1,898 stories from The New Yorker
Michael Schulman on how the Tony Award-winning rock musical "Spring Awakening" relates to the experience of the student survivors of the Parkland, Florida, school shooting.
Hilton Als writes that in the playwright's latest work, his slick cynicism threatens to overtake his real gifts.Â
Cynthia Zarin writes about "Returning to Reims," a stage play from the German troupe the Schaubühne, based on the French philosopher Didier Eribon's memoir.
Ian Buruma writes about his time visiting Japanese theatres in the nineteen-seventies.
Rebecca Mead on a new Broadway production of Tony Kushner's play, in which puppeteers conjure a heavenly being from feathers and feelings.
In "The Leisure Seeker," they play a couple on a Winnebago odyssey. In New York, they did a morning-show blitz. Michael Schulman writes.
Amanda Petrusich reviews "May It Last," a documentary, directed by Judd Apatow and Michael Bonfiglio, about the folk-rock band the Avett Brothers.
Michael Schulman on the six sisters' fashion line, which rebrands their father's message for the pussy-hat era.
In "Stories by Heart," his one-man show, the actor plays a neighborhood barber. He took a field trip to meet one in Manhattan. Anna Russell reports.Â
Michael Schulman on the diversity of the 2018 Academy Award nominations and whether the Academy has moved past its #OscarsSoWhite controversy from years past.
Michael Schulman writes about GrowNYC, which teaches students"largely from immigrant populations"how to make a living in agriculture.Â
Rebecca Mead talks with the distinguished British director, who is adapting the animated musical for Broadway.
Michael Schulman writes about Oprah Winfrey and the women of the 2018 Golden Globe ceremony.
Daniel Pollack-Pelzner writes about the opening of the musical "Hamilton" in London in the era of Brexit and Donald Trump.
The director and playwright is back, with "Paradiso," a work that explores his interest in myth and the mundane.
Amanda Petrusich on Rick Hall, the music producer who founded FAME Studios, who died, at the age of eighty-five, this week.
Alex Ross on "The Last Jedi" and the Wagnerian leitmotifs created by John Williams for the "Star Wars" universe.
At a vegan cooking class, "the Bean," who's co-starring in "Lady Bird" and in Broadway's "Hello, Dolly!," talks theatre camp and her big brother Jonah Hill.
Geraldine DeRuiter writes a satirical list of imagined tweets that Lin-Manuel Miranda might send after the apocalypse.
Cynthia Zarin writes about the Broadway musical "West Side Story," which made its début in 1957.
Richard Brody reviews "The Greatest Showman," about the life of P. T. Barnum, directed by Michael Gracey and starring Hugh Jackman.
Daniel Pollack-Pelzner writes about how Lin-Manuel Miranda's American Revolution musical "Hamilton" will be received in London for its West End début.
Ken Auletta writes about the industry news surrounding Rupert Murdoch's sale of Fox Entertainment to Disney, and how the merger will affect Murdoch's sons James and Lachlan.
Michael Schulman writes about the odds for films such as "Call Me by Your Name," "The Shape of Water," "The Post," and more in advance of Oscar season.
Joshua Yaffa writes about the house arrest of the theatre director Kirill Serebrennikov and about artistic freedom in Putin's Russia.
