The Troth, Southbank Centre, London, review: Pays tribute to 60,000 Indian soldiers who died in WWI by Zoë Anderson, Zoë Anderson

Based on Chandradhar Sharma Guleri's celebrated Hindi short story 'Usne Kaha Tha', Akademi performed The Troth as part of the Alchemy festival

SOURCE: The Independent at 8:54am on May 8, 2018[SHARE]

Breakin' Convention, Sadler's Wells, London, review: The hip hop dance festival breaks new ground by Zoë Anderson, Zoë Anderson

Celebrating its 15th anniversary, the festival launched into live music, a joyful collaboration with musicians from Jazz re:freshed

SOURCE: The Independent at 7:54am on May 8, 2018[SHARE]

Windrush: Movement of the People, Peacock Theatre, London, review: Both timely and heartfelt by Zoë Anderson, Zoë Anderson

Made to mark the Windrush 70th anniversary, Phoenix Dance Theatre's narrative work has instead become painfully topical

SOURCE: The Independent at 6:48am on April 30, 2018[SHARE]

DFS, Cecilia Bengolea and François Chaignaud, Sadler's Wells, London, review: Ballet meets Jamaican dancehall by Zoë Anderson, Zoë Anderson

Sound and movement rhythms are set against each other in a show that throws in mediaeval singing, a dancehall soundtrack, and clopping pointe shoes

SOURCE: The Independent at 7:32am on April 24, 2018[SHARE]

Kenneth MacMillan: Steps Back in Time, Barbican, London, review: These vanishingly rare ballets are surprisingly strong by Zoë Anderson, Zoë Anderson

Dancers from Ballet Black, the Royal Ballet and Scottish Ballet come together for a programme of Kenneth MacMillan's early, story-telling work

SOURCE: The Independent at 7:06am on April 23, 2018[SHARE]

Voices of America, Sadler's Wells, London, review: William Forsythe takes the English National Ballet clubbing by Zoë Anderson, Zoë Anderson

A new programme of works by American artists sets ballet to electronic music with joyful results

SOURCE: The Independent at 4:36am on April 16, 2018[SHARE]

National Youth Dance Company, Sadler's Wells, London, review: verve and polish by Zoë Anderson, Zoë Anderson

A company of 41 young dancers perform Sharon Eyal's club style work

SOURCE: The Independent at 7:31am on April 9, 2018[SHARE]

Mid Century Modern, Sadler's Wells, London, review: A vivid celebration of Richard Alston's work by Zoë Anderson, Zoë Anderson

The choreographer celebrates 50 years of creating dances with a programme spanning his career

SOURCE: The Independent at 10:01am on March 26, 2018[SHARE]

Ballet Black, Barbican Theatre, London, review: An evening of triumphant ambition by Zoë Anderson, Zoë Anderson

The company, which celebrates dancers of black and Asian descent, perform a double bill with Cathy Marston's new ballet 'The Suit' and Arthur Pita's 'A Dream Within …

SOURCE: The Independent at 8:45am on March 20, 2018[SHARE]

Bernstein Centenary, Royal Opera House, London, review: The greatest celebration is of the dancers by Zoë Anderson, Zoë Anderson

To celebrate the centenary year of composer Leonard Bernstein's birth, The Royal Ballet's leading choreographers Wayne McGregor and Christopher Wheeldon have created new works

SOURCE: The Independent at 1:18pm on March 18, 2018[SHARE]

Maliphantworks, Coronet Print Room, London, review: Fluid, elegant and self-possessed choreography by Zoë Anderson, Zoë Anderson

A collection of contemporary dance works curated by choreographer Russell Maliphant includes the 1998 'Critical Mass', as well as a new dance for Maliphant and his longtime muse, D…

SOURCE: The Independent at 5:37am on March 8, 2018[SHARE]

Ballet British Columbia, Sadler's Wells, review: Gorgeous energy to the triple bill by Zoë Anderson, Zoë Anderson

The programme of works by female choreographers, includes a superb work by star choreographer Crystal Pite

SOURCE: The Independent at 7:02am on March 7, 2018[SHARE]

Sasha Waltz & Guests, Sadler's Wells, London, review: Waltz crosses art/dance boundaries by Zoë Anderson, Zoë Anderson

'Körper' shows the Berlin-based choreographer looks at her dancers' bodies and vulnerabilities in a mix of speech, dance and physical theatre

SOURCE: The Independent at 10:28am on March 5, 2018[SHARE]

Juliet and Romeo, Battersea Arts Centre, London, review: A glorious mix of speech, dance and comedy by Zoë Anderson, Zoë Anderson

Romeo and Juliet have survived into adulthood and are having a mid-life crisis in Ben Duke's show, 'Juliet and Romeo: A Guide to Long Life and Happy Marriage'

SOURCE: The Independent at 10:58am on February 19, 2018[SHARE]

The Winter's Tale, Royal Opera House, London, review: It's a marvellous ballet by Zoë Anderson, Zoë Anderson

This third revival of Christopher Wheeldon's 2014 ballet with music by Joby Talbot is stronger than ever

SOURCE: The Independent at 6:07am on February 14, 2018[SHARE]

Tanztheater Wuppertal Pina Bausch - Viktor, Sadler's Wells, London, review: Well over three hours " and sometimes gruelling by Zoë Anderson, Zoë Anderson

Pina Bausch's 'Viktor' is inspired by the city of Rome and is the first of her large-scale works responding to locations from Hong Kong to Brazil

SOURCE: The Independent at 11:17am on February 12, 2018[SHARE]

Sampled, Sadler's Wells, London, review: A pick'n'mix selection of dance by Zoë Anderson, Zoë Anderson

Sadler's Wells' introduction to dance includes Birmingham Royal Ballet performing Alexander Whitley's new work 'Kin.', hip hop dance form of French b-boy crew Yeah Y…

SOURCE: The Independent at 12:24pm on February 5, 2018[SHARE]

Jakop Ahlbom Company, Peacock Theatre, London, review: A distinctive sense of atmosphere by Zoë Anderson, Zoë Anderson

Following the hit 'Horror', Ahlbom returns with his mix of surreal slapstick and acrobatics, this time inspired by Buster Keaton's 1920 silent film 'The Scarecrow'

SOURCE: The Independent at 8:07am on February 2, 2018[SHARE]

Mother, Barbican Theatre, London, review: A brilliant mix of naturalistic observation and weirdness by Zoë Anderson, Zoë Anderson

Part of the London International Mime Festival, 'Mother' is a strange exploration of motherhood and loss, with a cast of singers, dancers and contortionists

SOURCE: The Independent at 6:47am on January 29, 2018[SHARE]

Le Jeune Homme et la Mort/ La Sylphide, English National Ballet, London Coliseum, review: Ivan Vasiliev is very starry guest for this ballet by Zoë Anderson, Zoë Anderson

Roland Petit's 'Le Jeune Homme et La Mort' stars Tamara Rojo's as Death who takes pleasure in tormenting Vasiliev's self-destructive artist

SOURCE: The Independent at 9:35am on January 18, 2018[SHARE]

Resolution, The Place, London, review: Part of Britain's dance ecosystem by Zoë Anderson, Zoë Anderson

The UK's biggest dance festival for emerging talent includes 81 artists who will perform original works for The Place stage

SOURCE: The Independent at 12:00pm on January 15, 2018[SHARE]

Song of the Earth/La Sylphide, English National Ballet, London Coliseum, review: Tamara Rojo is technically impressive but oddly remote by Zoë Anderson, Zoë Anderson

English National Ballet presents a double bill featuring Kenneth MacMillan's 'Song of the Earth' and Frank Andersen's recreation of 'La Sylphide'

SOURCE: The Independent at 6:59am on January 10, 2018[SHARE]

The Nutcracker, Royal Albert Hall, London, review: 'A sturdy production' by Zoë Anderson, Zoë Anderson

Birmingham Royal Ballet's new version of the classic ballet has a recorded narration by Simon Callow

SOURCE: The Independent at 3:37pm on January 1, 2018[SHARE]

What the Moon Saw, The Place, London, review: 'A friendly show' by Zoë Anderson, Zoë Anderson

The show of dance, circus and music for youngsters is loosely inspired by Hans Christian Andersen

SOURCE: The Independent at 7:04am on December 26, 2017[SHARE]

Cinderella, Sadler's Wells, London, dance review: 'Otherworldly elegance' by Zoë Anderson, Zoë Anderson

Created in 1997, Matthew Bourne's Cinderella is set in the London Blitz of 1940

SOURCE: The Independent at 10:42am on December 20, 2017[SHARE]