903 stories by "Laura Collins-Hughes"
In Stephen Adly Guirgis's play, directed by Estelle Parsons at La MaMa, Satan's arrival unleashes magic.
Stephan Wolfert's one-man show, "Cry Havoc!," explores a surprising psychic space where Shakespeare and military experience intersect.
Phillip Howze's play, at the Bushwick Starr in Brooklyn, is an absurdist take on the cultural imperialism of tourists visiting a developing country.
The struggle to get by in today's economy is a tension central to this play by James Anthony Tyler from the Labyrinth Theater Company.
Abigail Breslin stars as a love-struck teenager in this play written and directed by Erica Schmidt.
The play, by Bryna Turner, is inspired by letters between Mary Woolley, a president of Mount Holyoke College, and Jeannette Marks.
An honorably discharged private is at the center of this morality play inspired by Dante's "The Divine Comedy."
Wilder's "The Skin of Our Teeth" made its Broadway premiere in 1942. It's back, again, with fresh resonance.
At City Center, an irresistible Huckleberry Finn but no new insights into the questions of race and responsibility that his story always raises.
A new woman in town is really the Greek god Dionysus incarnated as a gardener with a mission in this eco-play at Two River Theater in New Jersey.
An 11-day celebration of puppet-related stage productions in Chicago, and shows elsewhere, have showed the possibilities of an art form.
Mr. Roxburgh stars as Mikhail in "The Present," a Chekhov adaptation that floats along on a vodka tide, at the Ethel Barrymore Theater.
Memory, gender and fantasy blend in this play about a Vietnam veteran and his offspring.
This solo show, written by Matthew Spangler and Benjamin Evett and starring Mr. Evett, is based on the poem by Samuel Taylor Coleridge.
This Kate Benson play is set in a Brooklyn spot that promises company and conversation, especially for a lonely woman who wants to attract a man.
"The Grand Paradise," "The Dead, 1904," "Drunk Shakespeare" and "Sleep No More" are participation shows offering special events the night of Dec. 31.
This six-actor adaptation by Matt Opatrny of the Dickens classic brings humanizing touches to the story.
He is writing essays, working on an album and starring in a play, among other things.
A roundup of what the actor is raving about these days.
The work, a trip through Anna Kohler's memories of being a young nude model in Paris, is directed by Caleb Hammond and is partly a sensory experiment.
The Classical Theater of Harlem's Christmas musical is a memory show; this year it moves to the main stage of the Apollo.
Erik Ehn's sprawling experimental drama at La MaMa, directed by Glory Kadigan, means to be obscure, though probably not to the degree that it is.
Jacob G. Padrón is the artistic director of the Sol Project, which has found deep pockets to finance its goal of ushering Latinos into the theater mainstream.
This book by Arthur and Barbara Gelb expresses a professional admiration for Mr. O'Neill but goes into great detail about the unflattering parts of his life.
The loss of a young son is the central force in this work by the Dutch playwright Lot Vekemans.
