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71 stories by "Holly Williams, Holly Williams"

Absolute Hell, National Theatre, London, review: Sparkling production captures post-war Soho by Holly Williams, Holly Williams

Rodney Ackland's drama about the dissolute denizens of a nightclub caused a scandal in 1952 " and still feels fresh today

SOURCE: The Independent at 5:24am on April 26, 2018[SHARE]

Strictly Ballroom, Piccadilly Theatre, London, review: This gleefully garish musical of Baz Luhrmann's film is loads of fun by Holly Williams, Holly Williams

This overblown dance-led show sweeps you up with its sequins and silliness

SOURCE: The Independent at 6:24am on April 25, 2018[SHARE]

'Dismantle capitalism and overturn the patriarchy': Why The Writer is more than just a #MeToo play by Holly Williams, Holly Williams

Romola Garai, playwright Ella Hickson and director Blanche McIntyre on how theatre needs to be fearless in both form and content

SOURCE: The Independent at 8:36am on April 24, 2018[SHARE]

Vivaldi's The Four Seasons: A Reimagining, The Sam Wanamaker Playhouse, London, review: Isn't wildly gripping by Holly Williams, Holly Williams

'Vivaldi's 'The Four Seasons' comes to theatrical life with puppetry and a newly arranged score for the Sam Wanamaker Playhouse

SOURCE: The Independent at 12:53pm on March 18, 2018[SHARE]

Summer and Smoke, Almeida, London, review: Patsy Ferran is a genuine marvel, as hilarious as she is heart-breaking by Holly Williams, Holly Williams

Rebecca Frecknall's production of Tennessee Williams' rarely performed ' 'Summer and Smoke' is almost unbearably tense

SOURCE: The Independent at 10:45am on March 8, 2018[SHARE]

Macbeth, National Theatre, London, review: Rory Kinnear and Anne-Marie Duff are no dream pairing by Holly Williams, Holly Williams

Rufus Norris's production which stars Kinnear and Duff as Macbeth and Lady Macbeth, strays a little close to comic horror movie, but stays just on the side of chilling

SOURCE: The Independent at 3:08am on March 8, 2018[SHARE]

Night at the Bombay Roxy, Dishoom Kensington, review: 'a delicious night out' by Holly Williams, Holly Williams

An immersive Indian Noir launches a new Dishoom restaurant, and while the show may be less memorable than the food, the evening adds up to more than the sum of its parts

SOURCE: The Independent at 6:36am on November 30, 2017[SHARE]

Inside Pussy Riot, Saatchi Gallery, London, review: I wasn't quite clear what it was hoping to evoke or why by Holly Williams, Holly Williams

Audience members join a fictional totalitarian dystopia in The Les Enfants Terrible's production about Pussy Riot member Nadya Tolokonnikova's ordeal as she is sent to jail for pla…

SOURCE: The Independent at 5:06am on November 17, 2017[SHARE]

Network, National Theatre, London, review: A magnetic yet weighty performance by Bryan Cranston by Holly Williams, Holly Williams

The 'Breaking Bad' star plays news anchorman Howard Beale in the stage adaptation of Paddy Chayefsky's 1976 film, walking the line between anger and madness perfectly

SOURCE: The Independent at 7:18am on November 15, 2017[SHARE]

Glengarry Glen Ross, Playhouse Theatre, London, review: Christian Slater is simply superb by Holly Williams, Holly Williams

David Mamet's play which he adapted into a 1992 film starring Jack Lemmon and Al Pacino, now stars Slater in its first major stage revival in over a decade

SOURCE: The Independent at 6:18am on November 13, 2017[SHARE]

Hair, The Vaults, London, review: A full-throttle production by Holly Williams, Holly Williams

The Vaults is turned into an immersive Sixties venue for this big-hearted production of 'Hair The Musical' which is celebrating its 50th anniversary

SOURCE: The Independent at 6:12am on October 12, 2017[SHARE]

Victory Condition, Royal Court, London, review: A fairly chilly theatrical encounter by Holly Williams, Holly Williams

Both monologues are delivered in a monotone that makes it hard to stay tuned in Chris Thorpe's short two-hander

SOURCE: The Independent at 12:48pm on October 11, 2017[SHARE]

Macbeth, Barbican, London, review: It's beautiful but this Macbeth never grabbed me by Holly Williams, Holly Williams

A revival of the late Japanese director Yukio Ninagawa's 'Macbeth', which sets the action in a 16th century samurai world, is performed in Japanese with English surtitles

SOURCE: The Independent at 8:54am on October 9, 2017[SHARE]

Labour of Love, Noel Coward Theatre, London, review: It's rare that five minutes go past without a proper roar of laughter by Holly Williams, Holly Williams

James Graham, who also wrote 'Ink' about 'The Sun' newspaper, pulls it off again with his latest play, a political rom-com, which stars Martin Freeman and Tamsin Greig

SOURCE: The Independent at 4:54am on October 6, 2017[SHARE]

I went to the maddest interactive shows on the Fringe so you don't have to by Holly Williams, Holly Williams

From speed-dating to gambling, rifling through suitcases to find terrorist activity and having a cucumber between her thighs, Holly Williams braves some of Edinburgh Fringe's interactiv…

SOURCE: The Independent at 10:18am on August 14, 2017[SHARE]

Ink, Almeida, London, review: An impressively unpreachy look at the red tops' circulation wars by Holly Williams, Holly Williams

James Graham's new play about the rise of 'The Sun' newspaper which stars Bertie Carvell as Rupert Murdoch is directed by Rupert Goold

SOURCE: The Independent at 2:12pm on June 28, 2017[SHARE]

How the play Rotterdam has led the way for transgender stories on stage by Holly Williams, Holly Williams

After its triumphant win at the 2017 Olivier Awards, and a sell-out run in New York, Jon Brittain's critically acclaimed 'Rotterdam' returns to the West End with more trans dr…

SOURCE: The Independent at 8:18am on June 20, 2017[SHARE]

Urbain Hayo talks about black deaths in British police custody in his play: 'People think it's an American issue but it's not. We just by Holly Williams, Holly Williams

The actor who goes under the stage name of Urbain Wolf has created his first play 'Custody' with writer Tom Wainwright which looks at real-life cases of police brutality and black …

SOURCE: The Independent at 12:24pm on March 27, 2017[SHARE]

Pop stars scoring theatre: Lazarus was evidently an artistic swan song rather than a cash-cow by Holly Williams, Holly Williams

With the transatlantic transfer of the David Bowie musical, Lazarus, as well as the Young Vic's production of The Nest with a score by PJ Harvey, is the theatre-pop marriage a dream tic…

SOURCE: The Independent at 3:36pm on October 31, 2016[SHARE]

Anne-Marie Duff: 'People want to watch interesting women characters' by Holly Williams, Holly Williams

The English actor stars in Almeida theatre's production of Oil from this Friday

SOURCE: The Independent at 1:13pm on October 12, 2016[SHARE]

Letters Live, Freemason's Hall, London, review: 'Here's just the right blend of funny, acid, noble, moving, uplifting missives' by Holly Williams, Holly Williams

Artists and celebrities including Alison Steadman and Sophie Dahl read aloud important letters from history

SOURCE: The Independent at 6:40am on October 10, 2016[SHARE]

Good Canary, Rose Theatre, Kingston, review: Patchy in its detail but ultimately packs a visceral punch by Holly Williams, Holly Williams

John Malkovich's play never feels like a Hollywood-star-does-serious-theatre vanity project

SOURCE: The Independent at 8:20am on September 23, 2016[SHARE]

In his centenary year, Roald Dahl is everywhere - but should kids just go back to the books? by Holly Williams, Holly Williams

His stories might seem like a golden ticket, but endless stage and screen versions risk over-exposure

SOURCE: The Independent at 12:25pm on September 1, 2016[SHARE]

Edinburgh Festival: Two Man Show, Summerhall, review: 'A terrifically generous piece of writing' by Holly Williams, Holly Williams

A look at masculinity and patriarchy, Two Man Show is played by two women

SOURCE: The Independent at 2:19pm on August 17, 2016[SHARE]

Edinburgh Festival Fringe: Animal (Are you a proper person?), Gilded Balloon, review: 'A shot of uncomplicated joy' by Holly Williams, Holly Williams

Using spirit animals as a way into talking about accepting who you really are is the charming conceit at the centre of Animal (Are you a proper person?)

SOURCE: The Independent at 3:43pm on August 15, 2016[SHARE]
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