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142 stories by "Zoë Anderson, Zoë Anderson"

Project Polunin Sadler's Wells, London, review: Given the stop-start nature of Polunin's recent history, it's a relief to find him in e by Zoë Anderson, Zoë Anderson

The Russian dancer Sergei Polunin, the enfant terrible of dance, who walked out of The Royal Ballet, joins up with Natalia Osipova, to showcase new works for his project

SOURCE: The Independent at 9:06am on March 19, 2017[SHARE]

Matthew Bourne's Early Adventures, Richmond Theatre, review: This triple bill is crisp, lively and brightly danced by Zoë Anderson, Zoë Anderson

Bourne's triple bill of early works, which marks 30 years since he launched his own dance company, show that many of his strengths were already in place

SOURCE: The Independent at 6:54am on February 14, 2017[SHARE]

Kiss & Cry, Barbican Theatre, London, review: Hands jump together to have sex by Zoë Anderson, Zoë Anderson

As part of the London International Mime Festival, 'Kiss & Cry', stars a duo of dancing hands, small-scale sets and cinematography, to evoke memories of past loves

SOURCE: The Independent at 12:18pm on February 7, 2017[SHARE]

Set and Reset, Tate Modern, London, review: An entrancing meeting of Trisha Brown, Rauschenberg and composer Laurie Anderson. by Zoë Anderson, Zoë Anderson

To coincide with the Robert Rauschenberg retrospective, Trisha Brown's dance piece 'Set and Reset' (1983) is being performed at Tate Modern, with set and costumes by the Ameri…

SOURCE: The Independent at 1:36pm on January 30, 2017[SHARE]

Les Enfants Terribles, Barbican Theatre, London, review: Sexual tanglings often feel quite detached from the singers' relationship by Zoë Anderson, Zoë Anderson

The Royal Ballet's dance-opera by composer Philip Glass is based on the writings of Jean Cocteau and directed and choreographed by Javier De Frutos

SOURCE: The Independent at 1:36pm on January 30, 2017[SHARE]

Woolf Works, Royal Opera House, London, review: Alessandra Ferri is luminous as the Virginia Woolf figure by Zoë Anderson, Zoë Anderson

The revival of Wayne McGregor's ballet triptych is inspired by Virginia Woolf's novels, 'Mrs Dalloway', 'Orlando' and 'The Waves' " mixed with parts o…

SOURCE: The Independent at 6:12am on January 24, 2017[SHARE]

Boy Blue Entertainment, Blak Whyte Gray, Barbican Theatre, London, review: It's strict, bold and brilliant by Zoë Anderson, Zoë Anderson

The Oliver award winning East London hip hop dance group, Boy Blue Entertainment, perform an abstract triple bill with new work 'Blak Whyte Gray' and ditch any narrative

SOURCE: The Independent at 7:48am on January 16, 2017[SHARE]

Giselle, London Coliseum, review: Alina Cojocaru has always been a natural Giselle by Zoë Anderson, Zoë Anderson

Mary Skeaping's traditional production of 'Giselle' is revived by the English National Ballet with Alina Cojocaru in the lead role

SOURCE: The Independent at 9:36am on January 12, 2017[SHARE]

The Mad Hatter's Tea Party, Roundhouse, London, review: The show's sweetness and energy are irresistible by Zoë Anderson, Zoë Anderson

Zoonation's hip hop 'The Mad Hatter's Tea Party' with characters inspired by 'Alice in Wonderland' is complete with Ben Stones' set designs of oversized te…

SOURCE: The Independent at 8:36am on January 5, 2017[SHARE]

Matthew Bourne's The Red Shoes, Sadler's Wells, review: 'Bourne is a superb producer' by Zoë Anderson, Zoë Anderson

Matthew Bourne brings the 1948 Powell and Pressburger film to the stage

SOURCE: The Independent at 12:12pm on December 27, 2016[SHARE]

The Sleeping Beauty, Royal Opera House, review: 'Still reaching for the ballet's full resonance' by Zoë Anderson, Zoë Anderson

The Royal Ballet revives the same production of The Sleeping Beauty that reopened the Royal Opera House 70 years ago after the war

SOURCE: The Independent at 7:48am on December 27, 2016[SHARE]

National Ballet of China, Sadler's Wells, London, review: This production gives them little chance to show their individuality by Zoë Anderson, Zoë Anderson

The National Ballet of China perform the epic love story, 'The Peony Pavillion', which was originally perfomed in a 20-hour cycle, but has been cut down to a well-paced two hours

SOURCE: The Independent at 6:31am on December 1, 2016[SHARE]

The Nutcracker, Birmingham Hippodrome, review: Arancha Baselga as Clara could show more wonder by Zoë Anderson, Zoë Anderson

Birmingham Royal Ballet's 'The Nutcracker' is resplendent with an enchanting Sugar Plum Fairy and a growing Christmas tree that bursts through the wall revealing giant branches

SOURCE: The Independent at 11:12am on November 28, 2016[SHARE]

The Nutcracker, Royal Opera House, London, review: This revival comes up as bright as the gilding on the Christmas angel's wings by Zoë Anderson, Zoë Anderson

The Royal Ballet celebrates Peter Wright's 90th birthday with his magical production of the classical ballet danced to Tchaikovsky's score

SOURCE: The Independent at 2:18pm on November 24, 2016[SHARE]

Akram Khan's Giselle, Sadler's Wells, London, review: It proves to be a triumph by Zoë Anderson, Zoë Anderson

The English National Ballet dance Khan's new 'Giselle', which stars Tamara Rojo, with utter conviction

SOURCE: The Independent at 3:24pm on November 18, 2016[SHARE]

Wayne McGregor, Royal Opera House, London, review: Lauren Cuthbertson was mercurially quick by Zoë Anderson, Zoë Anderson

The Royal Ballet celebrates Wayne McGregor's tenth anniversary as Resident Choreographer with an all-McGregor programme, including two popular works and a world premiere.

SOURCE: The Independent at 10:48am on November 11, 2016[SHARE]

Nitin Sawhney, Wang Ramirez, Royal Albert Hall, London, review: It's the dance collaboration that gives it theatrical impact by Zoë Anderson, Zoë Anderson

Dance duo Honji Wang and Sébastien Ramirez, who have choreographed for Madonna, enthralled the audience at this one-off concert with music by Nitin Sawhney

SOURCE: The Independent at 5:36pm on November 3, 2016[SHARE]

The Tempest, Sadler's Wells, London, review: 'The story's political tensions barely register' by Zoë Anderson, Zoë Anderson

Birmingham Royal Ballet's new production of The Tempest is lavish with designs by Rae Smith of War Horse fame and a new score by Sally Beamish

SOURCE: The Independent at 12:46pm on October 16, 2016[SHARE]

Michael Clark Company, Barbican Theatre, London, review: 'It flowers into moments of warmth " particularly in its tribute to David Bowie' by Zoë Anderson, Zoë Anderson

The choreographer's new work, to a simple rock'n'roll…song, features music from Bowie and Patti Smith

SOURCE: The Independent at 11:01am on October 10, 2016[SHARE]

Carlos Acosta: The Classical Farewell, Royal Albert Hall review: His whirling turns still wow an audience by Zoë Anderson, Zoë Anderson

The warmth coming off the stage was proof that ballet will miss one of its much-loved stars

SOURCE: The Independent at 6:32am on October 4, 2016[SHARE]

La Fille mal gardée, Royal Opera House, London, review: 'An enchanting blend of sweetness and brilliant dancing' by Zoë Anderson, Zoë Anderson

Created in 1960, Frederick Ashton's ballet is a story of village lovers

SOURCE: The Independent at 11:31am on September 29, 2016[SHARE]

Home Turf, Sadler's Wells, London, review: When football and dance come together by Zoë Anderson, Zoë Anderson

The 93-strong cast ranges from alumni of the National Youth Dance company to first-time dancers, from children to the theatre's Company of Elders

SOURCE: The Independent at 8:30am on September 27, 2016[SHARE]

Alvin Ailey American Dance Theater, Sadler's Wells, review: 'A wonderful richness to the way they move' by Zoë Anderson, Zoë Anderson

Founded by Ailey in 1958, the company became the most high-profile and influential African-American modern dance ensemble, mixing modern and contemporary styles with roots in black culture

SOURCE: The Independent at 9:02am on September 12, 2016[SHARE]

Scottish Ballet, Festival Theatre, Edinburgh, review: 'Sometimes unwieldy, always whole-hearted' by Zoë Anderson, Zoë Anderson

Scottish Ballet's new double bill for the Edinburgh Festival is ambitious, tough and danced with fierce conviction

SOURCE: The Independent at 7:39am on August 25, 2016[SHARE]

The Bolshoi Ballet, Royal Opera House, review: 'The pace is tremendous' by Zoë Anderson, Zoë Anderson

The Bolshoi, one of the world's major ballet companies, return to London with a new production of Don Quixote

SOURCE: The Independent at 6:00am on July 27, 2016[SHARE]
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