37,850 stories from The New York Times
We tagged along to a late-night rehearsal for performers from "Just in Time," "Buena Vista Social Club" and "Ragtime."
In shows like "Black Watch," "The Jungle" and "Oklahoma!," the institution has affirmed the theater's singular power to shock and illuminate our world.
The actor is now playing an adult version of the sinister child he portrayed in the film series.
The show, starring Kristin Chenoweth, will remain open through the holidays. The announcement comes just two weeks after the musical opened.
The Chinese dancer, choreographer and filmmaker "didn't think in those terms" when she was young. Now, she said, "I'm more relaxed, more clear on what I want to do."
Arthur Miller and Ivo van Hove are a perfect match again, in a new production starring Bryan Cranston and Paapa Essiedu.
James Bundy leads the theater program at Yale while directing his own revival of "Hedda Gabler." He told us about a week in his cultural life.
Andrew Lloyd Webber, Sara Bareilles, Joshua Henry, Jeanine Tesori, Jason Robert Brown and New York Times writers and editors pick 13 songs to seal the deal.
Maija GarcÃa's "Jazz Island" is a full-company narrative of a kind that Ailey hasn't done in a while. And it features an Afro-Caribbean score by Etienne Charles.
Kara Young and Nicholas Braun star in the Off Broadway revival of Rajiv Joseph's two-hander about best friends on parallel paths to self-destruction.
Gaten Matarazzo, a breakout star of Netflix's megahit horror series, attends Rangers hockey games with his dad and walks the Hudson River with his girlfriend.
Cynthia Erivo and Ariana Grande return to Oz for the second part of Jon M. Chu's maximalist adaptation of the Broadway musical.
A new production at the Public Theater takes up five hours of stage time to tell the story of a group of friends from their first day to graduation.
For its season at New York City Center, its first major engagement here in years, the company disappoints with mediocre repertory.
Each witch gets a new number as part of an effort to flesh out the arc of the stage show's second act.
The pink-and-green-themed promotions were everywhere, with all the advantages and limitations that kind of marketing push entails.
The effervescent musical, a new London import, delivers lavishly on the promise of a rom-com: laughter, escape and fantasy.
Nazareth Hassan's darkly witty satire follows an imperious director who pushes his eager actors to extremes.
In "My Town," Jack Ferver's one-person take on the Wilder classic with hints of "Wisconsin Death Trip," movement and storytelling are deftly intertwined.
A crowd that included Meryl Streep, Martin Short and Steve Martin packed the Shed for the actor's new show, "This World of Tomorrow."
A Black Hedda Gabler on film and a white Korean robot onstage are sending mixed signals about the status of cultural diversity and representation.
Some psychologists and parents argued that it risked glamorizing the condition, but one performer described the experience as empowering: "Onstage, I can be who I really am."
The movie star plays a man from the future at the 1939 New York World's Fair in an adaptation of some of his stories. Kelli O'Hara shines as his love interest.
At New York's performing arts venues, herding audiences is a melodic mission.
Talene Monahon's captivating play uses a 1925 court decision to explore what identity means to Armenians here (a certain reality TV star included).
