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1,908 stories from The New Yorker

Suzanne Jackson's Natural World by Hilton Als

The artist captures the ephemeral and transformative power of light.

SOURCE: The New Yorker Subscription at 6:00am on September 30, 2024

"The Roommate" and "Family," Reviewed by Helen Shaw

A Midwestern empty nester opens her home to a tough-talking New Yorker in Jen Silverman's sputtering star vehicle.

SOURCE: The New Yorker Subscription at 6:00am on September 19, 2024

"Our Town" 's Town by Sarah Larson

Jim Parsons, Katie Holmes, Zoey Deutch, and the rest of the Broadway-revival cast meet up in Peterborough, New Hampshire, where Thornton Wilder wrote the original play.

SOURCE: The New Yorker Subscription at 6:00am on September 16, 2024

Hugo Hamilton Reads "Autobahn"

The author reads his story from the September 23, 2024, issue of the magazine.

SOURCE: The New Yorker Subscription at 6:00am on September 15, 2024

Hugo Hamilton on Life as an "Elsewhere Man" by Deborah Treisman

The author discusses his story "Autobahn."

SOURCE: The New Yorker Subscription at 6:00am on September 15, 2024

"Autobahn," by Hugo Hamilton by Hugo Hamilton

When a car pulled up, it felt like a bright moment of luck, but then the driver got out and pointed a gun at me.

SOURCE: The New Yorker Subscription at 6:00am on September 15, 2024

A Legend on Broadway, Patti LuPone Makes Her Début in the Marvel Cinematic Universe

The three-time Tony winner discusses her new play "The Roommate," alongside Mia Farrow, and bringing Aubrey Plaza"her castmate on "Agatha All Along""to a "sort of theatre boot camp."

SOURCE: The New Yorker Subscription at 2:00pm on September 6, 2024

Basil Twist's "Dogugaeshi," and More Exhilarating Theatre from Abroad

Also: The intuitive rap of Mavi, New York City Ballet's new season, Jackson Arn's top Prospect Heights spots, and more.

SOURCE: The New Yorker Subscription at 6:00am on September 6, 2024

Cole Escola's Great Day on Broadway by Julian Lucas

With their deranged portrayal of Mary Todd Lincoln, the actor and writer emerges from the "gay shadows" in a hysterical farce.

SOURCE: The New Yorker Subscription at 6:00am on August 2, 2024

Politics and "The Real" at the Festival d'Avignon by Helen Shaw

A series of international productions held power to account at a fraught moment.

SOURCE: The New Yorker Subscription at 6:00am on July 25, 2024

"Cats: The Jellicle Ball" Lands on Its Feet by Helen Shaw

The directors Zhailon Levingston and Bill Rauch cross Andrew Lloyd Webber's juggernaut musical with queer ballroom culture to electrifying effect.

SOURCE: The New Yorker Subscription at 6:00am on June 27, 2024

Matthew Rhys Was Into Dylan Thomas Before It Was Cool (Again) by H. C. Wilentz

The actor, who starred in the play "Dear Mr. Thomas," tours the poet's old haunts with his partner, Keri Russell, and finds them disappointingly not crummy.

SOURCE: The New Yorker Subscription at 6:00am on June 17, 2024

Sandra Oh and a Cast of Downtown All-Stars Illuminate a Period Thriller by Helen Shaw

The British playwright Lucy Kirkwood's "The Welkin" exorcises the jury-room drama.

SOURCE: The New Yorker Subscription at 6:00am on June 13, 2024

Annie Baker Shifts Her Focus to the Big Screen by Helen Shaw

In the playwright's début film, "Janet Planet," Julianne Nicholson stars as an object of obsession for her daughter"and everyone else"over the course of a long, hot summer in the Berkshires.

SOURCE: The New Yorker Subscription at 6:00am on June 9, 2024

Great Migrations, in Two Plays by Vinson Cunningham

Samm-Art Williams's "Home," on Broadway, and Shayan Lotfi's "What Became of Us," at Atlantic Theatre Company, portray the politics and the emotions of leaving home.

SOURCE: The New Yorker Subscription at 6:00am on June 8, 2024

Jonathan Groff Rolls Merrily Back by Michael Schulman

The actor reflects on his journey in reverse: from his latest Tony nomination to his arrival in New York, waiting tables and dreaming of Broadway.

SOURCE: The New Yorker Subscription at 6:00am on June 2, 2024

Rachel Syme Goes Behind the Scenes of a Short-Lived Broadway Musical by Rachel Syme

The theatre director Rachel Chavkin is known for unconventional hits such as "Hadestown." Why did her latest Broadway project fail to catch on?

SOURCE: The New Yorker Subscription at 6:00am on May 27, 2024

Three London Shows Put a New Spin on Old Classics by Helen Shaw

Superb stagecraft illuminates Robert Ickes's "Player Kings," Benedict Andrews's "The Cherry Orchard," and Ian Rickson's "London Tide."

SOURCE: The New Yorker Subscription at 6:00am on May 24, 2024

Summer Culture Preview

What's happening this season in art, theatre, music, dance, and movies.

SOURCE: The New Yorker Subscription at 6:00am on May 10, 2024

Three Broadway Shows Put Motherhood in the Spotlight by Helen Shaw

Paula Vogel's "Mother Play," Shaina Taub's "Suffs," and Amy Herzog's "Mary Jane" strike back at the mother-as-monster dramatic trope.

SOURCE: The New Yorker Subscription at 3:39pm on May 2, 2024

"Stereophonic" and "Cabaret" Turn Up the Volume on Broadway by Helen Shaw

David Adjmi's cult-hit play features seventies-inspired rock songs by Will Butler, while Eddie Redmayne presides over a demonic version of the Kit Kat Club.

SOURCE: The New Yorker Subscription at 10:00am on April 26, 2024

Ralph Fiennes Sidles His Way Into Power as Macbeth by Helen Shaw

A hit British production of Shakespeare's ever-timely tragedy arrives in D.C.

SOURCE: The New Yorker Subscription at 3:13pm on April 18, 2024

Hearing the Voices of Grenfell Tower by Rebecca Mead

The survivors of the deadly 2017 London fire speak in a theatre piece opening at St. Ann's Warehouse.

SOURCE: The New Yorker Subscription at 6:00am on April 15, 2024

The Avant-Garde Is Back on the Launchpad by Helen Shaw

The Wooster Group gives the Richard Foreman play "Symphony of Rats" its signature spins.

SOURCE: The New Yorker Subscription at 6:00am on April 13, 2024

The Warhol "Superstar" Candy Darling and the Fight to Be Seen by Hilton Als

The sui-generis trans actress inspired works by Warhol, Lou Reed, and others, yet never broke through to the mainstream herself. A new book captures the brilliant persona she created.

SOURCE: The New Yorker Subscription at 6:00am on April 8, 2024
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