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241 stories by "Michael Schulman"

Grace Jones, Donna Summer, and the Power of Disco by Michael Schulman

Michael Schulman reviews two new projects about Grace Jones and Donna Summer"the bio-musical "Summer," and the documentary "Grace Jones: Bloodlight and Bami."

SOURCE: The New Yorker Subscription at 4:00pm on April 30, 2018☆⚑

Finding America's Present in England's Revolutionary Past by Michael Schulman

In Caryl Churchill's "Light Shining in Buckinghamshire," the director Rachel Chavkin sees a play for the resistance.

SOURCE: The New Yorker Subscription at 5:00am on April 27, 2018☆⚑

Tina Fey's "Mean Girls" Is Now a Fetch Broadway Musical by Michael Schulman

Michael Schulman writes about Tina Fey's "Mean Girls," now a musical on Broadway.

SOURCE: The New Yorker Subscription at 10:00pm on April 8, 2018☆⚑

A Duet with Two Generations of "Carousel" Ballerinas by Michael Schulman

Bambi Linn, ninety-two, and Brittany Pollack, twenty-nine, discuss dancing the same role on Broadway, seventy-three years apart. Michael Schulman writes.

SOURCE: The New Yorker Subscription at 5:00am on April 2, 2018☆⚑

"Angels in America" Rises Again by Michael Schulman

Michael Schulman writes about Marianne Elliott as she wrestles with a notoriously difficult play, and with Tony Kushner.

SOURCE: The New Yorker Subscription at 5:00am on March 19, 2018☆⚑

A Deaf Romance on Broadway in "Children of a Lesser God" by Michael Schulman

A revival of Mark Medoff's Tony Award-winning play comes to Studio 54.

SOURCE: The New Yorker Subscription at 5:00am on March 16, 2018☆⚑

Frances McDormand Makes the Oscars Weird Again by Michael Schulman

Michael Schulman writes about Frances McDormand's Best Actress Oscar, and her speech demanding that more women tell their stories in the movies.

SOURCE: The New Yorker Subscription at 8:29am on March 5, 2018☆⚑

Spring Theatre Preview: "Harry Potter and the Cursed Child," "My Fair Lady," and More by Michael Schulman

Most of the theatre season deals with the lives of mere Muggles.

SOURCE: The New Yorker Subscription at 4:00am on March 2, 2018☆⚑

The Spring Awakening of the Marjory Stoneman Douglas Theatre Kids by Michael Schulman

Michael Schulman on how the Tony Award-winning rock musical "Spring Awakening" relates to the experience of the student survivors of the Parkland, Florida, school shooting.

SOURCE: The New Yorker Subscription at 1:59pm on February 23, 2018☆⚑

Jake Shears, of Scissor Sisters, Stages His Own Comeback by Michael Schulman

After years of self-imposed exile, the glam rocker returns to the limelight on Broadway, and with a new memoir chronicling a saucy slice of downtown New York.

SOURCE: The New York Times Subscription at 6:00am on February 17, 2018☆⚑

Road Trip with Donald Sutherland and Helen Mirren by Michael Schulman

In "The Leisure Seeker," they play a couple on a Winnebago odyssey. In New York, they did a morning-show blitz. Michael Schulman writes.

SOURCE: The New Yorker Subscription at 5:00am on February 5, 2018☆⚑

Malcolm X's Daughters Take to the Runway by Michael Schulman

Michael Schulman on the six sisters' fashion line, which rebrands their father's message for the pussy-hat era.

SOURCE: The New Yorker Subscription at 5:00am on January 29, 2018☆⚑

Is the Era of #OscarsSoWhite Over? by Michael Schulman

Michael Schulman on the diversity of the 2018 Academy Award nominations and whether the Academy has moved past its #OscarsSoWhite controversy from years past.

SOURCE: The New Yorker Subscription at 3:08pm on January 23, 2018☆⚑

Harvesting Farmers  by Michael Schulman

Michael Schulman writes about GrowNYC, which teaches students"largely from immigrant populations"how to make a living in agriculture. 

SOURCE: The New Yorker Subscription at 5:00am on January 22, 2018☆⚑

Darren Criss Plays the Happy-Go-Lucky Killer in the Versace TV Drama by Michael Schulman

He acts, he sings, he dances. And in his latest role, the 30-year-old, who shot to fame with "Glee," is the serial killer who murdered Gianni Versace.

SOURCE: The New York Times Subscription at 11:58am on January 12, 2018☆⚑

The 2018 Golden Globes: Oprah Leads a Decisive Feminist Takeover by Michael Schulman

Michael Schulman writes about Oprah Winfrey and the women of the 2018 Golden Globe ceremony.

SOURCE: The New Yorker Subscription at 8:43am on January 8, 2018☆⚑

Why Beanie Feldstein Loves Playing the Sidekick by Michael Schulman

At a vegan cooking class, "the Bean," who's co-starring in "Lady Bird" and in Broadway's "Hello, Dolly!," talks theatre camp and her big brother Jonah Hill.

SOURCE: The New Yorker Subscription at 5:00am on December 25, 2017☆⚑

The State of the 2018 Oscar Race by Michael Schulman

Michael Schulman writes about the odds for films such as "Call Me by Your Name," "The Shape of Water," "The Post," and more in advance of Oscar season.

SOURCE: The New Yorker Subscription at 10:58am on December 15, 2017☆⚑

The Inspired Nonsense of the "SpongeBob SquarePants" Musical by Michael Schulman

An all-star roster of artists"including John Legend and Cyndi Lauper"supplied original songs for this new Broadway extravaganza, set in Bikini Bottom.

SOURCE: The New Yorker Subscription at 4:00am on December 8, 2017☆⚑

Shin Guards and Tampon Talk at Lincoln Center by Michael Schulman

Sarah DeLappe's "The Wolves" takes teen-age girl talk to a soccer field at the Mitzi E. Newhouse Theatre.

SOURCE: The New Yorker Subscription at 5:00am on December 4, 2017☆⚑

Uma Thurman Débuts on Broadway in Beau Willimon's "The Parisian Woman" by Michael Schulman

Michael Schulman reviews Beau Willimon's "The Parisian Woman," starring Uma Thurman in her Broadway début.

SOURCE: The New Yorker Subscription at 10:00pm on November 30, 2017☆⚑

Martin McDonagh Plays Pool and Talks Movies by Michael Schulman

The filmmaker and playwright explains what billiards has in common with "Three Billboards Outside Ebbing, Missouri."

SOURCE: The New Yorker Subscription at 5:00am on November 27, 2017☆⚑

Lois Smith Refreshes Her Memory by Michael Schulman

The actress, who got her start as James Dean's co-star, reflects on "Marjorie Prime," and remembering.

SOURCE: The New Yorker Subscription at 5:00am on November 20, 2017☆⚑

Kinetic Adaptations of Nineteenth-Century Novels by Michael Schulman

Kate Hamill has turned "Sense and Sensibility" and "Vanity Fair" into fast-paced romps. Now she tackles "Pride and Prejudice."

SOURCE: The New Yorker Subscription at 4:00am on November 17, 2017☆⚑

John Leguizamo's Latino-History Lecture by Michael Schulman

Michael Schulman on John Leguizamo's new one-man Broadway show, "Latin History for Morons," in which the actor tries to find a hero for his son's history project.

SOURCE: The New Yorker Subscription at 5:00pm on November 15, 2017☆⚑
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