All stories by Dave Hollander on BroadwayStars

Monday, March 16, 2020

The Tempest review at Jermyn Street Theatre, London – ‘Michael Pennington gives a fine performance’ by Dave Hollander

Inspired by Paul Gauguin’s time in Tahiti, Tom Littler’s streamlined staging of The Tempest maroons its characters on an island in the

SOURCE: The Stage Registration at 12:54PM
Thursday, October 3, 2019

The Border review at Theatre Peckham, London – ‘a fun-filled allegory about freedom of movement’ by Dave Hollander

As a playful Brechtian parable, Theatre Centre’s The Border wears its serious side lightly as knockabout cartoon-style antics break out into an

SOURCE: The Stage Registration at 11:02AM
Monday, September 2, 2019

World’s End review at King’s Head Theatre, London – ‘captivating performances’ by Dave Hollander

In James Corley’s debut play World’s End, global events and intimate histories collide to create a deeply affecting queer love story from

SOURCE: The Stage Registration at 12:46PM
Tuesday, August 13, 2019

Actually review at Trafalgar Studios, London – ‘poses more questions than it answers’ by Dave Hollander

Describing what happens after a drunken one-night stand between two first-year students at an Ivy League university, Anna Ziegler’s Actually assesses the

SOURCE: The Stage Registration at 10:06AM
Friday, August 2, 2019

The Time of Our Lies review at Park Theatre, London – ‘Powerful exploration into ideas of Howard Zinn” by Dave Hollander

Best known for his 1980 book A People’s History of the United States, historian Howard Zinn was a lifelong civil rights activist.

SOURCE: The Stage Registration at 12:56PM
Wednesday, July 24, 2019

The View UpStairs review at Soho Theatre – ‘enjoyable but underpowered’ by Dave Hollander

When Instagram superstar and ‘influencer’ Wes buys up a disused building in New Orleans’ French Quarter to be the headquarters of his

SOURCE: The Stage Registration at 01:02PM
Friday, June 28, 2019

The Censor review at Hope Theatre, London – ‘a thought-provoking take on a provocative play’ by Dave Hollander

Attitudes to – and the availability of – hardcore pornography may have changed since Anthony Neilson’s The Censor opened at London’s Royal

SOURCE: The Stage Registration at 09:25AM
Thursday, June 20, 2019

Three Sisters review at Vaudeville Theatre, London – ‘heart-wrenching, acutely perceptive retelling’ by Dave Hollander

Veteran Russian director Lev Dodin’s acutely perceptive retelling of Chekhov’s Three Sisters ditches lavish staging to focus on its essential themes of

SOURCE: The Stage Registration at 12:30PM
Wednesday, April 10, 2019

Scenographer Pamela Howard: ‘In theatre, you need to be a compulsive observer of human life’ by Dave Hollander

Recently named a ‘living legend’, Pamela Howard has created countless shows in her six-decade career, as well as training many of the

SOURCE: The Stage Registration at 03:00AM
Thursday, March 7, 2019

A Lesson from Aloes review at Finborough Theatre, London – ‘well-crafted revival of Athol Fugard’s drama’ by Dave Hollander

Not performed in London for 35 years, Athol Fugard’s A Lesson from Aloes evokes the repressive atmosphere of 1960s South Africa and

SOURCE: The Stage Registration at 10:27AM
Thursday, February 14, 2019

The Lady from the Sea review at Print Room, London – ‘a mesmeric performance’ by Dave Hollander

No detail in the Norwegian Ibsen company’s staging of The Lady from the Sea is left to chance. In this bilingual version,

SOURCE: The Stage Registration at 08:41AM
Tuesday, December 4, 2018

Striking 12 review at Union Theatre, London – ‘slight, but affecting’ by Dave Hollander

With its eclectic score and bittersweet seasonal message, Striking 12 interweaves Hans Christian Andersen’s The Little Match Girl with a tale of

SOURCE: The Stage Registration at 08:49AM
Monday, December 3, 2018

Burke and Hare review at Jermyn Street Theatre, London – ‘frenetic and darkly comic’ by Dave Hollander

Pitch-black and wickedly funny, Jermyn Street Theatre’s seasonal offering Burke and Hare (first performed at the Watermill earlier this year) is a

SOURCE: The Stage Registration at 10:11AM
Friday, November 23, 2018

A Hero of Our Time review at Arcola Theatre, London – ‘an energetic adaptation’ by Dave Hollander

With its compelling portrait of a ‘superfluous man’, Mikhail Lermontov’s novel 1840 A Hero of Our Time depicts a listless, resting soldier

SOURCE: The Stage Registration at 05:17AM
Monday, November 5, 2018

Billy Bishop Goes to War review at Jermyn Street Theatre, London – ‘beautifully produced’ by Dave Hollander

As a cloud-like parachute billows above a room strewn with knick-knacks and suffused with memories (a superb design from Daisy Blower), a

SOURCE: The Stage Registration at 10:49AM
Tuesday, August 28, 2018

Next Lesson review at Above the Stag, London – ‘touching play about the impact of Section 28’ by Dave Hollander

Marking 30 years since the introduction of Section 28 – the law that banned the “promotion of homosexuality” in UK schools –

SOURCE: The Stage Registration at 11:31AM
Friday, August 10, 2018

Homos, Or Everyone in America review at Finborough Theatre, London – ‘intimate portrait of modern gay life’ by Dave Hollander

Now same-sex marriage is legal, is the struggle for LGBT+ equality over? Has the gay community lost its reason for being in

SOURCE: The Stage Registration at 05:58AM
Monday, July 30, 2018

Wildcard Theatre: ‘We want to empower the unknown and disenfranchised’ by Dave Hollander

Fresh out of drama school, Joseph Dawson and James Meteyard decided to set up their own company and before long they were

SOURCE: The Stage Registration at 07:00AM
Wednesday, June 20, 2018

It’s Only Life review at Union Theatre, London – ‘an intimate revue’ by Dave Hollander

Comprising numbers from New York songwriter John Bucchino’s extensive back catalogue, It’s Only Life is less a jukebox musical than a mosaic

SOURCE: The Stage Registration at 11:19AM
Saturday, June 16, 2018

Lonely Planet review at Trafalgar Studios, London – ‘wry and gently moving’ by Dave Hollander

Charts festoon the walls of Jody’s Maps, the sleepy shop where Steven Dietz’s Lonely Planet follows the oddball friendship of two discreetly

SOURCE: The Stage Registration at 06:43AM
Wednesday, May 30, 2018

Rails review at Theatre by the Lake, Keswick – ‘poignant and poetic’ by Dave Hollander

While Simon Longman’s Gundog at London’s Royal Court earlier this year depicted two sisters struggling to keep a family farm afloat, his

SOURCE: The Stage Registration at 06:51AM
Monday, May 14, 2018

Central principal Gavin Henderson faces calls to resign over diversity quotas remarks by Dave Hollander

Royal Central School of Speech and Drama principal Gavin Henderson is facing calls to resign over his controversial views on diversity quotas.

SOURCE: The Stage Registration at 11:11AM
Thursday, May 10, 2018

Life and Fate review at Theatre Royal Haymarket, London – ‘a superlative ensemble’ by Dave Hollander

Written in the 1950s and banned until after the author’s death, Vasily Grossman’s autobiographical epic Life and Fate surveys the horrors in

SOURCE: The Stage Registration at 07:41AM
Tuesday, May 8, 2018

How It Is (Part One) review at the Print Room at the Coronet, London – ‘a mesmerising adaptation’ by Dave Hollander

With its narrator crawling through endless mud as he reflects on his memories and existence, Samuel Beckett’s experimental novel How It Is

SOURCE: The Stage Registration at 06:27AM
Friday, April 13, 2018

Cream Tea and Incest review at Hope Theatre, London – ‘charming PG Wodehouse pastiche’ by Dave Hollander

Channelling PG Wodehouse and Boy’s Own adventures, Cream Tea and Incest is an eccentric farrago that, like its off-colour title, proves an

SOURCE: The Stage Registration at 07:01AM
Monday, February 12, 2018

Mad As Hell review at Jermyn Street Theatre, London – ‘engaging and well-constructed’ by Dave Hollander

Race and class prejudice loom large in Adrian Hope and Cassie McFarlane’s engaging Mad As Hell. While the stage adaptation of Paddy

SOURCE: The Stage Registration at 08:03AM
Monday, February 5, 2018

The Ungrateful Biped review at White Bear Theatre, London – ‘Rupert Graves’ directorial debut’ by Dave Hollander

A dishevelled, basement-dwelling misanthrope spouts bile in his video diary in The Ungrateful Biped, writer and performer Philip Goodhew’s update of Dostoyevsky’s

SOURCE: The Stage Registration at 08:03AM
Tuesday, January 30, 2018

Ken review at the Bunker, London – ‘a laugh-a-minute tribute’ by Dave Hollander

Inspired, erratic and bewildering in equal measure, Ken Campbell was a mischievous master of experimental theatre who became notorious for his marathon

SOURCE: The Stage Registration at 11:18AM
Monday, December 11, 2017

Callisto: A Queer Epic review at Arcola Theatre, London – ‘highly ambitious’ by Dave Hollander

Tightly packed and highly ambitious, Callisto: A Queer Epic weaves together four heterogeneous stories of same-sex relationships from across the ages: 17th-century

SOURCE: The Stage Registration at 12:09PM
Friday, December 1, 2017

The Passing of the Third Floor Back review at Finborough Theatre, London – ‘an Edwardian curiosity’ by Dave Hollander

Jerome K Jerome’s name is indelibly linked to the uproarious Three Men in a Boat, but his 1908 play The Passing of

SOURCE: The Stage Registration at 11:41AM
Thursday, November 30, 2017

Miracle on 34th Street review at Bridge House Theatre, London – ‘a super-sweet seasonal treat’ by Dave Hollander

Based on the 1947 radio broadcast of the much-loved American classic, the Bridge House Theatre’s Miracle on 34th Street is a super-sweet

SOURCE: The Stage Registration at 05:00PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards