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142 stories by "Zoë Anderson, Zoë Anderson"

The Little Match Girl Lilian Baylis Studio, Sadler's Wells, London, dance review: 'Quirky and effective' by Zoë Anderson, Zoë Anderson

Arthur Pita's retelling of the bittersweet Hans Christian Andersen classic is a child-friendly dance production

SOURCE: The Independent at 2:06pm on December 18, 2017[SHARE]

The Nutcracker, London Coliseum, review: The performance is bright and assured by Zoë Anderson, Zoë Anderson

Wayne Eagling's revival of the English National Ballet's production is always a treat at Christmas but Tchaikovsky's score is why it survives

SOURCE: The Independent at 8:12am on December 14, 2017[SHARE]

The Nutcracker, Royal Opera House, London, review: Francesca Hayward is lovely as Clara by Zoë Anderson, Zoë Anderson

One of the company's rising stars, Hayward, has a radiant flow of movement and gleaming footwork as Clara in the company's 455th performance of Peter Wright's production

SOURCE: The Independent at 7:04am on December 7, 2017[SHARE]

Project Polunini - Satori, London Coliseum, review: It puts some fine dancers through a murk of glum philosophising by Zoë Anderson, Zoë Anderson

The world famous ballet star Pulunin presents a mixed bill, including a new short ballet 'First Solo' starring himself

SOURCE: The Independent at 5:54am on December 7, 2017[SHARE]

Sylvia, Royal Opera House, London, review: Natalia Osipova delivers star power in full by Zoë Anderson, Zoë Anderson

Osipova in the title role isn't always comfortable with the rich detail of Frederick Ashton's choreography, but she makes up for it with powerful technique and huge charisma

SOURCE: The Independent at 2:24pm on December 4, 2017[SHARE]

Rambert, Sadler's Wells, London, review: 'honesty, anger and helplessness spill across the stage' by Zoë Anderson, Zoë Anderson

Set to Nina Simone songs, Ben Duke's first work for Rambert blends speech and dance in a work that admits it has no solutions for the current horrors of the world

SOURCE: The Independent at 10:12am on November 23, 2017[SHARE]

Svetlana Zakharova, Amore London Coliseum, London, review: Bolshoi ballerina shows off her dramatic side by Zoë Anderson, Zoë Anderson

The glamorous dancer performs three works, with a de luxe supporting cast

SOURCE: The Independent at 11:18am on November 22, 2017[SHARE]

Kyle Abraham, Pavement, Sadler's Wells, London, review: Theatre, hip hop and a sharp political sensibility by Zoë Anderson, Zoë Anderson

'Pavement' which is a powerful introduction to rising star Abraham's work and company is inspired by John Singleton's 1991 film 'Boyz n the Hood'

SOURCE: The Independent at 7:54am on November 20, 2017[SHARE]

The Royal Ballet triple bill, Royal Opera House, London, review: It's an evening of drastic contrast by Zoë Anderson, Zoë Anderson

Twyla Tharp and Arthur Pita create new works for The Royal Ballet, alongside Hofesh Shechter's 2015 'Untouchable'

SOURCE: The Independent at 1:33pm on November 8, 2017[SHARE]

Birmingham Royal Ballet, Sadler's Wells, London, review: A splendid star performance from Brandon Lawrence by Zoë Anderson, Zoë Anderson

A triple bill, beginning with 'Arcadia', a new work by Birmingham Royal Ballet's first artist Ruth Brill

SOURCE: The Independent at 12:04pm on November 6, 2017[SHARE]

The Judas Tree/Song of the Earth, Royal Opera House, London, review: They're very uneasy bedfellows by Zoë Anderson, Zoë Anderson

'The Royal Ballet keep trying with Kenneth MacMillan's 'The Judas Tree', but this is one that should have stayed buried'

SOURCE: The Independent at 5:36am on October 26, 2017[SHARE]

China National Peking Opera Company, Sadler's Wells, London, review: Highly stylised by Zoë Anderson, Zoë Anderson

The Peking Opera perform the popular romantic farce, 'The Phoenix Returns Home'

SOURCE: The Independent at 12:18pm on October 23, 2017[SHARE]

Kenneth MacMillan: A National Celebration, Royal Opera House, London, review: This first evening was joyfully danced by Zoë Anderson, Zoë Anderson

British dance companies come together at the Royal Opera House to mark the 25th anniversary of MacMillan's death

SOURCE: The Independent at 6:54am on October 19, 2017[SHARE]

Origami, Battersea Power Station, London, review: Spectacular and unflashy by Zoë Anderson, Zoë Anderson

Inspired by the Japanese art of paper folding, 'Origami', which launches this year's Dance Umbrella festival, is performed at Battersea Power Station

SOURCE: The Independent at 12:24pm on October 16, 2017[SHARE]

BalletBoyz, Fourteen Days, Sadler's Wells, London, review: The company dance with assurance by Zoë Anderson, Zoë Anderson

BalletBoyz return with their original project - four pieces created in only 14 days

SOURCE: The Independent at 1:54pm on October 11, 2017[SHARE]

Company Wayne McGregor, Sadler's Wells, London, review: There's a new breadth and intimacy to this choreography by Zoë Anderson, Zoë Anderson

McGregor's latest work 'Autobiography', which explores dance and genetics, breaks fresh ground

SOURCE: The Independent at 2:48pm on October 9, 2017[SHARE]

Northern Ballet, Bradford Alhambra, review: A warm tribute to Kenneth MacMillan by Zoë Anderson, Zoë Anderson

Northern Ballet celebrate the master choreographer MacMillan with a triple bill - the first time this company has performed his work

SOURCE: The Independent at 1:48pm on October 9, 2017[SHARE]

Debut, Acosta Danza, Sadler's Wells, London, review: a new company launched with energy and panache by Zoë Anderson, Zoë Anderson

Combining ballet and contemporary dance, Carlos Acosta's new company balances Cuban roots with a sense of adventure

SOURCE: The Independent at 8:12am on September 29, 2017[SHARE]

Alice's Adventures in Wonderland, Royal Opera House, London, review: more spectacle than ballet by Zoë Anderson, Zoë Anderson

Christopher Wheeldon's Alice dazzles, but both dance and characterisation have to fight to make it through the whirl

SOURCE: The Independent at 7:18am on September 28, 2017[SHARE]

The Royal Ballet, Hull New Theatre reopening, review: Virtuoso dazzle with homecoming warmth by Zoë Anderson, Zoë Anderson

Stars of The Royal Ballet reopened Hull New Theatre with performances by Marianela Nuñez and Thiago Soares as well as local dancers including the Mariinsky Ballet's Xander Parish

SOURCE: The Independent at 12:42pm on September 18, 2017[SHARE]

Hofesh Shechter Company, Grand Finale, Sadler's Wells, London, review: A highly polished show by Zoë Anderson, Zoë Anderson

From the creator of the modern classic 'Political Mother', ten zombified dancers perform to Shechter's own electronic music

SOURCE: The Independent at 11:42am on September 13, 2017[SHARE]

5 Soldiers, Yeomanry House, London, review: Rosie Kay makes the experience of injury feel viscerally real by Zoë Anderson, Zoë Anderson

This exploration of modern war as a physical experience is presented in association with the British Army and performed in drill halls and barracks across the country for the UK tour

SOURCE: The Independent at 5:54am on September 8, 2017[SHARE]

Sacrifice, Southbank Centre,London, review: Bizarre, sometimes wilfully boring, but also hypnotic and hilarious by Zoë Anderson, Zoë Anderson

The bonkers show 'Sacrifice' by Iceland Dance Company mixes dance, art and film

SOURCE: The Independent at 7:36am on August 21, 2017[SHARE]

Wayne McGregor's +/- Human, Roundhouse, dance review: 'Eye-catching' by Zoë Anderson, Zoë Anderson

With the Roundhouse's huge, pillared space working as an art gallery or a stage during the run, +/- Human is both installation and dance work

SOURCE: The Independent at 1:24pm on August 13, 2017[SHARE]

The Mariinsky Ballet: Contrasts, Royal Opera House, London, dance review: 'Should be better' by Zoë Anderson, Zoë Anderson

The Mariinsky Ballet brings together Carmen, Wayne McGregor's Infra and Marius Petipa's Paquita

SOURCE: The Independent at 8:36am on August 9, 2017[SHARE]
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