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35,882 stories from The Stage

Finn Anderson appointed Cameron Mackintosh resident composer at the Lowry and Hope Mill Theatre by Ruth Comerford

Finn Anderson has been named this year's Cameron Mackintosh resident composer. He will be co-hosted by the Lowry and Hope Mill Theatre,

SOURCE: The Stage Registration at 12:36pm on March 5, 2020

London's Royal Court unveils strategy to reach net-zero carbon emissions by Georgia Snow

The Royal Court has revealed the measures it will enforce in a bid to reach net-zero carbon emissions, including banning certain production

SOURCE: The Stage Registration at 12:36pm on March 5, 2020

Salford's Victoria Theatre could reopen after study deems it 'of national significance' by Giverny Masso

A campaign to bring the Victoria Theatre in Salford back into use has taken a step forward, after a viability study found

SOURCE: The Stage Registration at 12:36pm on March 5, 2020

The Last Quiz Night on Earth review Hope Mill Theatre, Manchester " 'ambitious immersive production' by Chris Bartlett

As if events in the real world didn't feel apocalyptic enough at the moment, this immersive theatre experience from the Manchester-based Box

SOURCE: The Stage Registration at 12:14pm on March 5, 2020

Return to Heaven review at Wilton's Music Hall, London " 'frustrating, shlocky dance theatre' by Anna Winter

Mark Bruce's Return to Heaven is more shlock than genuine horror. Bruce is practised in murky dread " his dance-theatre take on

SOURCE: The Stage Registration at 12:09pm on March 5, 2020

Insane Animals review at Home, Manchester " 'Bourgeois and Maurice go large' by Francesca Peschier

What happens when Bourgeois and Maurice (George Heyworth and Liv Morris), the satirical alien overlords of cabaret basements, write a full-scale musical?

SOURCE: The Stage Registration at 10:41am on March 5, 2020

The Special Relationship review at Soho Theatre, London " 'incisive piece about deportation' by Naomi Obeng

The relationship between the USA and the UK is special all right. In Hassan Abdulrazzak's incisive play, six deportees detail how the

SOURCE: The Stage Registration at 10:11am on March 5, 2020

Bang Bang! review at Yvonne Arnaud Theatre, Guilfdord " 'a play of sophisticated mayhem' by Paul Vale

For his second production as artistic director of the Exeter Northcott, Daniel Buckroyd has decided to revive one of his favourite plays

SOURCE: The Stage Registration at 9:14am on March 5, 2020

Choreographer Andrew McNicol founds neoclassical ballet company by Ruth Comerford

Choreographer Andrew McNicol has founded a ballet company to offer dancers a "flexible performance platform" outside their existing company commitments. The McNicol

SOURCE: The Stage Registration at 8:42am on March 5, 2020

Regional Theatre Young Directors Scheme to partner with Ramps on the Moon for 2020 residency programme by Giverny Masso

Regional Theatre Young Directors Scheme has announced the four venues that will host its 18-month residencies for emerging directors in 2020/21, including

SOURCE: The Stage Registration at 8:42am on March 5, 2020

Guildhall and Royal Conservatoire of Scotland in global top 10 for performing arts by Georgia Snow

Guildhall School of Music and Drama and the Royal Conservatoire of Scotland are among the British institutions ranked in the top 10

SOURCE: The Stage Registration at 8:42am on March 5, 2020

Run Sister Run review at the Crucible Studio, Sheffield " 'ingeniously structured new writing' by John Murphy

It's the start of a new era for Paines Plough. Charlotte Bennett and Katie Posner took over last year as joint artistic

SOURCE: The Stage Registration at 7:56am on March 5, 2020

The Revenger's Tragedy review at Barbican Centre, London " 'enjoyably silly reboot' by Rosemary Waugh

Cheek by Jowl's collaboration with the Piccolo Teatro di Milano opens with a blast of high church, high-camp bravado. The Duke (Massimiliano

SOURCE: The Stage Registration at 6:20am on March 5, 2020

Oliver Twist review at Leeds Playhouse " 'lively, inclusive adaptation of Charles Dickens' novel' by Natasha Tripney

Inclusion is embedded in the work of Ramps on the Moon, the theatre consortium that programmes work that centres D/deaf and disabled

SOURCE: The Stage Registration at 5:30am on March 5, 2020

Così Fan Tutte review at Hackney Empire, London " 'a lightweight staging of Mozart's complex comedy' by George Hall

English Touring Opera launches its spring tour with the complex Mozart/Da Ponte comedy whose title translates as All Women Behave Like That

SOURCE: The Stage Registration at 5:17am on March 5, 2020

The Last Five Years review at Southwark Playhouse, London " 'Jason Robert Brown's song cycle revitalised' by Tim Bano

It's one of those shows that has almost become too familiar. In the last two decades every number of Jason Robert Brown's

SOURCE: The Stage Registration at 4:37am on March 5, 2020

Natasha Tripney: Storyhouse's success proves the benefits of removing barriers from social spaces by Natasha Tripney

There is no box office counter at Storyhouse. Nor is there a reception desk. There's nothing and no one to stop people

SOURCE: The Stage Registration at 2:00am on March 5, 2020

Richard Jordan: Young producers need support, but in this heartbreaking job older ones do too by Richard Jordan

Last week, Lyn Gardner wrote about the support and encouragement needed for young producers. She is absolutely right, but it is important

SOURCE: The Stage Registration at 2:00am on March 5, 2020

Miss Julie review at Storyhouse, Chester " 'vital, timely adaptation of Strindberg's play' by Nigel Smith

When a classic text is translated into a different time and place, the results can often feel contrived. Sometimes one comes along

SOURCE: The Stage Registration at 12:38pm on March 4, 2020

Mrs Puntila and Her Man Matti review at Royal Lyceum Theatre, Edinburgh " 'well-performed but overlong update of Brecht' by Thom Dibdin

This gender-swapped update of Brecht's 1940 comedy, Mr Puntila and His Man Matti, is less than the sum of its individually shining

SOURCE: The Stage Registration at 12:13pm on March 4, 2020

Revisor review at Sadler's Wells, London " 'Gogol meets Kafka in a dark farce' by Neil Norman

Choreographer Crystal Pite and writer Jonathon Young's first collaboration, Betroffenheit, hatched a new kind of theatrical/dance language. The soundtrack propelling the dance

SOURCE: The Stage Registration at 12:04pm on March 4, 2020

Aislinn Rose: Theatre isn't always a safe space, but it should strive to be an accountable one by Aislinn Rose

As the artistic director of a live performance venue, I'm often asked how we handle content warnings, and ensure a safe space

SOURCE: The Stage Registration at 12:00pm on March 4, 2020

Kneehigh's missing puppets and costumes returned by Ruth Comerford

A box of puppets, instruments and costumes stolen from Kneehigh has been returned anonymously to the theatre company. The company reported the

SOURCE: The Stage Registration at 11:36am on March 4, 2020

Kent theatre cancels performance over coronavirus link by Georgia Snow

A theatre in Kent cancelled a performance of a play this week after a relative of two cast members tested positive for

SOURCE: The Stage Registration at 11:36am on March 4, 2020

Theatre Deli to open space in West End as new leadership team announced by Giverny Masso

Theatre Deli is to open a new venue that will offer affordable rehearsal space on Shaftesbury Avenue in the West End. The

SOURCE: The Stage Registration at 11:36am on March 4, 2020
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