4,600 stories from Toronto Star
Adrienne Wong and Julie Tamiko Manning put their differing views of their mixed heritages into their play, opening April 3 in Toronto.
Astrid Van Wieren, Beulah in the Broadway version of the hit musical, will spend her day off in Toronto hosting theatre awards.
Soheil Parsa's second staging of the work asks all the big questions.
A new pared-down adaptation of the Victor Hugo classic takes Louise Pitre back to her breakthrough role.
New season includes bringing Shaw Festival hit Middletown to Toronto and several documentary plays, such as Pulitzer finalist The Wolves.
Set in 1920s Ottawa, Hannah Moscovitch's play adds to an important conversation about gender inequity and female sexuality, writes Karen Fricker.
Musical being written by team behind The Commitments, Dick Clement and Ian La Frenais, to play Ed Mirvish Theatre next February.
Overall, the production is missing the typical Theatre Smith-Gilmour wit and physical invention, writes Carly Maga.
French-language company established in 1967, which has boosted its audience with English surtitles, unveils its 2018-19 season.
Mark Breslin, Tom Green, Kathy Griffin and others express their appreciation for Ottawa's MacDonald, who died Saturday at 63.
Modern dance company founded in 1968 by Patricia Beatty, David Earle and Peter Randazzo still thriving under artistic director Christopher House.
Anthony MacMahon's version of the middle-school staple, directed by Ravi Jain, turns George Orwell's drama into a comedy. Despite some strong performances, the play veers into unwieldly come…
Brassy prizewinning local comedian has many rungs to climb but a lot of momentum going into March 18 show at Comedy Bar.
Mejra's decision to save Stetko's life and make him her dependant reflects how Canada's Indigenous people must continue to live with systems and people that hurt them.
Beatboxer Ball-Zee holds the a cappella event together, but the conceit that he's manipulating all the others stifles the energy in show's first half, writes Karen Fricker.
Playwright Hannah Moscovitch finds herself increasingly drawn to authentic stories about female experience.
Will & Grace star will take the stage in October for what's being called a "special concert version" of the stage institution.
Simply put, nominating popular movies and shows could make the Canadian Screen Awards more popular, which could theoretically bring more attention to other, less prominent nominees. There is…
The 16 tickets per show will only be available in person at the Royal Alexandra Theatre on the day of the performance.
Play about the aftermath of the Trojan War resonates in wake of the fall from grace of former artistic director Albert Schultz.
Métis director Jani Lauzon hopes to change minds about the realities of truth and reconciliation through Factory Theatre production.
Casting an Indigenous and a Black actor as farmers who suppress past trauma reframes Michael Healey's classic as a parable of colonization, writes Karen Fricker.
Karen Kain's career soared when she performed in The Sleeping Beauty. Now, her dancing days behind her, she's keeping the ballet alive for new generations.
Despite strong performances and an adventurous production, elements of After Wrestling leave our critic perplexed.
Hannah Moscovitch's play focuses fully on a woman's inner life and her sexuality, anchored by a magnificently realized performance by Maev Beaty, writes Karen Fricker.
