Streams of the River Ota" is set for a world tour, after his most recent productions were embroiled in debates about cultural appropriation.

SOURCE: The New York Times Subscription at 6:24am on March 6, 2020

These Women-Led Works Are the Right Plays at the Right Time by Laura Cappelle

France's movie business is consumed by debates about gender inequality. Onstage, female theatermakers are bringing women's stories to the fore.

SOURCE: The New York Times Subscription at 5:24am on March 5, 2020

Star Directors Pull Back the Curtain on How They Work by Laura Cappelle

Peter Brook and Thomas Ostermeier are presenting unfinished shows in Paris, offering a rare chance to see how their productions come together.

SOURCE: The New York Times Subscription at 11:36am on February 20, 2020

A Hallowed French Company Takes on 'Angels in America' by Laura Cappelle

And elsewhere in Paris, smaller theaters take more radical cues from the L.G.B.T.Q. world.

SOURCE: The New York Times Subscription at 8:42am on February 6, 2020

Trigger Warnings as a Provocateur Puts Suicide Onstage by Laura Cappelle

Milo Rau's latest work is inspired by a French family whose members took their own lives.

SOURCE: The New York Times Subscription at 11:12am on January 6, 2020

Arnaud Desplechin: 'Theatre is for the bourgeois. Film is the art of rascals!' by Laura Cappelle

The revered film director vowed never to touch theatre. So why is he staging the great Aids epic Angels in America? Apparently, it's all a misunderstanding Arnaud Desplechin looks surprising…

SOURCE: The Guardian at 5:06am on January 6, 2020

It's derriere you! A French critic gives her take on three madcap pantos by Laura Cappelle

Do you have to be British to get panto? We sent a French critic to three shows full of cross-dressing dames and adults playing cows. Will she ever forget the experience? Oh no she won't! Sta…

SOURCE: The Guardian at 2:36am on December 18, 2019

For Entertaining Musicals, Look No Further Than … Paris by Laura Cappelle

The genre has long been seen as minor in the French capital, but a string of English-language productions is creating a pleasingly upbeat dynamic.

SOURCE: The New York Times Subscription at 6:54am on December 5, 2019

Strange Plays for Strange Times by Laura Cappelle

Several French theater productions are putting dark spins on everyday events.

SOURCE: The New York Times Subscription at 5:36am on November 14, 2019

In Characters Ancient and Contemporary, Women Discover Their Power Onstage by Laura Cappelle

In Paris, the mythological Greek character Electra can once again be found in a theater, while the heroine of a quirky new play is inspired by "Rocky III."

SOURCE: The New York Times Subscription at 3:24am on October 24, 2019

'Orlando' Awkwardly Transitions to the Stage by Laura Cappelle

Kate Mitchell's adaptation of the 1928 novel is consistently one step behind Virginia Woolf's mercurial prose.

SOURCE: The New York Times Subscription at 3:36am on October 3, 2019

A Paris Theater Reopens, With Acrobats and Stunts by Laura Cappelle

The long-awaited spectacle that relaunched the Théâtre du Châtelet was cheerful, but disappointing.

SOURCE: The New York Times Subscription at 6:42am on September 19, 2019

Rewriting the Rules of Drag in Paris by Laura Cappelle

There is a cross-dressing show for everyone in the city, from traditional cabarets to RuPaul-inspired productions.

SOURCE: The New York Times Subscription at 5:42am on August 22, 2019

Venice Has a Biennale for Theater, Too by Laura Cappelle

Despite a history stretching to 1934, it feels like a David to the art exhibition's Goliath. But its program is all the better for that.

SOURCE: The New York Times Subscription at 11:24am on August 2, 2019

Oona Doherty: 'I'm so blessed, but I don't have a clue what's going on' by Laura Cappelle

The Northern-Irish choreographer's raw and powerful work examines gender, identity and religion, but it all happens by accident, she says. Oona Doherty is finding out about the law of uninte…

SOURCE: The Guardian at 5:33am on August 2, 2019

At Avignon Festival, Competition Comes From the Fringe by Laura Cappelle

An underwhelming official lineup led many festivalgoers to branch out into the less well-known complimentary program.

SOURCE: The New York Times Subscription at 7:36am on July 18, 2019

Putting 'Hiroshima Mon Amour' Onstage by Laura Cappelle

Two adaptations of works by the writer Marguerite Duras are playing as one-woman shows in Paris.

SOURCE: The New York Times Subscription at 8:42am on June 27, 2019

'People think it's a nest of vipers!' Inside the illustrious Comédie-Française by Laura Cappelle

The Parisian theatre company is on a rare visit to the UK with Ivo van Hove's The Damned. What are the secrets of the world's oldest active troupe? Companies like nothing more than to refer …

SOURCE: The Guardian at 12:36pm on June 17, 2019

A French Festival Where the Actor Is King by Laura Cappelle

The Printemps des Comédiens festival features productions uniquely crafted for, and occasionally by, their performers.

SOURCE: The New York Times Subscription at 8:12am on June 6, 2019

What Does It Take for a Woman to Be Labeled Mad? Onstage, Not Much. by Laura Cappelle

Tales of women losing their grip on reality don't exist in a void. They fit into broader cultural narratives.

SOURCE: The New York Times Subscription at 12:06am on May 24, 2019

Theater Review: Forget 'Game of Thrones.' No One Does Violence Like Euripides. by Laura Cappelle

Two productions in Paris with their roots in the Greek playwright's works explore the nature of human brutality. But without any CGI effects.

SOURCE: The New York Times Subscription at 7:06am on May 2, 2019

Theater Review: Onstage in Paris, Two Directors Overreach by Laura Cappelle

Simon Stone and Stanislas Nordey present productions in which their ambitions get the better of them.

SOURCE: The New York Times Subscription at 6:15am on April 4, 2019
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