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35,882 stories from The Stage

Nicholas Hytner: 'There will be no diversity quotas at the Bridge Theatre' by Georgia Snow

Nicholas Hytner has ruled out using quotas to achieve diversity or gender balance at the Bridge Theatre, claiming he is "not going

SOURCE: The Stage Registration at 6:54am on March 2, 2018☆⚑

Richard Hawley to pen new musical for Sheffield Theatres' 2018-19 season by Georgia Snow

The singer and Pulp guitarist Richard Hawley will write a new musical for Sheffield Theatres described as being a “heart-breaking love song

SOURCE: The Stage Registration at 6:39am on March 2, 2018☆⚑

Electra review at the Bunker, London " 'a stylish adaptation' by Tim Bano

As well as being a play about war, John Ward’s adaptation of the Ancient Greek story of Electra is a production at

SOURCE: The Stage Registration at 5:23am on March 2, 2018☆⚑

Fanny and Alexander review at Old Vic, London " 'colourful and involving' by Sam Marlowe

"More life, more love!" cries Fanny and Alexander's doomed father Oscar, as he raises his last ever Christmas toast in this adaptation

SOURCE: The Stage Registration at 4:46am on March 2, 2018☆⚑

Howard Sherman: Theatre's canon is being rewritten daily to reflect changing times by Howard Sherman

Earlier this week, Monica Hesse wrote in the Washington Post about the disconcerting experience of viewing films and TV shows that she

SOURCE: The Stage Registration at 2:00am on March 2, 2018☆⚑

Mark Shenton: Could the West End bubble burst? by Mark Shenton

Earlier this week, the Society of London Theatre announced that attendance at its member theatres has exceeded 15 million for the first

SOURCE: The Stage Registration at 2:00am on March 2, 2018☆⚑

Father of Lies review at Vaults, London " 'compulsively gripping' by Fergus Morgan

In 1973, in the West Germany town of Würzburg, there was a murder. Or so Bête Noire Productions' painstakingly put-together docudrama Father

SOURCE: The Stage Registration at 12:21pm on March 1, 2018☆⚑

Adverse weather conditions lead to theatre cancellations across the UK by Matthew Hemley

As snow continues to fall across the UK, theatre productions including Cilla the Musical and Flashdance have had to cancel planned performances.

SOURCE: The Stage Registration at 10:47am on March 1, 2018☆⚑

Tim Bano becomes joint lead critic at The Stage by Matthew Hemley

Tim Bano has been appointed joint lead critic at The Stage, as part of a move that sees Mark Shenton become New

SOURCE: The Stage Registration at 10:42am on March 1, 2018☆⚑

Underbelly and New Diorama reveal winners of Untapped Edinburgh competition by Matthew Hemley

Producer Underbelly and London venue the New Diorama Theatre have announced the winners of its inaugural Untapped Edinburgh competition, for which three

SOURCE: The Stage Registration at 10:39am on March 1, 2018☆⚑

Smile Upon Us, Lord review at Barbican Theatre, London " 'mesmeric and moving' by Natasha Tripney

Russia's prestigious Vakhtangov State Academic Theatre returns to London with Smile Upon Us, Lord, an adaptation of two books by the Jewish

SOURCE: The Stage Registration at 10:04am on March 1, 2018☆⚑

Improbable to premiere new show as part of Norfolk and Norwich Festival programme by Georgia Snow

Theatre company Improbable will premiere a new work exploring the impacts of fascism at this year’s Norfolk and Norwich Festival, it has

SOURCE: The Stage Registration at 9:51am on March 1, 2018☆⚑

Matt Lucas, Patricia Hodge and Tracy-Ann Oberman cast in Chichester season by Georgia Snow

Matt Lucas has been cast in Chichester Festival Theatre’s revival of Me and My Girl, alongside Caroline Quentin. He will make his

SOURCE: The Stage Registration at 9:38am on March 1, 2018☆⚑

Curtains review at Rose Theatre, London " 'sharply observed dark comedy' by Paul Vale

Stephen Bill’s dark comedy about how a family copes with reality of assisted suicide premiered in 1987 in Hampstead. Since then, the subjects

SOURCE: The Stage Registration at 8:57am on March 1, 2018☆⚑

Bismillah! An Isis Tragicomedy review at Vaults, London " 'humorous and humane' by Fergus Morgan

Wound Up Theatre takes the terror out of terrorism with this delightfully drawn two-hander featuring a captured British soldier and a gun-toting

SOURCE: The Stage Registration at 8:18am on March 1, 2018☆⚑

Martin Shaw: 'Younger actors are not trained in the craft of acting' by Matthew Hemley

Martin Shaw has claimed shorter rehearsals mean younger actors are not being given the chance to develop their skills. He has also

SOURCE: The Stage Registration at 6:44am on March 1, 2018☆⚑

Juliet Stevenson: 'Harassment and bullying won't be tackled with hashtags' by Georgia Snow

Actor Juliet Stevenson has implored the industry not to let momentum fade in the fight against sexual harassment, warning that change will

SOURCE: The Stage Registration at 6:37am on March 1, 2018☆⚑

Royal Central School of Speech and Drama dedicates studio theatre to Judi Dench by Georgia Snow

The Royal Central School of Speech and Drama has renamed its performance studio after actor and alumna Judi Dench. The Dench Studio

SOURCE: The Stage Registration at 6:31am on March 1, 2018☆⚑

Split review at Vaults, London " 'warm, witty and nostalgic' by Fergus Morgan

Time for some noughties nostalgia. Emma Pritchard and songwriter-comedian Tamar Broadbent's new play Split follows the growth of two high-school girls' friendship

SOURCE: The Stage Registration at 5:13am on March 1, 2018☆⚑

Theatre bosses 'on notice' over abuse claims by Matthew Hemley

Equity has issued its strongest warning yet that theatre managements will be held to account for any instances of sexual harassment that

SOURCE: The Stage Registration at 4:00am on March 1, 2018☆⚑

Richard Jordan: Performing arts markets with heart aid collaborations as well as sales by Richard Jordan

The Australian Performing Arts Market (APAM) took place in Brisbane last week. It was the final one in this city, which hosted

SOURCE: The Stage Registration at 2:00am on March 1, 2018☆⚑

James Hadley: The UK's musical renaissance needs industry support to break into the mainstream by James Hadley

New musical theatre is enjoying a renaissance in the UK, but most of it is happening away from public and wider industry

SOURCE: The Stage Registration at 2:00am on March 1, 2018☆⚑

Editor's View: Is threat of Brexit fuelling West End's record figures? by Alistair Smith

Another year of record West End box office, the highest attendances ever recorded and more than three quarters of all available seats

SOURCE: The Stage Registration at 7:01pm on February 28, 2018☆⚑

Grace Smart: Producers need to take more risks on young designers by Grace Smart

Lately there has been a lot of discussion about how designers can progress in this business. Whether it's a gap between graduating

SOURCE: The Stage Registration at 7:01pm on February 28, 2018☆⚑

Touretteshero's Jess Thom: 'Disabled people need to be written in, not written out' by Natasha Tripney

Jess Thom's Backstage in Biscuit Land, a witty celebration of her experience of living with Tourette's, was an Edinburgh Fringe hit in

SOURCE: The Stage Registration at 12:00pm on February 28, 2018☆⚑
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