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4,600 stories from Toronto Star

Out is a joyous celebration of being gay in the 1970s by Carly Maga - Theatre Critic

Greg Campbell's celebration of homosexual cultural icons, music, sex and protest could benefit from highlighting darker realities, writes Carly Maga.

SOURCE: Toronto Star at 1:17pm on April 26, 2019

Why Dear Evan Hansen spoke to David Mirvish by Karen Fricker - Theatre Critic

The musical about a flawed teenager 'is about all of us. We all want to be liked to some degree,' says the head of Mirvish Productions, who chased the show for two years.

SOURCE: Toronto Star at 8:00am on April 26, 2019

Old Stock tells its Refugee Love Story in a risky and memorable way by Karen Fricker - Theatre Critic

Old Stock veers from noisily confrontational to lyrical to sardonic, with a buildup of character through beautifully observed, often wryly funny dialogue, writes Karen Fricker.

SOURCE: Toronto Star at 7:00am on April 26, 2019

Black comedy Hand to God tackles political divide with puppets by Carly Maga - Theatre Critic

Performances dazzle in satire-rich play that takes on good vs. evil, on until May 12 at the Coal Mine Theatre.

SOURCE: Toronto Star at 3:41pm on April 25, 2019

VideoCabaret has a new home for its black box theatre by Carly Maga - Theatre Critic

The Toronto company known for The History of the Village of the Small Huts now has its own building in Toronto's east end.

SOURCE: Toronto Star at 7:00am on April 24, 2019

Marjorie Chan chosen as Theatre Passe Muraille's new artistic director by Carly Maga - Theatre Critic

Former artistic director of Cahoots Theatre takes over from Andy McKim at 51-year-old theatre company.

SOURCE: Toronto Star at 6:00am on April 24, 2019

How to grab an audience by the lapels by Carly Maga - Theatre Critic

Old Stock is meant to put a human face on the refugee experience.

SOURCE: Toronto Star at 12:00am on April 20, 2019

Rachel Chavkin is a great success on Broadway, but is a rare item by John Carucci - The Associated Press

Despite the theatre community embracing inclusion onstage with gender identity and non-traditional casting, when it comes to directors, there's still a gender imbalance.

SOURCE: Toronto Star at 5:04pm on April 19, 2019

La Bohème is safe but sung with spirit at Canadian Opera Company by John Terauds - Special To The Star

Soprano Angel Blue excels as Mimi in traditional production that's still impressive. Well, except the wigs.

SOURCE: Toronto Star at 11:30am on April 18, 2019

Torquil Campbell returns to Crow's Theatre with concert/theatre hybrid Stars: Together by Carly Maga - Theatre Critic

New Crow's Theatre season also includes Annie Baker's The Flick, Dave Malloy's Ghost Quartet, Groundling's Julius Caesar, a reprise of Secret Life of a Mother and the second play in Obsidian…

SOURCE: Toronto Star at 10:00am on April 18, 2019

The debate over theatre trigger warnings: Are they art killers or a vital audience service? by Karen Fricker - Theatre Critic

For performer Sky Gilbert, trigger warnings are 'dangerous for art.' The Coal Mine Theatre, on the other hand, plans to change what it stages to avoid triggering audiences, writes Karen Fric…

SOURCE: Toronto Star at 7:00am on April 17, 2019

Theatre company Outside the March takes its audience to the movies by Carly Maga - Theatre Critic

The 10th anniversary season will feature Annie Baker's The Flick, set in a cinema, and the immersive production The Tape Escape in an old Queen Video storefront.

SOURCE: Toronto Star at 11:00pm on April 15, 2019

#MeToo story finds power in its normalcy by Carly Maga - Theatre Critic

Drama about a complex sexual encounter is informative for those who can't relate to the #MeToo movement, and empowering for those who do.

SOURCE: Toronto Star at 1:42pm on April 14, 2019

Copenhagen's intense banter leaves the audience behind by Carly Maga - Theatre Critic

Soulpepper production is clearest when the script dives into personal territory, Carly Maga writes.

SOURCE: Toronto Star at 12:57pm on April 13, 2019

Bigre's frivolous, bawdy slapstick has a charming French twist by Carly Maga - Theatre Critic

The language barrier proves no obstacle for show full of rude, fun energy.

SOURCE: Toronto Star at 12:53pm on April 12, 2019

Why Ramones play Four Chords and a Gun fails so completely by Carly Maga - Theatre Critic

Story built around Phil Spector's gun is a complete misfire as script and direction leave actors mostly handcuffed.

SOURCE: Toronto Star at 2:05pm on April 11, 2019

The Chemical Valley Project's bleak environmental snapshot could be cleaned up by Carly Maga - Theatre Critic

Grimly potent details about Sarnia's petrochemical industry brought to light in production whose ambitions sometimes outstrip its reach.

SOURCE: Toronto Star at 12:49pm on April 10, 2019

James Kudelka and Evelyn Hart team up again on Four Old Legs by Michael Crabb - Special To The Star

Now in their 60s, they first met as National Ballet School students. The former Royal Winnipeg prima ballerina and National Ballet artistic director explain why they've paired up once more i…

SOURCE: Toronto Star at 8:00am on April 10, 2019

How can theatre companies get Indigenous land acknowledgments right? by Carly Maga - Theatre Critic

Noting Indigenous history and legacy now seems obligatory for public arts events, but no consensus has emerged about the right notes to strike, and Hayden King, for one, sees harm in how the…

SOURCE: Toronto Star at 11:55am on April 9, 2019

Dear Evan Hansen extends Toronto run to Sept. 29 by Debra Yeo - Toronto Star

A new block of tickets is on sale for the Tony Award-winning musical.

SOURCE: Toronto Star at 6:00am on April 9, 2019

Brooke Lynn Hytes takes drag-show momentum back to Toronto for a high-camp live mash-up by Carly Maga - Theatre Critic

Canadian Brock Hayhoe and his reality-TV star alter ego glad to be back for First Wives Fight Club on April 10.

SOURCE: Toronto Star at 6:00am on April 9, 2019

Kopernikus is more requiem for science than an opera by John Terauds - Special To The Star

Against the Grain produces great staging of a strange opera.

SOURCE: Toronto Star at 4:00pm on April 6, 2019

Go-for-broke performances drive Sarah Burgess's Dry Powder by Karen Fricker - Theatre Critic

More than a glimpse at the inner workings of leveraged buyout schemes, production offers a vantage on the mentality of those whose world is defined by them.

SOURCE: Toronto Star at 2:02pm on April 6, 2019

Guarded Girls' look into women's prison rewards author's risks by Carly Maga - Theatre Critic

Staging is imperfect but structure and capable cast help make new show at Tarragon Theatre worthwhile.

SOURCE: Toronto Star at 5:48pm on April 5, 2019

Angélique's ambitions pay off, mostly, in slave's tale by Karen Fricker - Theatre Critic

Jenny Brizard soars in title role as four theatre companies pool their efforts for a demanding play that should be produced more often.

SOURCE: Toronto Star at 1:20pm on April 5, 2019
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