1,826 stories from The Globe and Mail
Toronto's Tapestry Opera takes on indie opera scene
Bilingual comedy is Swiss director Christoph Marthaler's very loose adaptation of La Poudre aux yeux
The Stratford Festival is seeing a major influx of young actors bringing new ideas to Shakespearean roles
Montreal company's tale set in Golden Age of Hollywood is a lifeless, eye-rolling mess
The Globe and Mail's theatre critic, J. Kelly Nestruck, shares his top four picks for this year's Stratford festival
Jess Thom, who has Tourette's syndrome, developed the autobiographical play after she was isolated during a theatre performance due to her verbal tics
Hamlet is the best template for the province's sovereignty, and may be even better as a frame for any PQ leadership campaign
Michelle Monteith plays the lead in The Heidi Chronicles at Soulpepper
Argentine who was told after a rollerblading accident in North Vancouver she might never dance again will perform in Swan Lake on Saturday
Production makes a compelling argument for Colm Toibin's The Testament of Mary to live in the theatre
New spin on classic tale revels in the museum aspect of Lewis Carroll's story
Free speech is one thing, but who could find Dieudonné funny?
The dramatist has a new play, How Black Mothers Say I Love You, about an emigrating Caribbean mother who is separated from her daughters for years
Is Ballet BC's all-female program of choreographers the exception to the rule? Few of them seem to be interested in discussing the gender politics
Toronto's UJA chapter is the most recent group to disassociate itself from the playwright over his criticisms of Israel
Hinton directs Alice in Wonderland at the Shaw Festival in Niagara-on-the-Lake this summer
The Globe catches up with the theatre company's ever-busy artistic director
Luzia sees characters clad in gossamer wings, iguana heads and cockroach costumes amid surreal evocations of the country's culture
Hamilton tells the story of U.S. statesman Alexander Hamilton and his rivalry with Vice President Aaron Burr
Maometto II may be the best-sung production of the season at the COC, and that's saying something at Alexander Neef's COC, where the quality of the singing is always extremely high
Fabrizio Filippo speaks about his new topsy-turvy techno thriller, The Summoned
Decades of white-male dominance in sketch comedy and improv have had a lasting impact on the talent pool of aspiring comedians
The playwright has two brand new one-act plays premiering in Toronto " Botticelli in the Fire and Sunday in Sodom " then his tiny but influential storefront theatre and art gallery will shut…
No glittering lobby entrances, no opulent gowns or ill-fitting tuxes
He was one of a few pioneers who built a national theatre focusing on working-class life in the province
