A critic's plea: stop all arts funding now
Douglas McPherson can't think of one publicly funded show that was any good - while every day commercial world creates amazing things without help
Douglas McPherson can't think of one publicly funded show that was any good - while every day commercial world creates amazing things without help
Simon Russell Beale's Dean provides him with a performance which instantly ranks as one of the finest in his career, says Dominic Cavendish
Even this oddly muted departure can't diminish Sylvie Guillem's talent, says Laura Thompson
The Theatre Royal begins its ambitious, weekly-rep season with a Seventies political farce, says Dominic Cavendish
This revival of Farquhar's late-Restoration comedy is professionally done but needs more zing, says Dominic Cavendish
The opening play at Manchester's new arts venue is a daring move, but does it backfire?
The Globe and the RSC are showing The Merchant of Venice at the same time - and the two productions don't compare favourably, says Dominic Cavendish
It might feel a little like a fan convention in disguise, but An Evening with Al Pacino is still a lot of fun, says Lucinda Everett
The acclaimed Japanese director's latest production is vivid if arid, says Jane Shilling
This new outdoor staging of JM Barrie's 1904 play is at once elegiac, boisterous and full of childlike ingenuity, says Claire Allfree
This is a fine Globe prodution of one of Shakespeare's trickiest comedies, says Jane Shilling
Diana Agron's stilted performance and snigger-inducing poetic lines make this a fashion faux-pas, says Ben Lawrence
This vivacious staging of the 1813 classic feels designed for people who find the original novel not quite entertaining enough
A bizarre experimental piece, in which dancers writhe on the floor and munch on sheets of paper, doesn't leave Mark Monahan hungry for more
Jane Shilling catches Prince Harry's ex in the first night of her one-woman show
Foley's play offers a teasing promise of revelation, with Cressida Bonas offering an engaging performance, says Jane Shilling
As Welsh National Opera's Peter Pan opens, its librettist Lavinia Greenlaw explores the dark side of JM Barrie's classic
As she prepares for her final performance, the ballerina shares the tales behind her favourite roles.
This year will mark the end of Sylvie Guillem's astonishing 30-plus years as one of the world's foremost ballet dancers. Sarah Crompton meets her as she prepares to bring her farewell tour t…
This new staging of the Cole Porter classic takes time to get going, says Serena Davies - but once it does, it's irresistible
As the Glee star prepares for her UK theatrical debut, she talks to Craig McLean about Alexander McQueen, nudity, and exploitation in the film industry
This Opera North production of Rodgers and Hammerstein's dark classic brings out its sinister undertones, says Claire Allfree
Investment in the arts has rocketed in Manchester recently. But are we wasting our money, asks Rupert Christiansen
Communicating Doors may not be a classic Ayckbourn, says Ben Lawrence, but this production reminds us of its merits
The TV veteran reveals he was snubbed by Sid James and Kenneth Williams when he appeared on This Is Your Life