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954 stories from San Francisco Chronicle

This Bay Area production of 'Little Shop of Horrors' is coming under fire for its casting choices by Lily Janiak

Two actors of color have left the Berkeley Playhouse production after protests over the casting of the Urchins, roles inspired by Black girl groups of the '60s.

SOURCE: San Francisco Chronicle at 7:00am on April 20, 2022

Oakland singer-songwriter Rachel Lark thinks your uninspiring sex is part of #MeToo by Lily Janiak

In Lark's world-premiere musical, "Coming Soon" at Z Space, Maggie has been faking orgasms for eight years.

SOURCE: San Francisco Chronicle at 7:00am on April 18, 2022

He was a college football recruit, then a Naval officer. Now he's an Oakland playwright by Lily Janiak

In theater, Cleavon Smith says, "stories moved. Every line someone speaks or doesn't speak is a decision."

SOURCE: San Francisco Chronicle at 7:00am on April 17, 2022

Homegrown Bay Area talent takes the stage in ACT's 2022-23 season by Lily Janiak

S.F. native Christopher Chen, the 7 Fingers and Qui Nguyen are highlights in American Conservatory Theater's next season.

SOURCE: San Francisco Chronicle at 12:00pm on April 15, 2022

'Frozen,' 'Jagged Little Pill' in BroadwaySF's 2022-23 season at Orpheum and Golden Gate by Lily Janiak

"Tina " The Tina Turner Musical" wraps up the season with a biographical musical about the Queen of Rock 'n' Roll.

SOURCE: San Francisco Chronicle at 2:00pm on April 14, 2022

Review: Why TheatreWorks' 'Gem of the Ocean' is the best play I've seen in a long time as a theater critic by Lily Janiak

Tim Bond's direction of August Wilson's play makes for one of the finest Bay Area theater productions in recent memory.

SOURCE: San Francisco Chronicle at 1:46pm on April 13, 2022

Review: Golden Thread's 'Drowning in Cairo' overstuffed in ambition, sinks in execution by Lily Janiak

As a love triangle, Adam Ashraf Elsayigh's world premiere works stupendously. As a timeline, it falls flat.

SOURCE: San Francisco Chronicle at 2:01pm on April 12, 2022

Review: NCTC's lopsided 'PrEP Play, or Blue Parachute' needs a counterweight by Lily Janiak

Yilong Liu's world premiere about an intergenerational gay romance veers into scolding, I-told-you-so didacticism.

SOURCE: San Francisco Chronicle at 1:27pm on April 10, 2022

Playwright Michael Gene Sullivan among Bay Area winners of Guggenheim Fellowship by Lily Janiak

Typical grant amounts range from $30,000 to $45,000, and a baker's dozen of Bay Area residents are among the winners.

SOURCE: San Francisco Chronicle at 7:13pm on April 7, 2022

Review: 'Fefu and Her Friends' heralds a thrilling new chapter for ACT by Lily Janiak

Under Pam MacKinnon's direction, "Fefu" is art that's worthy of a city as dynamic and inventive as San Francisco.

SOURCE: San Francisco Chronicle at 2:09pm on April 7, 2022

Review: 'Hotter Than Egypt' is electric, chemical at Marin Theatre Company by Lily Janiak

In Yussef El Guindi's world premiere, a decades-long marriage unravels in a single day, a single conversation.

SOURCE: San Francisco Chronicle at 2:04pm on April 6, 2022

August Wilson's 'Gem of the Ocean' has extra depth for Tim Bond. Now Bond presents it at TheatreWorks by David John Chávez

Wilson once chatted with Bond about a new play he had written, a talk that left Bond mesmerized at every word uttered by one of America's greatest playwrights.

SOURCE: San Francisco Chronicle at 7:00am on April 5, 2022

'Indecent,' 'Chinglish' and 'A Chorus Line' among SF Playhouse's 2022-23 season by Lily Janiak

The Union Square company's 20th-anniversary season comprises six shows including works by Paula Vogel and David Henry Hwang.

SOURCE: San Francisco Chronicle at 9:00am on April 4, 2022

Review: Lorraine Hansberry Theatre makes uneven return with 'Intimate Apparel' by Lily Janiak

Unlike words, fabric never tells lies in this 2003 play by two-time Pulitzer Prize-winner Lynn Nottage.

SOURCE: San Francisco Chronicle at 7:00am on April 4, 2022

Ruben Grijalva's 'Shoot Me When…' wins 2022 Will Glickman Award for best Bay Area premiere by Chronicle Staff Report

The show, which was produced by San Francisco Playhouse as an on-demand video stream, takes on memory loss and identity.

SOURCE: San Francisco Chronicle at 3:09pm on March 30, 2022

NCTC's 'PrEP Play' examines the debt gay men of today owe to the past by Lily Janiak

Yilong Liu's queer fantasia about the drug used to prevent HIV infection is in synergy with the theater's own narrative of remembering and mourning.

SOURCE: San Francisco Chronicle at 7:00am on March 29, 2022

Review: San Francisco Playhouse's 'Water by the Spoonful' trickles instead of floods by Lily Janiak

Still, there are plenty of joys to be had from this Pultizer Prize winner by Quiara Alegría Hudes, of "In the Heights" fame.

SOURCE: San Francisco Chronicle at 2:08pm on March 24, 2022

Berkeley's Aurora Theatre Company announces 2022-23 season after appointing new managing director by Alex Ramos

The 2022-23 season is scheduled to open in November with the world premiere of playwright Dustin Chinn's "Colonialism Is Terrible, But Pho Is Delicious."

SOURCE: San Francisco Chronicle at 3:00pm on March 17, 2022

Spring Preview 2022: Bay Area arts face new challenges as COVID restrictions disappear by Aidin Vaziri

As we head into the third year of the COVID-19 pandemic, Bay Area arts and entertainment organizations once again face a season of uncertainty.

SOURCE: San Francisco Chronicle at 7:00am on March 16, 2022

In spring 2022, Bay Area theater returns " for real this time by Lily Janiak

Artistic directors finally make long-delayed directing debuts, and musicians make their musical theater debuts.

SOURCE: San Francisco Chronicle at 7:00am on March 16, 2022

As ACT mounts 'Fefu,' let's insist on María Irene Fornés' place in the canon by Lily Janiak

American Conservatory Theater's production of María Irene Fornés' "Fefu and Her Friends" shines a light on a playwright never given her just due.

SOURCE: San Francisco Chronicle at 7:00am on March 15, 2022

Review: TheatreWorks' 'Sense and Sensibility' is a visual feast to cure pandemic blues by Lily Janiak

In Paul Gordon's musical adaptation of Jane Austen's "Sense and Sensibility," the contrast between the Dashwood sisters takes on new resonance.

SOURCE: San Francisco Chronicle at 3:01pm on March 14, 2022

Review: Roger Guenvuer Smith's 'Otto Frank' a visceral exploration of human suffering by Steven Winn

"Otto Frank," a solo show starring the Berkeley-born actor, spreads out a cloak of human suffering and depravity from across the centuries and around the globe.

SOURCE: San Francisco Chronicle at 2:13pm on March 13, 2022

Review: Shotgun's 'Passing Strange' is a gorgeous meditation on making art and growing up by Lily Janiak

The Tony Award-winning musical by Stew and Heidi Rodewald offers nothing less than a vision of what it is to be human.

SOURCE: San Francisco Chronicle at 2:11pm on March 13, 2022

Despite pandemic and racial reckoning, unpaid theater internships still abound by Lily Janiak

American Conservatory Theater, Magic Theatre, TheatreWorks and Oregon Shakespeare Festival have all paused internship programs.

SOURCE: San Francisco Chronicle at 7:00am on March 8, 2022
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