1,125 stories by "Natasha Tripney"
This new opera by Faith No More's Roddy Bottum feels entirely at home in Summerhall's late night mind-fuck slot. It's a fever-dream
In this rambling, affable piece of gig-theatre by Manchester-based company Powder Keg, Ross McCafferty and Jake Walton ask questions about the state
A single siren sits on her island, aching for companionship but destined to consume each stray sailor that drifts her way. That’s
Structured a little like a church service, Rachel Mars' Our Carnal Hearts explores the dark corners of our psyches: the places where
This faintly surreal two-hander feels like an attempt to evoke the awkwardness of shared living and the claustrophobic conditions with which most
Daisy and Ollie's dad is not himself. His memory's going and he can no longer look after himself. But instead of drawing
Rebecca Atkinson-Lord has lost her voice. Or rather she's lost the voice of her home. She no longer speaks with a Wolverhampton
In Nilaja Sun's one-woman show, Pike Street, she brings a whole neighbourhood to life. She plays all the members of a New
Our world is filled with borders. We have, as a species, a tendency to draw lines around ourselves. The policing of these
There are shades of James Fritz's brilliantly destabilising Ross and Rachel in The Bearpit. Two young people approaching their five-year anniversary talk
The third show from Barrel Organ, the company behind Nothing and Some People Talk about Violence, sees its work evolving in intriguing
In 1908 playwright Hannah Moscovitch's great-grandparents fled the pogroms in Romania for a new life in Montreal. Old Stock, a 'refugee musical',
When Joanne Ryan reached 35, she started to seriously consider when and if she would have children. After all, this is the
Circa's work has always explored the poetic possibilities of the human body. While some of the Australian circus company's previous shows have
Idiot Child's new show takes the form of a madcap self-help seminar. Wearing suit jackets festooned with badges for various achievements, Susie
God is a woman in Richard Marsh's follow-up to his trilogy of poetry plays about love. God also has something of a
Sophie can't stop bouncing. She's on a trampoline and she can't get off. She claims she can but she can't. Beside her,
Lucy Roslyn's new play, Goody, is set in a travelling circus during the days of the Depression when jobs were scarce, and
Following on from Letters to Windsor House, their glorious show about London rental hell, this is Sh!t Theatre's "mainstream crossover hit". It’s
Alan Ayckbourn's huge new two-part dystopian drama The Divide " the most high profile show at this year's Edinburgh International Festival "
Jessica Barker-Wren's one woman show sees a posh girl ditch her London media job to go back to Devon and help run
Daniella Isaacs' takedown of the wellness industry is inspired by her own experiences. Hear Me Raw is extremely astute about how easy
Romantic comedies can be toxic. More often than not they reduce love to something neat and clean, full of easily surmounted obstacles.
Dan Pick's first full-length play, Jelly Beans, takes the form of an unsettling journey into a man's mind. It's a grubby yet
"This is a show about happiness," Meow Meow tells us at the start of her idiosyncratic take on Hans Christian Andersen's fairytale,
