Review: Nice Work If You Can Get It
Matthew Broderick and Kelli O'Hara lead a truly talented troupe in this scintillating tuner full of Gershwin songs, broad jokes, and dazzlingly inventive dancing.
Matthew Broderick and Kelli O'Hara lead a truly talented troupe in this scintillating tuner full of Gershwin songs, broad jokes, and dazzlingly inventive dancing.
James Corden gives a hilarious performance in Nicholas Hytner's must-see production of Richard Bean's funny-as-can-be farce.
Gerda Stevenson's play incisively deals with a couple facing a great loss in very different ways.
Michael Grandage's bombastic revival of the bombastic musical about Eva Peron isn't helped by the uneven performances of stars Elena Roger and Ricky Martin.
Simon Callow delivers a thoroughly engaging lecture on the Bard beautifully disguised as a play.
Arin Arbus directs a rib-tickling, well-acted production of Shakespeare's comedy for Theatre for a New Audience.
Michael Wison's star-studded Broadway revival of Gore Vidal's prescient political play couldn't be bettered.
Anna Netrebko looks stunning in Laurent Pelly's mostly successful production of Massenet's opera at the Metropolitan Opera House.
TACT presents a solid gold revival of Neil Simon's Pulitzer Prize-winning play about a troubled family.
Christopher Alden's New York City Opera production of Mozart's comic masterpiece is close to perfect.
The Pearl Theatre mines the humor in Eugene O'Neill's classic play about an unlikely romance.
The McCarter Theatre serves up a stylishly directed and beautifully acted production of Tom Stoppard's intellectual comedy.
Thomas Hampson and the sensational Najda Michael star in the Metropolitan Opera's revival of Verdi's opera.
Phillip Seymour Hoffman gives an award-worthy performance as Willy Loman in Mike Nichols' magnificent revival of Arthur Miller's 1949 masterpiece.
Dermot Crowley and Dearbhla Molloy have a field day with Paul Durcan's unusual piece about art at the Irish Repertory Theatre.
The Broadway star serves up an incredibly sophisticated suite of love songs.
The Keen Company presents a surprisingly undelicate revival of Tina Howe's exquisite, autobiographically-inspired play.
Edward Albee's play about a woman dying of cancer gets an unnecessary revival.
Katori Hall's sensational drama looks at the residents of a downtrodden Memphis neighborhood.
The Mint Theatre offers a worthy revival of Githa Sowerby's play about a family ruled by a domineering patriarch.
The Irish Repertory Theatre presents Eugene O'Neill's groundbreaking 1920 work about an unhappy marriage.
Rob Ackerman's problematic new play deals with a 40-something electrician who becomes obsessed with Ralph Waldo Emerson.
Philip Gawthorne's overlong psychological thriller benefits from fine performances.
TheaterMania reports on eight worthy prodcutions, including Absent Friends, Collaborators, The Comedy of Errors, and The Recruiting Officer.
Sam Gold helms a brilliantly acted and directed production of John Osborne's groundbreaking play.