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35,882 stories from The Stage

Howard Sherman: Take to the barricades to defend the arts from Trump's antagonism by Howard Sherman

If I were given to cynicism, and if I thought I could get away with it, this week I would have submitted

SOURCE: The Stage Registration at 2:00am on February 16, 2018☆⚑

Mark Shenton: Is stunt casting like Tanya Burr really the way of the future? by Mark Shenton

In a feature for WhatsOnStage this week, Matt Trueman welcomed the imminent appearance of youtube blogger Tanya Burr in a revival of Judy

SOURCE: The Stage Registration at 2:00am on February 16, 2018☆⚑

Girls and Boys starring Carey Mulligan " review at Royal Court, London " 'a blindsiding climax' by Tim Bano

It's a worry when Euripides is thanked in a play's acknowledgements. In a way, the brutal, blindsiding climax to Dennis Kelly's monologue,

SOURCE: The Stage Registration at 6:59pm on February 15, 2018☆⚑

Composer Pamela Tan Nicholson urges opera world to evolve or risk alienating young audiences by Giverny Masso

Opera must evolve if it is to become relevant to young audiences, a leading composer has claimed. Pamela Tan Nicholson, who co-founded

SOURCE: The Stage Registration at 11:37am on February 15, 2018☆⚑

The Space given £3m to teach arts companies digital skills by Georgia Snow

Digital arts platform the Space has been granted a £3 million cash injection to train cultural organisations in digital skills. The Space

SOURCE: The Stage Registration at 11:35am on February 15, 2018☆⚑

Claims against former artistic director of Dublin's Gate were "credible and consistent" by Michael Quinn

A review into claims of inappropriate behaviour and abuse of power by former Gate Theatre boss Michael Colgan has found the allegations

SOURCE: The Stage Registration at 11:10am on February 15, 2018☆⚑

Government accused of blocking plans for theatre on site of Reading Gaol by Matthew Hemley

Plans for a theatre on the site of the former Reading Gaol are being blocked by the government, campaigners claim. Local organisation

SOURCE: The Stage Registration at 11:07am on February 15, 2018☆⚑

A Serious Play About World War II review at Vaults, London " 'a metatheatrical farce' by Fergus Morgan

The new show by Willis and Vere " the duo behind 2015's hit fringe farce The Starship Osiris " is called A

SOURCE: The Stage Registration at 11:03am on February 15, 2018☆⚑

Surprise! review at Vaults, London " 'an enjoyable exploration of anxiety' by Fergus Morgan

Lauren Silver's Surprise! is one of those frank, friendly solo shows that explores issues of mental health or social stigma with the

SOURCE: The Stage Registration at 9:34am on February 15, 2018☆⚑

Still Alice review at West Yorkshire Playhouse, Leeds " 'quietly devastating' by Chris Bartlett

This adaptation of neuroscientist Lisa Genova's novel, Still Alice, about a Harvard professor with early-onset Alzheimer's disease has one obvious challenge "

SOURCE: The Stage Registration at 8:58am on February 15, 2018☆⚑

The Lovely Bones to be adapted for the stage by Matthew Hemley

Alice Sebold's The Lovely Bones is being adapted for the stage by playwright Bryony Lavery. It will be directed by Melly Still,

SOURCE: The Stage Registration at 6:48am on February 15, 2018☆⚑

Without Walls announces 13 new commissions of outside touring work by Giverny Masso

Outdoor touring company Without Walls has announced 13 new commissions following an open call. These include a national tour to UK festivals

SOURCE: The Stage Registration at 6:39am on February 15, 2018☆⚑

Playwrights James Fritz and Gary McNair commissioned by multimillion-pound Audible fund by Georgia Snow

Playwrights Gary McNair and James Fritz are among the first writers selected to create new plays as part of a $5 million

SOURCE: The Stage Registration at 6:35am on February 15, 2018☆⚑

Romola Garai to lead cast of Ella Hickson's The Writer by Georgia Snow

Romola Garai has been cast in the title role in Ella Hickson’s new play, The Writer. The play premieres at the Almeida

SOURCE: The Stage Registration at 6:14am on February 15, 2018☆⚑

The Almighty Sometimes review at Royal Exchange Theatre, Manchester " 'an impressive writing debut' by Natasha Tripney

Anna is contemplating leaving home. She craves independence. She wants to go to university. She is 18 years old and that's what

SOURCE: The Stage Registration at 4:39am on February 15, 2018☆⚑

Cotton review at Vaults, London " 'free-flowing and forgivably raw' by Fergus Morgan

What makes one world real and one world imaginary? That's the Matrix-like dilemma at the centre of Exeter-based company the Peaceful Defeat's

SOURCE: The Stage Registration at 4:15am on February 15, 2018☆⚑

Mark Shenton: What's the point of theatre programmes in a digital world? by Mark Shenton

Michael Crick, political correspondent for Channel 4 News, waded into a dangerous political territory the other day when he tweeted a photograph

SOURCE: The Stage Registration at 2:00am on February 15, 2018☆⚑

Richard Jordan: Bravery is key as artistic directors face theatre's wheel of fortune by Richard Jordan

Theatre is often compared to a race: which building or company is getting ahead? Which is falling behind? A theatre can end up

SOURCE: The Stage Registration at 2:00am on February 15, 2018☆⚑

Caroline Quentin and Penelope Keith cast in gender-balanced Chichester 2018 season by Matthew Hemley

Rufus Hound, Penelope Keith and Caroline Quentin are to star in Chichester Festival Theatre's 2018 season, which will feature a 50/50 gender-split

SOURCE: The Stage Registration at 1:00am on February 15, 2018☆⚑

Chicken Soup review at Crucible Studio, Sheffield " 'warmth, wit and quiet anger' by John Murphy

Although the music on the radio may change over the years, the song remains very much the same. That's the message to

SOURCE: The Stage Registration at 7:50pm on February 14, 2018☆⚑

Katie Jackson: Pursue non-drama activities to escape the theatre bubble by Katie Jackson

Theatre can be a very insular world. It often feels as though raising an opinion gets you as far as screaming into

SOURCE: The Stage Registration at 7:01pm on February 14, 2018☆⚑

Editor's View: Why does Sally Greene losing her Old Vic job title matter? by Alistair Smith

Saviour of the Old Vic, chief executive, owner " Sally Greene has been referred to in many ways over the years. It

SOURCE: The Stage Registration at 7:01pm on February 14, 2018☆⚑

Quartet review at Everyman Theatre, Cheltenham " 'strongly performed' by Jeremy Brien

Mark Goucher, who is bedding in as the new Chief Executive at Cheltenham Everyman, has launched his strategy to make the theatre

SOURCE: The Stage Registration at 1:23pm on February 14, 2018☆⚑

David Lan's final interview as Young Vic boss: 'I've never been on a career path " I made it up as I went along' by Nick Clark

As the Young Vic's artistic director steps down after 18 years, he leaves the venue in rude health: an artistic and commercial

SOURCE: The Stage Registration at 12:00pm on February 14, 2018☆⚑

Royal Court launches priority booking for under-26s by Georgia Snow

The Royal Court in London has introduced a young people’s membership scheme offering priority booking on day tickets. The membership programme is

SOURCE: The Stage Registration at 11:33am on February 14, 2018☆⚑
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