NDT1, Sadler's Wells, review: 'I could have stayed home with a nice cup of cocoa'
Nederlands Dans Theater 1's latest is aimless, says Mark Monahan
Nederlands Dans Theater 1's latest is aimless, says Mark Monahan
This compelling new programme is preoccupied with the fundamental needs of humans, says Mark Monahan
Dada Masilo's gender-blind Swan Lake at Sadler's Wells is not a life-changing production, but still worth visiting, says Mark Monahan
Anne Teresa De Keersmaeker's new production is purgatorial to watch, says Mark Monahan
Mark Monahan is underwhelmed by Olivier Dubois's all-nude dance production, Tragédie
On the evidence of his new show, Belgium's Alain Platel is a Bauschian dance-maker who really needs to change his tune, says Mark Monahan
Don't be fooled by Tim Key's bumbling delivery, says Mark Monahan. Single White Slut is a sharp and meticulous show - and it's wonderful
Cloud Gate's latest project is elegant but lacks intensity, says Mark Monahan
David Bintley's version of The Prince of the Pagodas, at Birmingham Hippodrome, has many merits
Natalia Osipova's Giselle is technically and artistically supreme, combining ethereal elevation with reckless ectasy, says Mark Monahan
Liam Williams's first night at the Soho Theatre wasn't his best, but he is still a rather special stand-up comic
A sparkling revival of George Balanchine's showpiece lets the Royal Ballet's couples shine, says Mark Monahan