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853 stories by "Matt Trueman"

Angel Meadow, HOME, Manchester: 'a direct accusation' by Matt Trueman

This production inside a dilapidated Manchester pub is too fierce to dismis, says Matt Trueman

SOURCE: The Telegraph at 9:31am on June 18, 2014

Testament, Barbican Centre, review by Matt Trueman

This German production about inheritance and the demands of old age is tender but it veers towards sentimentality, says Matt Trueman

SOURCE: The Telegraph at 11:32am on June 5, 2014

Khandan (Family), Birmingham Repertory Theatre, review: 'universal' by Matt Trueman

Leaving past controversies behind, Gupreet Kaur Bhatti's latest play is a beautifully nuanced, Indian family drama, says Matt Trueman

SOURCE: The Telegraph at 6:24am on May 29, 2014

Enjoy, West Yorkshire Playhouse, Leeds, review: 'needs sticking with' by Matt Trueman

James Brining's production of Alan Bennett's Enjoy is a mongrel play, stitched together like Frankenstein's monster, but is smart too, says Matt Trueman

SOURCE: The Telegraph at 8:47am on May 25, 2014

Symphony of a Missing Room, Royal Academy of Arts, review: 'ticklish trickery' by Matt Trueman

Symphony of a Missing Room takes you on an immersive fairytale quest is impressive, but its meaning is too banal for Matt Trueman

SOURCE: The Telegraph at 8:31am on May 22, 2014

Johnny Got His Gun: adapting the 'unstageable' anti-war novel by Matt Trueman

Director David Mercatali and actor Jack Holden explain how Dalton Trumbo's blistering diatribe has been brought to the stageAfter being hit by a shell towards the end of the first world war,…

SOURCE: The Guardian at 4:13am on May 20, 2014

Waiting for Godot, Arcola Theatre, review: 'larky' by Matt Trueman

This version of Beckett's classic is good fun but lacks any deep sense of despair, says Matt Trueman

SOURCE: The Telegraph at 6:44am on May 16, 2014

Spring Awakening, Richmond Theatre, London, review: 'urgent and thrilling' by Matt Trueman

Anya Reiss's contemporary version of Spring Awakening is a treatise on adolescence

SOURCE: The Telegraph at 7:46am on May 13, 2014

Brighton Festival, opening weekend, review: "visionary" by Matt Trueman

Dmitry Krymov got the Brighton Festival off to a super start with his take on art's duty during atrocities, says Matt Trueman

SOURCE: The Telegraph at 12:18pm on May 5, 2014

Foreplay, King's Head Theatre, London: review by Matt Trueman

Foreplay, at the King's Head Theatre, is basically a country house mystery with a highbrow slant and a dusting of salacious gossip

SOURCE: The Telegraph at 4:25am on May 5, 2014

New play by Carl Djerassi, inventor of the pill, explores philosophers' sex lives by Matt Trueman

The 90-year-old writer takes on big ideas about science, sex and storytelling in Foreplay, written for readers as well as audiencesTheatre often makes grandiose claims about changing the wor…

SOURCE: The Guardian at 11:58am on April 29, 2014

Alistair McDowall: 'There are no rules in theatre you can do anything' by Matt Trueman

As his play about single-father superhero Captain Amazing takes flight in London, Alistair McDowall talks about Lycra and lonersAlistair McDowall's debut play, Brilliant Adventures, looked l…

SOURCE: The Guardian at 4:00am on April 26, 2014

Uncle Vanya / Three Sisters, Wyndham's Theatre, review: 'deadening' by Matt Trueman

This Russian-language import misses Chekov's humour, says Matt Trueman

SOURCE: The Telegraph at 8:43am on April 25, 2014

Why British theatre is no longer skipping schools by Matt Trueman

The RSC and the Royal Court are introducing schoolchildren to a different class of educational theatre with plays that are at the heart of their programmesMichael Fentiman can remember the …

SOURCE: The Guardian at 3:05am on April 22, 2014

Simon Stephens: Birdland, Franz Ferdinand, Carmen and me by Matt Trueman

His first play was based on a Tom Waits song and his latest work was inspired by Thom Yorke. Simon Stephens tells Matt Trueman why he just can't write without music Listen to Simon Stephens'…

SOURCE: The Guardian at 11:54am on April 21, 2014

Oh My Sweet Land, Young Vic, Review by Matt Trueman

Oh My Sweet Land is steeped in melancholy, but teeters dangerously close to indulgence, says Matt Trueman

SOURCE: The Telegraph at 7:17am on April 17, 2014

Banksy: The Room in the Elephant how art lost one man his home by Matt Trueman

When the story broke that a Banksy artwork had rendered a vagrant street performer homeless, it was in danger of turning the evictee into a commodity himself. But isn't a play detailing the …

SOURCE: The Guardian at 9:47am on April 4, 2014

Eldorado, Arcola Theatre review by Matt Trueman

Simon Dormandy's production is more cryptic than it needs to be    

SOURCE: The Telegraph at 9:38am on April 4, 2014

Kes, review: 'makes your heart soar' by Matt Trueman

This new dance-theatre adaptation of the film is a terrific crowd-pleaser    

SOURCE: The Telegraph at 7:44am on April 1, 2014

Inner Voices: 'old-age Laurel and Hardy' by Matt Trueman

For all its profound metaphors, Inner Voices is a bumbling comedy motored by a magnificent double act, says Matt Trueman    

SOURCE: The Telegraph at 2:09pm on March 28, 2014

The Two Worlds of Charlie F review " An unflinching look at life after war by Matt Trueman

Richmond, LondonThis show sincerely explores military careers and never forgets that it's putting humans on stage, not heroicsThe stage fills up with men and women in uniform, falling in as …

SOURCE: The Guardian at 9:26am on March 24, 2014

Death and the Ploughman review " 'Primitive humanism' by Matt Trueman

Arnos Vale Cemetery, BristolHaunting and austere, but it never feels like the audience are trespassing on death's territoryArnos Vale is no drab, municipal cemetery, but a jumble of gravesto…

SOURCE: The Guardian at 2:17pm on March 23, 2014

Philip Pullman's Grimm Tales: An Immersive Fairytale for Young and Old review " 'Instagram theatre' by Matt Trueman

Shoreditch Town Hall, LondonSleeping Beauty chic meets the online generation for this plush stage version of Pullman's bestseller, but more love should have been lavished on the actingA muse…

SOURCE: The Guardian at 8:22am on March 21, 2014

Britain is brilliant at exporting plays, but what does it mean to go global? by Matt Trueman

From War Horse to The Weir, international success is surprising playwrights in a market that can be remarkably lucrativeDo you remember Tribes, Nina Raine's play about deaf seclusion? It pla…

SOURCE: The Guardian at 12:50pm on March 20, 2014

Betty Blue Eyes review " 'Catchy tunes but short of its best' by Matt Trueman

Mercury, Colchester By playing the material with a bit of truth, Daniel Buckroyd and the cast make something of its heart, if not its cheekWho shot JFK? Where is Lord Lucan? Why did Betty Bl…

SOURCE: The Guardian at 12:24pm on March 20, 2014
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