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765 stories by "Tim Bano"

Vassa review at Almeida Theatre, London " 'Mike Bartlett's offbeat adaptation' by Tim Bano

Following King Charles III and Albion, Mike Bartlett returns to the Almeida Theatre with an adaptation of Maxim Gorky's play, Vassa Zheleznova.

SOURCE: The Stage Registration at 5:12am on October 22, 2019

Lungs review at Old Vic, London " 'a thrilling meeting of head and heart' by Tim Bano

In the queue at IKEA, a young couple discuss whether they should have a baby. From this small seed, Duncan Macmillan's mighty

SOURCE: The Stage Registration at 5:30am on October 20, 2019

Director Sean Foley: 'I count myself a clown, but I don't want to make a fool of myself' by Tim Bano

One of the most sought-after comedy directors for the stage, Sean Foley is bringing an Ealing comedy to the West End before

SOURCE: The Stage Registration at 3:00am on October 9, 2019

Daddy Long Legs review at the Barn Theatre, Cirencester " 'charming and romantic' by Tim Bano

In a way, this is a bold move for the consistently exciting Barn Theatre: a little-known musical, based on a little-known novel,

SOURCE: The Stage Registration at 12:25pm on October 7, 2019

Assassins review at Watermill Theatre, Newbury " 'Sondheim revival features moments of brilliance' by Tim Bano

If there's some revelatory ur-production of Assassins that makes sense of its messiness and its flaws, we're yet to see it. It's

SOURCE: The Stage Registration at 8:40am on October 3, 2019

Ian McKellen on Stage With Tolkien, Shakespeare, Others and You review at Harold Pinter Theatre, London " 'a joyful celebration' by Tim Bano

Ian McKellen is an icon, and he knows it. Who else would decide to stage their own autobiography for their 80th birthday?

SOURCE: The Stage Registration at 6:00pm on October 2, 2019

Out of Joint's Kate Wasserberg: 'It felt like I was wearing the disgrace of another's story' by Tim Bano

It has been a challenging two years for the award-winning Out of Joint artistic director after company founder Max Stafford-Clark left following

SOURCE: The Stage Registration at 7:42am on October 2, 2019

'Master Harold'…and the Boys review at National Theatre, London " 'a star turn from Lucian Msamati' by Tim Bano

Athol Fugard's 1982 play is based closely on his own life as a boy in Apartheid-era South Africa. As in the play,

SOURCE: The Stage Registration at 7:15am on October 2, 2019

Brooklyn the Musical review at Greenwich Theatre, London " 'overly sentimental musical' by Tim Bano

There's a charming story behind this musical: 20 years ago singer Barri McPherson stumbled upon Mark Schoenfeld singing on a Brooklyn street

SOURCE: The Stage Registration at 5:57am on October 1, 2019

My Beautiful Laundrette review at Curve, Leicester " 'a frustrating translation to the stage' by Tim Bano

Before writing the screenplay for his landmark film " which carefully explored the complex identities of British Asians, frankly depicted an interracial

SOURCE: The Stage Registration at 6:23am on September 27, 2019

Blood Wedding review at the Young Vic, London " 'beautiful and brutal' by Tim Bano

The marriage of Yael Farber with Marina Carr should be a transcendent thing " and, mostly, it is. But, like the eponymous

SOURCE: The Stage Registration at 6:45pm on September 25, 2019

Big the Musical review at the Dominion Theatre, London " 'a big let down' by Tim Bano

Why does it feel like we've been here before? Let me count the ways: the zillionth beloved-film-to-banal-musical adaptation the West End has

SOURCE: The Stage Registration at 2:54am on September 18, 2019

Disney's The Lion King review at Bristol Hippodrome " 'still the king of musicals' by Tim Bano

It seems as if there's no blockbuster Disney doesn't own now that its properties include Pixar, Marvel and Star Wars. It has

SOURCE: The Stage Registration at 9:19am on September 16, 2019

Preludes review at Southwark Playhouse, London " 'hypnotic and dazzling' by Tim Bano

Like the crash of chords that opens Rachmaninov's second piano concerto, this piece by Dave Malloy (of Natasha, Pierre and the Great

SOURCE: The Stage Registration at 7:01pm on September 11, 2019

A Very Expensive Poison review at Old Vic, London " 'masterfully messy and utterly unique' by Tim Bano

Lucy Prebble has turned a very serious story into a very silly play. In 2016, the Guardian's Luke Harding wrote a book

SOURCE: The Stage Registration at 7:12pm on September 5, 2019

I Capuleti e I Montecchi review at Arcola Theatre, London " 'spare, but powerful' by Tim Bano

Director Lysanne van Overbeek muddies things a bit by starting this production of Bellini's bel canto with Giulietta reading the opening lines

SOURCE: The Stage Registration at 6:07am on September 5, 2019

The Examination review at Gilded Balloon Teviot, Edinburgh " 'superbly slippery piece of theatre' by Tim Bano

Prisons these days are just like holiday camps, argues Gary Keegan in this piece of documentary theatre from Irish company Brokentalkers. Comedian

SOURCE: The Stage Registration at 6:39am on August 21, 2019

Unexpected Item in the Bagging Area review at Underbelly Cowgate, Edinburgh " 'a cartoonish caper' by Tim Bano

As fringe musicals go, this is proper. It has a complete plot, strong characters, fully orchestrated songs, a nice bit of choreography.

SOURCE: The Stage Registration at 6:13am on August 21, 2019

Ticker review at Underbelly Cowgate, Edinburgh " 'important, but slightly unconvincing' by Tim Bano

After his friend died from an undiagnosed heart condition aged 24, Tom Machell decided to write this monologue to raise awareness about

SOURCE: The Stage Registration at 8:18am on August 20, 2019

Typical review at Pleasance Courtyard, Edinburgh " 'makes you want to shout at the injustice' by Tim Bano

It's not an easy watch, this, especially by the time CCTV footage of Christopher Alder's death is projected into the room in

SOURCE: The Stage Registration at 5:28am on August 19, 2019

00 review at Pleasance Dome, Edinburgh " 'strange and playful look at the end of the world' by Tim Bano

There's something reassuringly nostalgic about the panic we felt for the millennium bug. Computers thinking it was 1900 was just such a

SOURCE: The Stage Registration at 10:25am on August 16, 2019

Green and Blue review at Summerhall, Edinburgh " 'profound and politically charged' by Tim Bano

The two men on stage look identical. Both in police uniforms, with identical moustaches, they stand side by side. The only difference

SOURCE: The Stage Registration at 6:20am on August 16, 2019

Eugene Onegin review at Festival Theatre, Edinburgh " 'Barrie Kosky gets to the heart of the characters' by Tim Bano

By Barrie Kosky's standards, his take on Tchaikovsky's downbeat classic is a restrained affair. It premiered in 2016 at the Komische Oper

SOURCE: The Stage Registration at 6:13am on August 16, 2019

Red Dust Road review at Royal Lyceum Theatre, Edinburgh " 'sensitive and accessible' by Tim Bano

One of the many strengths of Scots Makar Jackie Kay's poetry is its accessibility, and that's a quality Tanika Gupta borrows in

SOURCE: The Stage Registration at 5:27am on August 16, 2019

Do Our Best review at Underbelly Cowgate, Edinburgh " 'bizarre and brilliant' by Tim Bano

At the age of 30, Sephie is back in the Girl Guides. After three failed attempts she's finally hoping to get her

SOURCE: The Stage Registration at 12:39pm on August 15, 2019
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