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37 stories by "Mark Monahan"

NDT1, Sadler's Wells, review: 'I could have stayed home with a nice cup of cocoa' by Mark Monahan

Nederlands Dans Theater 1's latest is aimless, says Mark Monahan

SOURCE: The Telegraph at 7:23am on July 2, 2014

Sibi Larbi Cherkaoui: 4D, Sadler's Wells, review: 'truly dazzling' by Mark Monahan

This compelling new programme is preoccupied with the fundamental needs of humans, says Mark Monahan

SOURCE: The Telegraph at 9:31am on June 24, 2014

Swan Lake, Sadler's Wells, review: 'boldly gender-blind' by Mark Monahan

Dada Masilo's gender-blind Swan Lake at Sadler's Wells is not a life-changing production, but still worth visiting, says Mark Monahan

SOURCE: The Telegraph at 12:07pm on June 18, 2014

Rosas, Vortex Temporum, Sadler's Wells, review: 'narcolepsy-inducing' by Mark Monahan

Anne Teresa De Keersmaeker's new production is purgatorial to watch, says Mark Monahan

SOURCE: The Telegraph at 6:53am on May 28, 2014

Olivier Dubois, Tragédie, review by Mark Monahan

Mark Monahan is underwhelmed by Olivier Dubois's all-nude dance production, Tragédie

SOURCE: The Telegraph at 11:57am on May 9, 2014

Tauberbach, Sadler's Wells, review by Mark Monahan

On the evidence of his new show, Belgium's Alain Platel is a Bauschian dance-maker who really needs to change his tune, says Mark Monahan

SOURCE: The Telegraph at 8:48am on April 9, 2014

Tim Key - Single White Slut, Arcola Tent E8, review by Mark Monahan

Don't be fooled by Tim Key's bumbling delivery, says Mark Monahan. Single White Slut is a sharp and meticulous show - and it's wonderful    

SOURCE: The Telegraph at 8:18am on March 14, 2014

Rice, Cloud Gate Theatre of Taiwan, Sadler's Wells, review by Mark Monahan

Cloud Gate's latest project is elegant but lacks intensity, says Mark Monahan    

SOURCE: The Telegraph at 8:54am on February 28, 2014

The Prince of the Pagodas, review: beautiful but bland by Mark Monahan

David Bintley's version of The Prince of the Pagodas, at Birmingham Hippodrome, has many merits    

SOURCE: The Telegraph at 6:38am on February 26, 2014

Giselle, Royal Ballet, Covent Garden, review by Mark Monahan

Natalia Osipova's Giselle is technically and artistically supreme, combining ethereal elevation with reckless ectasy, says Mark Monahan    

SOURCE: The Telegraph at 8:15am on January 19, 2014

Liam Williams, Soho Theatre, review by Mark Monahan

Liam Williams's first night at the Soho Theatre wasn't his best, but he is still a rather special stand-up comic    

SOURCE: The Telegraph at 7:19am on January 14, 2014

Jewels, Royal Ballet, review by Mark Monahan

A sparkling revival of George Balanchine's showpiece lets the Royal Ballet's couples shine, says Mark Monahan    

SOURCE: The Telegraph at 8:41am on December 18, 2013
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