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4,000 stories from Newcity Stage

One More Time With Meaning: A Review of The Last Session at Refuge Theatre Project by Jay Van Ort

Written during the height and subsequent wane of the AIDS crisis, this remount at Refuge Theatre Project shows its age.

SOURCE: www.newcitystage.com at 4:00pm on November 9, 2018☆⚑

Balance in the Labyrinth: A Review of Malaga (or the Inner Ear) at Theatre Y by Hugh Iglarsh

Theatre Y presents the English-language premiere of this disquieting exploration of sacrifice and parenting.

SOURCE: www.newcitystage.com at 1:00pm on November 9, 2018☆⚑

Breathing Together: A preview of EKILI MUNDA/What Lies Within at the Dance Center of Columbia College by Sharon Hoyer

The collaboration between Chicago's Red Clay Dance and Kampala-based Keiga Dance Company explores how personal and cultural history rest in the body.

SOURCE: www.newcitystage.com at 1:10pm on November 6, 2018☆⚑

All Star, All Power: A Review of Women of Soul at Black Ensemble Theater by Sheri Flanders

Black Ensemble Theater pulls out all the stops in this tribute to the most iconic women in the history of modern music.

SOURCE: www.newcitystage.com at 3:30pm on November 5, 2018☆⚑

No Holiday: A Review of Lady in Denmark at the Goodman Theatre by Hugh Iglarsh

The Goodman Theatre stages the world premiere of this bland and meandering reflection on the life of an artist who was anything but.

SOURCE: www.newcitystage.com at 12:30pm on November 5, 2018☆⚑

From Darkness to Light: A Review of Visceral Dance's TAKE at The Space at Rockwell by Sharon Hoyer

A showcase for the talents of a gifted ensemble, but also of an experimental spirit, a willingness to place dancers who perform on the Harris stage in more raw contexts

SOURCE: www.newcitystage.com at 2:09pm on November 3, 2018☆⚑

All Eyes On He: A Review of Hooded, Or Being Black for Dummies at First Floor Theater by Kevin Greene

A complex story of identity conjugation at First Floor Theater.

SOURCE: www.newcitystage.com at 4:00pm on October 31, 2018☆⚑

Sea What They Did There?: A Review of Moby Dick! The Musical at The Cuckoo's Theater Project by Aaron Hunt

The Cuckoo's Theater Project goes fishing for laughs and comes up big.

SOURCE: www.newcitystage.com at 1:00pm on October 31, 2018☆⚑

The Value of the Body: A Preview of I am (not) this body at the Studebaker Theater by Sharon Hoyer

SOURCE: www.newcitystage.com at 11:30am on October 31, 2018☆⚑

That's Too Long for a Play: A Review of Love's Labour's Lost at Invictus Theatre Company by Ben Kaye

At nearly three hours, this production from Invictus Theatre Company desperately needs shaking up.

SOURCE: www.newcitystage.com at 3:00pm on October 30, 2018☆⚑

A Call for Change : A Review of Small Mouth Sounds at A Red Orchid Theatre by Erin Shea Brady

Silence speaks where words fail in this Chicago premiere from Bess Wohl at A Red Orchid Theatre.

SOURCE: www.newcitystage.com at 12:00pm on October 30, 2018☆⚑

Gritty Pulp: A Review of The Darkness After Dawn at Factory Theater by Noel Schecter

Leaning into the conventions of classic noir, The Factory Theater offers this bloody, violent tale of crooked cops and sideways plots.

SOURCE: www.newcitystage.com at 9:00am on October 30, 2018☆⚑

Terrestrial Ruckus: A Review of Cosmologies at The Gift Theatre by Ben Kaye

This Midwest premiere from David Rabe at The Gift Theatre reaches for the stars but falls in blank space.

SOURCE: www.newcitystage.com at 7:00pm on October 29, 2018☆⚑

If These Walls Could Scream: A Review of The Walls of Harrow House at Rough House Theater by Jay Van Ort

Rough House Theater is bringing spooky back to the basement of the Chopin Theatre.

SOURCE: www.newcitystage.com at 4:00pm on October 29, 2018☆⚑

History Manifests in the Moment: A Preview of Relations at the MCA Stage by Alyssa Motter

For the first time, three of the most influential pioneers of experimental dance will meet on stage to reflect and project about life, dance and everything in between in real time, and we're…

SOURCE: www.newcitystage.com at 3:44pm on October 29, 2018☆⚑

Unpacking a Diva : A Review of Master Class at TimeLine Theatre Company by Erin Shea Brady

TimeLine Theatre Company's revival of Terrence McNally's 1995 play demonstrates the resilience of Maria Callas' story and pedagogy.

SOURCE: www.newcitystage.com at 1:30pm on October 29, 2018☆⚑

Making Commodity From Air: Ate9 Dance Company and Wilco's Glenn Kotche Join Forces by Sharon Hoyer

Ate9 Dance Company explores the wonder of human connection and interaction. We are all really different, but we have secrets that are mutual.

SOURCE: www.newcitystage.com at 5:00pm on October 26, 2018☆⚑

No Weekend, Just Work: A Review of Radio Culture at TUTA Theatre Chicago by Jay Van Ort

Imported from Belarus, this slow and steady local premiere at TUTA Theatre Chicago is equal parts function and rigor.

SOURCE: www.newcitystage.com at 4:00pm on October 26, 2018☆⚑

What is the "Right Way" to Be Black? Director Mikael Burke foregrounds the experiences of the marginalized by Emma Couling

An interview with up-and-comer Mikael Burke, director of First Floor Theater's "Hooded, Or Being Black For Dummies" and About Face Theatre's "This Bitter Earth."

SOURCE: www.newcitystage.com at 1:00pm on October 26, 2018☆⚑

Stage Top 5: November 2018 by Kevin Greene

The latest from Ike Holter, a pop-inspired musical about the cultural constraints placed on women and a universe-crossing Afrofuturist fable are just a few of the consciousness-expanding sho…

SOURCE: www.newcitystage.com at 10:00am on October 26, 2018☆⚑

Dance Top 5: November 2018 by Sharon Hoyer

November dance highlights visiting and Chicago-based companies; often in the same night.

SOURCE: www.newcitystage.com at 10:00am on October 26, 2018☆⚑

A Foreseeable Future: A Review of In the Canyon at Jackalope Theatre by Emma Couling

The world premiere of Calamity West's generation-spanning epic at Jackalope Theatre is a definitive example of the bold work the company is best known for.

SOURCE: www.newcitystage.com at 1:30pm on October 25, 2018☆⚑

Monstrous Humanity: A Review of Frankenstein at Remy Bumppo Theatre Company by Emma Couling

In alternating its two leads between creature and creator, Remy Bumppo Theatre Company leans into their inescapable interrelation.

SOURCE: www.newcitystage.com at 1:00pm on October 24, 2018☆⚑

Inert Energy: A Review of There is No Power for the Electric Chair at Trap Door Theatre by Jay Van Ort

Imported from the Balkans, this new play at Trap Door Theatre reflects the limitations of the company's Euro-centric model, both in terms of politics and stage craft.

SOURCE: www.newcitystage.com at 2:00pm on October 23, 2018☆⚑

Grim Brothers: A Review of The Lonesome West at AstonRep Theatre Company by Irene Hsiao

AstonRep Theatre Company's production of this Martin McDonagh play is as lovely a thing as can be mustered from the playwright's relentlessly bleak vision of humanity.

SOURCE: www.newcitystage.com at 11:15am on October 23, 2018☆⚑
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