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35,882 stories from The Stage

Please leave the classics alone, I don't want to see your adaptations (your views, February 20) by The Stage

Increasingly today's theatre resembles the Restoration period, when playwrights thought Shakespeare so crude that they helped him out by rewriting his plays,

SOURCE: The Stage Registration at 4:00am on February 19, 2020

David Benedict: Long or short, a play's length is never the yardstick of quality by David Benedict

If you've ever found yourself walking the corridors of a West End theatre before taking your seat, you'll probably have spotted posters

SOURCE: The Stage Registration at 2:00am on February 19, 2020

Anatomy of a Suicide review at Linda Gross Theater, New York " 'Alice Birch's beautiful, aching play' by Nicole Serratore

Alice Birch's beautiful, aching play depends on the careful delivery of synchronised and overlapping dialogue from characters in three time periods who

SOURCE: The Stage Registration at 10:00pm on February 18, 2020

Actor Sabrina Aloueche: 'My first two jobs were Les Misérables and We Will Rock You' by John Byrne

My first professional job as a child was playing Little Cosette in Les Misérables at the Palace Theatre and as an adult

SOURCE: The Stage Registration at 12:30pm on February 18, 2020

Drama lecturer Nicholas Holden " 'Be kind to yourself and others' by John Byrne

How did you start in theatre? I went to drama school and then worked as an actor in theatre and film for

SOURCE: The Stage Registration at 12:30pm on February 18, 2020

The Green Room: Why is there so little diversity in film awards? by Jon Dryden Taylor

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details…​​​​​ Hari

SOURCE: The Stage Registration at 12:00pm on February 18, 2020

Macbeth review at Queen's Theatre, Hornchurch " 'an atmospheric but unsubtle production' by Dave Fargnoli

Portentous images loom out of the darkness in the opening moments of Douglas Rintoul's moody, muddled Macbeth. A child flies a kite.

SOURCE: The Stage Registration at 9:50am on February 18, 2020

Shirley Valentine review at Library Theatre, Bolton " 'an engagingly intimate staging' by Natalie Douglas

With the permission of playwright Willy Russell, Mina Anwar has tweaked the script of his 1986 play Shirley Valentine to re-set the

SOURCE: The Stage Registration at 8:20am on February 18, 2020

The 4th Country review at the Vaults, London " 'finely wrought new play about Northern Ireland' by Ruth Comerford

Bloody Sunday prosecution, abortion legalisation, family loyalty and annoying strangers at bus stops " Kate Reid's play translates Northern Ireland's complex politics

SOURCE: The Stage Registration at 8:19am on February 18, 2020

How can you help if your child wants to perform? by John Byrne

The theatre industry can be a tough one to crack, particularly for those starting out. John Byrne speaks to the parents of

SOURCE: The Stage Registration at 8:00am on February 18, 2020

Breach Theatre show goes to New York as part of Brits Off Broadway festival by Ruth Comerford

Breach Theatre's It's True It's True It's True " which won atThe Stage Edinburgh Awards in 2018 " will be performed in

SOURCE: The Stage Registration at 7:11am on February 18, 2020

Sara Bareilles and Gavin Creel extend Waitress run for two weeks by Georgia Snow

Sarah Bareilles and Gavin Creel have extended their stint in the West End production of Waitress by two weeks. The stars will

SOURCE: The Stage Registration at 7:07am on February 18, 2020

The Cellist review at Royal Opera House, London " 'a richly inventive new ballet about Jacqueline du Pré' by Anna Winter

It's a brave choice to make a ballet about Jacqueline du Pré. Cathy Marston's first work for the Covent Garden main stage

SOURCE: The Stage Registration at 6:57am on February 18, 2020

Northampton given £20k from ACE to transform cultural offering by Ruth Comerford

Northampton's theatre and arts offering is set to be boosted by the creation of a cultural board, which is being set up

SOURCE: The Stage Registration at 6:48am on February 18, 2020

Roundabout Underground: Step inside New York's 62-seat studio that fosters global writing stars by Nicole Serratore

Best known for its revivals of musicals and the classics, the not-for-profit Roundabout Theatre Company branched out into new work more than

SOURCE: The Stage Registration at 6:00am on February 18, 2020

Costume designer Catherine Kodicek: 'Always take snacks' " top tips for freelances by Catherine Kodicek

I knew it would be a big step to become a freelance costume designer after 13 years of working in the safety

SOURCE: The Stage Registration at 5:06am on February 18, 2020

Obituary: Elizabeth Sellars " West End leading lady and Hollywood star by Michael Quinn

After training at RADA and making her stage debut in 1940 in her native Glasgow's Alhambra Theatre, later becoming a member of

SOURCE: The Stage Registration at 4:00am on February 18, 2020

Andrew Miller: Disabled representation in the arts should be a funding priority by Andrew Miller

However you wish to analyse the latest diversity statistics released by Arts Council England, one inescapable conclusion is that disabled people are

SOURCE: The Stage Registration at 2:00am on February 18, 2020

Major theatres put on notice by ACE over diversity as annual report reveals 'disappointing picture' by Georgia Snow

Nottingham Playhouse, the Donmar Warehouse, Hampstead Theatre and the Almeida are among the theatres at risk of jeopardising their Arts Council England

SOURCE: The Stage Registration at 7:01pm on February 17, 2020

The Upstart Crow review at Gielgud Theatre, London " 'a fantastic comedy cast' by Tim Bano

Even if Ben Elton's successful sitcom about William Shakespeare had been given a fourth series, it seems only natural that they would

SOURCE: The Stage Registration at 6:58pm on February 17, 2020

Obituary: Jocelyn Bell " pioneering voice teacher by Michael Quinn

A pioneering figure who transformed the teaching of spoken English, Jocelyn Bell paved the way for a less mannered, more colloquial approach

SOURCE: The Stage Registration at 2:36pm on February 17, 2020

The Dog Walker review at Jermyn Street Theatre, London " 'an awkward odd-couple tragicomedy' by Julia Rank

No canines take to the stage in Paul Minx's two-hander The Dog Walker. This is probably something of a mercy for them,

SOURCE: The Stage Registration at 12:31pm on February 17, 2020

The Visit starring Lesley Manville at the National Theatre, London " review round-up by Fergus Morgan

Tony Kushner is nothing if not verbose. The Pulitzer-winning playwright has crafted a career out of extensive, intellectually engaging drama, perhaps most

SOURCE: The Stage Registration at 12:30pm on February 17, 2020

Oddball review at the Vaults, London " 'pacy, energetic and relevant one-woman show about disordered eating' by Ruth Comerford

Playing in a week when the press seems unusually full of the impact technology has on disordered eating, Francesca Forristal's one-woman show

SOURCE: The Stage Registration at 12:05pm on February 17, 2020

Theatremaker Amelia Cavallo: 'Queer disabled people get excluded from multiple spaces' by Ruth Comerford

Amelia Cavallo is a queer, blind theatre practitioner and academic. Preparing for her disabled-led cabaret show Unsightly Drag, she talks to Ruth

SOURCE: The Stage Registration at 10:00am on February 17, 2020
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