John Cameron Mitchell to host Hedwig and the Angry Inch sing-along in Toronto
The writer of the Tony Award-winning play " who will attend the sing-along screening at TIFF Bell Lightbox " says he plans to star in the Hedwig sequel.
The writer of the Tony Award-winning play " who will attend the sing-along screening at TIFF Bell Lightbox " says he plans to star in the Hedwig sequel.
Julie, Madly, Deeply and The Boy With Tape On His Face on fall agenda.
The show Richard Ouzounian calls 'the finest piece of theatre any Toronto company has mounted in many, many years' returns to the stage.
A period piece that makes fun of the styles and mores of the late '80s comes full cycle 30 years later.
Canadian talent didn't take home trophies at Sunday's ceremony, but many performances got their start north of the border.
Kiss of the Spider Woman star announced in last-minute change after The Book of Mormon's Andrew Rannells bows out of If I Loved You: Gentlemen Prefer Broadway
Actor Moya O'Connell gives radiant performance as madcap heiress Tracy Lord in Philip Barry's play directed by Dennis Garnhum at Shaw fest.
Three weary couples get an unexpected second chance at deciding how to live their lives in Shaw Festival production of J.B. Priestley's play.
Writer John Cameron Mitchell calls Hedwig star Neil Patrick Harris 'indefatigable' in the role. 'I've never seen someone so game.'
Hawksley Workman's astonishing one-man show at the Tarragon turns the raw material of Greek tragedy into a mesmerizing study of primal sexuality.
Montreal's Monlove Enterprises creates musical based on Émile Zola novel Nana.
The nominations for the 35th annual Dora Mavor Moore Awards, honouring excellence in Toronto theatre, were announced on Monday morning at the SONY Centre.
A visual and choreographic feast, Alice Through the Looking-Glass really is one show that's for kids of all ages.
Martha Henry's production doesn't allow the political message to overwhelm the human elements.
Actress, who plays a variety of animals in quirky stage show, is comfortable in her human skin.
Director Robert McQueen's production of Man of La Mancha often sacrifices genuine logic for theatrical effect and over-elaborate staging.
Tim Carroll's production of King John has a truly electric first half " only to dim to candlelight in the second.
Stratford's bright new musical comedy has it all: Gershwin tunes, a smart book and a cast overbrimming with talent and charm.
Antoni Cimolino's superb production of King Lear catapults Colm Feore into the ranks of the world's greatest living actors.
George F. Walker's Dead Metaphor at Panasonic Theatre leaves audience laughing and thinking long after curtain falls.
Ryan Murphy's adaptation of Larry Kramer's landmark play offers scenes of raw sexuality and moments of human warmth.
Flashdance the Musical is hitting the stage in Toronto.
Mike Daisey's new monologue is a two-hour long performance piece that's sometimes riotous, sometimes rambling, but ultimately always riveting.
A special citation also went to VideoCabaret in acknowledgement of their outstanding body of work.