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7,984 stories from Los Angeles Times

Ali Stroker wins a Tony Award and makes history with her wheelchair trip to the podium by Ashley Lee

The Tony Awards cain't say no to Ali Stroker, who made history Sunday by becoming the first actor in a wheelchair to win the biggest honor in theater. The actress took home the Tony for feat…

SOURCE: Los Angeles Times at 9:05am on June 12, 2019

Why 'The Prom' wanted that same-sex kiss to be on the Tonys telecast by Ashley Lee

When the cast of "The Prom" performed at the Tony Awards, it drove home the show's themes of acceptance and inclusion with a same-sex kiss. The musical, which entered the night with seven no…

SOURCE: Los Angeles Times at 9:05am on June 12, 2019

Tony winner Rachel Chavkin of 'Hadestown' on being a woman alone by Jessica Gelt

Rachel Chavkin was glad to win the Tony Award for best director of a musical for "Hadestown" at the Tony Awards on Sunday night, but made it clear that she was profoundly unhappy about the l…

SOURCE: Los Angeles Times at 9:05am on June 12, 2019

Tony winners: 'Hadestown' leads with seven awards so far, including best director by Ashley Lee

The Tony Awards are underway, and "Hadestown" has proved to be the show to beat. The musical entered the night with a leading 14 nominations and has won seven statues so far, taking home hon…

SOURCE: Los Angeles Times at 9:05am on June 12, 2019

'Oklahoma!' actress Ali Stroker may be the first actress in a wheelchair to win a Tony by Barbara Isenberg

From her first song in Daniel Fish's daring revival of "Oklahoma!" actress Ali Stroker presents an Ado Annie like audiences have never encountered before. Partly it's her amazing voice, stro…

SOURCE: Los Angeles Times at 9:05am on June 12, 2019

What time are the Tony Awards? It's (ridiculously) complicated by Craig Nakano

The 2019 Tony Awards can be seen live at 8 p.m. Eastern on CBS " unless you live in the fourth dimension known as the West Coast. For theater fans here, CBS will continue its tradition of de…

SOURCE: Los Angeles Times at 9:05am on June 12, 2019

Tony Awards: A critic celebrates Broadway's unabashed idealism by Charles McNulty

At a time in America when lies are rampant in public life and alternative truth has been adopted as a winning political strategy, the 2018-19 Broadway season will be remembered for those gri…

SOURCE: Los Angeles Times at 9:05am on June 12, 2019

Why 'Hadestown' deserves the Tony Award for best musical of the year by Charles McNulty

It turned out not to be a horrendous year for new Broadway musicals, if you disqualify "King Kong," lower your IQ for "The Cher Show" and bring earplugs to "Be More Chill." "The Prom," a cam…

SOURCE: Los Angeles Times at 9:05am on June 12, 2019

Review: 'Indecent' at the Ahmanson pays haunting tribute to a daring Yiddish play by Charles McNulty

Rebecca Taichman won a Tony Award for directing a darkly enchanting production of the Paula Vogel play, now at the Ahmanson Theatre.

SOURCE: Los Angeles Times at 2:11pm on June 11, 2019

Tony Awards: Broadway flaunts its idealism in inspiring celebration of the year's best by Charles McNulty

The Tony Awards sort out a Broadway year divided between the impulse to innovate and the desire to maintain the status quo.

SOURCE: Los Angeles Times at 12:15am on June 10, 2019

Tony Awards' top races: A theater critic's opinionated guide by Charles McNulty

Handicapping Sunday's Tony Awards: Can "Hadestown" beat "Tootsie"? Will Sorkin's "Mockingbird" be redeemed? And will the Tonys justly reward a female director?

SOURCE: Los Angeles Times at 10:00am on June 6, 2019

Review: In Lucas Hnath's 'Dana H.,' a kidnapping survivor's truth hides in the shadows by Charles McNulty

The playwright gets personal in this documentary tale about his mother, a psych ward chaplain held captive by a suicidal convict. It's a sly, slippery tale.

SOURCE: Los Angeles Times at 6:53pm on June 3, 2019

Why 'Hadestown' deserves the Tony Award for best musical of the year by Charles McNulty

Anaïs Mitchell's concept album-turned-folk opera is an exquisite marriage of story and song that advances the art of theater.

SOURCE: Los Angeles Times at 9:30am on June 3, 2019

Why 'Constitution' and not 'The Ferryman' should win the Tony for best play by Charles McNulty

Heidi Schreck's "What the Constitution Means to Me" is more than a performance piece: It's the most moving play of the year.

SOURCE: Los Angeles Times at 8:00am on May 29, 2019

MOCA receives a $10-million gift to make admission free by Deborah Vankin

The Museum of Contemporary Art has announced that it will make admission free " a switch made possible by $10-million gift from MOCA Board of Trustees President Carolyn Powers. Powers made t…

SOURCE: Los Angeles Times at 8:14am on May 21, 2019

Review: 'Anna in the Tropics' lights a powder keg of passion by Margaret Gray

Nilo Cruz's 2003 Pulitzer Prize-winning play, "Anna in the Tropics," is set in 1929 at a cigar factory in Florida, but the Anna of the title is Anna Karenina. Tolstoy's adulteress never actu…

SOURCE: Los Angeles Times at 8:14am on May 21, 2019

Review: David Henry Hwang's 'M. Butterfly' takes flight in a more gender-fluid era by Charles McNulty

Time passes, and even a contemporary classic can use a nip and tuck. David Henry Hwang, most famous for his Tony-winning 1988 play "M. Butterfly," performed some not insignificant cosmetic s…

SOURCE: Los Angeles Times at 8:14am on May 21, 2019

Review: David Henry Hwang's 'M. Butterfly' takes flight in a more gender-fluid era by Charles McNulty

The modern classic on gender roles and Orientalism gets an uneven revival at South Coast Repertory in Costa Mesa directed by Desdemona Chiang.

SOURCE: Los Angeles Times at 3:26pm on May 20, 2019

New in L.A. theater: Liberal politics, heavy metal and an Asian 'Mamma Mia!' by Philip Brandes

If it's not one thing, it's your mother " a bit of bumper sticker wisdom, perhaps, but on the heels of Mother's Day it's an apropos adage for three of this week's selections from Southern Ca…

SOURCE: Los Angeles Times at 8:05am on May 18, 2019

Review: Helder Guimarães brings his philosophical magic to the Geffen by Charles McNulty

Helder Guimarães is either a magician posing as a philosopher or a philosopher posing as a magician. But however you classify him, he's excellent company in his new show, "Invisible Tango…

SOURCE: Los Angeles Times at 8:05am on May 18, 2019

Review: In 'Tigers Be Still' in Anaheim, a millennial struggle to get off the couch by Margaret Gray

Kim Rosenstock, a writer for the Fox sitcom "New Girl," launched her career with the play "Tigers Be Still," first produced in New York in 2010. As Chance Theater's regional premiere of this…

SOURCE: Los Angeles Times at 8:05am on May 18, 2019

Review: 'Boxing Lessons' delivers mayhem and plot twists in a one-two punch by F. Kathleen Foley

John Bunzel may be a veteran film and television writer, but he has never wandered far from his roots in the theater, where he has been plying his trade for more than 30 years. Anyone who ha…

SOURCE: Los Angeles Times at 8:05am on May 18, 2019

This choreographer uses dance to help transgender communities feel seen by Makeda Easter

In the opening vignette of Sean Dorsey's latest work, "Boys in Trouble," the choreographer performs a gentle solo within the confines of a single spotlight. As he dances, his recorded voice …

SOURCE: Los Angeles Times at 8:05am on May 18, 2019

Ojai Youth Opera: Like 'Glee' for the kid who can't get enough of Puccini by Tim Greiving

This isn't "High School Musical." No, the members of this young company " from 7-year-old moppets all the way up to assured 18-year-olds " say things like: "I think a lot of people can agree…

SOURCE: Los Angeles Times at 8:05am on May 18, 2019

Review: Helder Guimarães brings his philosophical magic to the Geffen by Charles McNulty

Directed by Frank Marshall and featuring music by Moby, "Invisible Tango" has tricks that astonish and a storytelling charm that's more than mere magic show.

SOURCE: Los Angeles Times at 11:25am on May 17, 2019
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