39 stories by "David Berry"
One of Canada's most celebrated creators of theatre is coming out with two big works that wrestle expressly with the end
'His musicality is so precise " he has really thought through what each music piece represents, and found ways to express that'
The new CEO of the National Theatre School thinks being an artist should be considered a civil service
In her latest play, Infinity, Moscovitch examines what, exactly, time is
The best that can be said about Just for Laughs Gags is that it's fairly easy to ignore
Charles Dickens' classic A Christmas Carol invites a sort of bean-counting, stock-taking and soul-searching this time of year, so we asked Canada's stage Scrooges to give us their opinions o…
'Lots of people want to do something onstage; Joe and Nancy are'
There is no bad time to see some Shakespeare, but the consensus across the country seems to be that the best time for the Bard is the summer
The site-specific company follows a first-responder on a very tough call
When I was starting out in the business I had thoughts about dropping the Epstein and just adopting my middle name "Fay" as my last name
Flashdance: The Musical will technically be making its Toronto debut when it arrives at the Ed Mirvish Theatre at the end of May
Allan Hawco almost springs a bit across the courtyard of Canadian Stage's Berkeley Street Theatre, in downtown Toronto. He is, as with a lot of people you're used to seeing on a screen, shor…
Elvis Stojko may have made a career out of leaving it all on the ice, but just because he's left the ice doesn't mean that's all he's got
After 25 years of tunnel vision, the National Ballet of Canada principal dancer is leaving to look through a lens
Deep into the rehearsals for CanStage's London Road, though, musical director Reza Jacobs admits that he can't even walk down the street without everyone sounding like they're singing
In Tarragon's new production, finding a body turns into an autopsy of romantic love
You can see a bit of the tension melt off Matt Baram and Naomi Snieckus as they settle into the cozy confines of Soulpepper Theatre's library in the heart of the Young Centre for the Arts
The set for the Off-Mirvish production of God of Carnage looks like the scene of a very stately bloodbath
Winners and Losers' Marcus Youssef and James Long bring out the jest in each other
Chris Abraham on the challenges facing theatre in the 21st century and what the Simonvitch Prize means to his goals for Crows Theatre
The National Ballet's latest is like a duck: smooth and graceful on the surface with a flurry of activity you can't see
The Muppet scion on why puppets need to think and what puppeteers do when they're fooling around
Stars Sirena Irwin and Billy Mendieta talk about bringing Lucy and Ricky into living colour
Attila Clemann found a complex story of rebuilding after the Holocaust in his step-grandfather's letters
'I auditioned for the London production 17 times before I actually got into the show': James Powell on bringing Les Miz to Toronto
