4,600 stories from Toronto Star
"It's our biggest idea ever," Amy Lee said from rehearsal with co-star Heather Marie Annis.
We weigh the balance and break down some of the most interesting offerings.
Play with music springs from the imagination of Niall McNeil, an actor with Down syndrome.
On Friday, 23-year-old Hannah Fischer will dance the role of Odette/Odile for the first time.
The residents of the town gathered to cheer on musical 'Come From Away.' The show's plot is based on their town's open-door response to plane passengers stranded on Sept.11, 2001.
Host Kevin Spacey started the awards show Sunday night with a comedic number involving best musical nominees, including the Canadian show 'Come From Away.'
Also on this week's Top Ticket, Morro and Jasp in Stupefaction and the TSO stages Seven Deadly Sins.
Showstopper, the U.K.-based improv company, offers a talented, nimble team likely to please fans of the form. Others, not so much.
Broadway pundits and insiders agree it's between Come From Away and Dear Evan Hansen for the Best Musical Tony June 11.
Sara Farb and Antoine Yared aim to challenge audience expectations in their first Shakespeare leads for festival.
Turning Robert Louis Stevenson novel into a play while making room for technical elements means plot gets lost at sea.
The Canadian hit won outstanding musical, while its co-creators Irene Sankoff and David Hein won outstanding book of a musical and Jenn Colella took home the outstanding featured actress awa…
Choreographer John Neumeier takes liberties with the source material that pay off as Sonia Rodriguez brings an acute sensitivity to the faded Southern belle Blanche DuBois.
The lavish play connects the classic story from the 18th century to our contemporary era with a stinging commentary on the damaging effects of a culture of superficiality and fake news.
Plus new vitality and a sharper for the Von Trapps.
This production makes a strong case for the continued relevance of this fascinatingly unstable play, Karen Fricker writes.
It clearly to its credit that Stratford production takes a chance on storytelling choices, but it takes on water due to a lack of execution.
Vision of repression works in Stratford production, but does framing device?
Toronto International Tap Dance Festival this weekend at Harbourfront aims to expand century-old dance form's audience and update that crowd's preconceptions.
National Ballet artistic director Karen Kain turns to choreographer John Neumeier to bring classic play to life through dance.
Participants are between 17 and 29 or 56 and 73.
Festival is most ambitious yet with 160 shows.
Director Donna Feore makes full use of the thrust stage and her 18 ensemble cast members.
The centre of the production is musical theatre star Brent Carver, playing Feste, the fool who serves both the households in the play.
At the theatre with Tom McKeon, whose experiences helped shape skeptical character Bob in the hit Broadway musical.
