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1,125 stories by "Natasha Tripney"

Education, Education, Education review at Pleasance Dome, Edinburgh " 'slick, polished and highly entertaining' by Natasha Tripney

The Wardrobe Ensemble excels at taking specific cultural moments and unpacking them. In Education Education Education the company flashes back to 1997

SOURCE: The Stage Registration at 12:19pm on August 10, 2017[SHARE]

Frogman review at Traverse Theatre at Codebase, Edinburgh " 'technically innovative' by Natasha Tripney

It feels like the shape and size of VR helmet itself in part must have influenced Curious Directive's technically innovative new devised

SOURCE: The Stage Registration at 7:33am on August 9, 2017[SHARE]

Me and Robin Hood review at Pleasance Dome, Edinburgh " 'a consummate and controlled storyteller' by Natasha Tripney

Shon Dale-Jones is angry. He's angry about the chasm that exists between rich and poor. He's angry that the system we live

SOURCE: The Stage Registration at 7:18am on August 9, 2017[SHARE]

The B*easts review at Underbelly Cowgate, Edinburgh " 'intentionally challenging' by Natasha Tripney

A woman's breasts are not hers alone. You might think they are. They're part of your body after all. They consist of

SOURCE: The Stage Registration at 4:52am on August 9, 2017[SHARE]

Black Mountain review at Roundabout at Summerhall, Edinburgh " 'more atmospheric than suspenseful' by Natasha Tripney

Rebecca and Paul have gone to a remote cabin to try and salvage their relationship and do some healing after some unspecified,

SOURCE: The Stage Registration at 11:05am on August 8, 2017[SHARE]

Edinburgh Fringe trend: Body shaming banished in orgy of self-discovery by Natasha Tripney

Despite many nations turning in on themselves, new work at this year's Edinburgh Fringe has opted to embrace greater understanding, tackling trans

SOURCE: The Stage Registration at 10:00am on August 8, 2017[SHARE]

Rhinoceros review at Royal Lyceum Theatre, Edinburgh " 'stylish but laboured' by Natasha Tripney

Eugene Ionesco's 1959 study of mob mentality, in which the inhabitants of a town gradually start to become rhinoceroses until a single

SOURCE: The Stage Registration at 8:29am on August 7, 2017[SHARE]

The Whip Hand review at Traverse Theatre, Edinburgh " 'tangled family drama' by Natasha Tripney

Privilege looms large in Douglas Maxwell's moral muddle of a play, The Whip Hand. Dougie announces, right in the middle of the

SOURCE: The Stage Registration at 5:45am on August 7, 2017[SHARE]

Out of Love review at Roundabout at Summerhall, Edinburgh " 'funny and tender' by Natasha Tripney

Elinor Cook's new play Out of Love is a celebration of female friendship. A close friendship can be as rich and hot

SOURCE: The Stage Registration at 1:18pm on August 6, 2017[SHARE]

Adam review at Traverse Theatre, Edinburgh " 'a moving trans story' by Natasha Tripney

There are many stories about the trans experience at this year's fringe. The National Theatre of Scotland's Adam, one of a pair

SOURCE: The Stage Registration at 12:29pm on August 6, 2017[SHARE]

Above the Mealy-mouthed Sea review at Underbelly, Edinburgh " 'atmospheric but shapeless' by Natasha Tripney

Poet and performer Jemima Foxtrot is a consistently engaging stage presence. She brightens every poetry night she's part of and her writing

SOURCE: The Stage Registration at 10:06am on August 6, 2017[SHARE]

Lilith: The Jungle Girl review at the Traverse, Edinburgh " 'knotty and complex' by Natasha Tripney

For its first 10 minutes or so Lilith: The Jungle Girl comes across as an irritatingly flimsy pastiche reliant on over-the-top accents

SOURCE: The Stage Registration at 6:42am on August 5, 2017[SHARE]

Salt review at Summerhall, Edinburgh " 'moving, personal journey' by Natasha Tripney

Some shows feel as if they need to be made: that they serve a deeper purpose for the maker. Selina Thompson's Salt

SOURCE: The Stage Registration at 9:45am on August 4, 2017[SHARE]

Cosmic Scallies review at Summerhall, Edinburgh " 'sweet but slight' by Natasha Tripney

In the the 1960s urban planners hoped to turn Skelmersdale, an overspill town in West Lancashire, into a kind of utopia. The

SOURCE: The Stage Registration at 5:56am on August 4, 2017[SHARE]

Girl from the North Country review at the Old Vic " 'Bob Dylan's music wins out' by Natasha Tripney

How exactly would one go about staging a Bob Dylan musical? Conor McPherson, a man who knows a thing or two about

SOURCE: The Stage Registration at 7:05pm on July 26, 2017[SHARE]

Mosquitoes starring Olivia Colman " review at the National Theatre, London " 'idea-stuffed' by Natasha Tripney

Lucy Kirkwood likes to cram a lot into her plays. Mosquitoes is the story of sisters Alice and Jenny. One is a

SOURCE: The Stage Registration at 4:32am on July 26, 2017[SHARE]

Cat on a Hot Tin Roof review at Apollo Theatre, London " 'never completely connects' by Natasha Tripney

The Young Vic's first production to premiere in the West End sees Australian director Benedict Andrews return to the distinctive emotional terrain of

SOURCE: The Stage Registration at 7:17pm on July 24, 2017[SHARE]

Much Ado About Nothing review at Shakespeare's Globe, London " 'high-concept Mexican staging' by Natasha Tripney

When not dicking around with Dickens at the Open Air Theatre, Matthew Dunster has repeatedly demonstrated that he is a director who understands

SOURCE: The Stage Registration at 5:41am on July 21, 2017[SHARE]

Natasha Tripney: We have a female Doctor Who at last! But what about the women storytellers? by Natasha Tripney

So Jodie Whittaker is to be the new Doctor Who. The news was extremely cheering and it was a joy to see

SOURCE: The Stage Registration at 10:39am on July 17, 2017[SHARE]

Queen Anne review at the Theatre Royal Haymarket, London " 'intriguing but sedate' by Natasha Tripney

There's a statue of Queen Anne, the last Stuart monarch, in front of St Paul’s. Sceptre in hand and a glum expression

SOURCE: The Stage Registration at 5:42am on July 11, 2017[SHARE]

Fatherland review at the Royal Exchange Theatre, Manchester " 'moving and euphoric' by Natasha Tripney

For their contribution to the Manchester International Festival, playwright Simon Stephens and Frantic Assembly's Scott Graham and composer Karl Hyde " aka

SOURCE: The Stage Registration at 5:32am on July 6, 2017[SHARE]

Titus Andronicus review at the Royal Shakespeare Theatre, Stratford-upon-Avon by Natasha Tripney

Shakespeare's messy and excessive early play, Titus Andronicus, poses a number of problems for directors. Tonally, it's all over the place, at

SOURCE: The Stage Registration at 7:29pm on July 4, 2017[SHARE]

Committee… (A New Musical) review at the Donmar Warehouse, London " 'ambitious verbatim musical' by Natasha Tripney

The charity Kids Company was founded in the 1980s to help London's most disadvantaged and vulnerable children. Its distinctive chief executive Camila

SOURCE: The Stage Registration at 7:32pm on July 3, 2017[SHARE]

Mumburger review at Old Red Lion Theatre, London " 'strange, sad, surreal' by Natasha Tripney

Given how evocative and transporting smell can be, it's puzzling that directors don't make more use of it. In the Sarah Kosar's

SOURCE: The Stage Registration at 5:25am on July 3, 2017[SHARE]

Natasha Tripney: Oliver Frljic, the Malta Festival and the continuing crisis in Polish theatre by Natasha Tripney

Poland's Malta Festival, which came to a close on June 25, is a multi-arts festival that takes place annually in Poznan. This

SOURCE: The Stage Registration at 1:08pm on June 30, 2017[SHARE]
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