Netflix's live-action adaptation of the classic anime feels like a missed opportunity, but it might be teaching us a lesson about how we share and create for ourselves. Kyle V. Hiller consid…
Netflix's second season of Gentefied returns with an even more intimate look into the Latinx experience in the US by diving into the topic of undocumented immigrants, deportation, and famili…
Chrystal E. Williams made her PCMS recital debut with an intriguing but uneven program. Cameron Kelsall reviews.
Holiday happenings throughout the week with Crossroads Comedy Theater, 1812 Productions, The Crossing, and more. Kyle V. Hiller rounds up.
Saxophone phenom Jaleel Shaw returns to Philly to celebrate Charlie Parker's 100th Birthday with a performance with the Philly POPS Jazz Orchestra. Vena Jefferson profiles.
Chocolate Ballerina Company founder and artistic director Chanel Holland talks about the company's take on The Nutcracker, making space for dances based on the African diaspora, and more. Ca…
Game Day and Maybe This Year recently joined Silver Linings Playbook in the movie canon of Philly football fans, but do they really capture our region? Stephen Silver considers.
PHILADANCO! returns to honor its 50th anniversary with Fast Forward... Unique Voices, a celebration that was postponed due to Covid-19. Camille Bacon-Smith reviews.
Dorrance Dance honors and expands upon tap traditions in a program including two Pennsylvania premieres and some holiday cheer for its return to live performance and debut at Penn Live Arts.…
In this new novel by Philly coauthors Christine Pride and Jo Piazza, the lifelong friendship of two women is tested by a tragedy that feels all to familiar. Helene Cohen Bludman reviews.
In Two Outta Three, Jennifer Childs and Scott Greer become empty nesters and explore what's next with their signature humor and charm. Jill Ivey reviews.
In What the Constitution Means to Me, playwright Heidi Schreck examines the personal and political intersections of our country's laws. Cameron Kelsall reviews an engagement of the national …
We usually herald the digital age as a blow to the music and publishing industries, but in her new book, American Lit Remixed, Melissa Strong argues that an exciting synergy is emerging. Gab…
Unique takes on holiday classics, an online concert from Intercultural Journeys,, art from Makeba Rainey, and more this week. Kyle V. Hiller rounds up.
Piffaro brings resounding music from the Renaissance with its upcoming weekend concert celebrating Christmas, Hanukkah, and the winter solstice. Gail Obenreder previews.
Team Sunshine Performance Corporation returns with the fourth installment of The Sincerity Project, its 24-year-long artistic experiment that uses performance to explore the shifting contour…
Million Dollar Quartet from the Delaware Theatre Company looks to shake things up with a jukebox musical performance inspired by 1950s rock-and-roll. Gail Obenreder reviews.
In her first concerts as principal guest conductor of the Philadelphia Orchestra, Nathalie Stutzmann balances repertory warhorses and new music with fresh ideas and attention to detail. Came…
Camille Bacon-Smith talks with dancers from the Philadelphia Ballet on their latest production of The Nutcracker and the variety of challenges the classic show still presents for its perform…
Woodmere Art Museum examines the impact on American art by Philadelphia painter Larry Day in this new exhibit. Pamela J. Forsythe reviews.
Yolanda Wisher & the Afroeaters pay a visit to the Barnes, a restorative healing workshop at Theatre Exile, Jingle Jawn, and more. Kyle V. Hiller rounds up the week.
The new director of public art in the Office of Arts, Culture, and the Creative Economy wants more public art in the city to reflect more identities. Anndee Hochman profiles.
A thousand guilders for your music! Gail Obenreder previews Tempesta di Mare's holiday offering.
An assortment of holiday films, including off-beat and lesser-known classics. Stephen Silver rounds up.
People's Light and Hedgerow Theatre perform A Christmas Carol, but in two very different ways. Gail Obenreder reviews the two productions.