'Pay the Writer' Is Just One Point in This Relationship Play
Despite its thunderbolt of a title, the focus of this memory play is on the relationship between a self-involved author and his long-suffering agent.
Despite its thunderbolt of a title, the focus of this memory play is on the relationship between a self-involved author and his long-suffering agent.
The gravitational pull of the hurts of yesteryear is on vivid display in Deirdre Kinahan's drama at Irish Repertory Theater.
The New York Classical Theater adaptation, playing in New York's city parks, feints toward novelty but offers little in the way of originality.
This is not the first time Death, or one of its alter egos, has figured in a Jacobs-Jenkins play.
In this "Pride and Prejudice" spinoff from Original Theatre, Jane Austen's infamous knave attempts to set the record straight.
Alternatingly twee and berserk, Larissa FastHorse's work reaches a nadir when characters, in face paint and incongruous warrior costumes, start kicking around decapitated heads.
In her new play, Lauren Gunderson explores the legacy of the 18th-century French mathematician and philosophe Emilie du Châtelet.
These actors turned playwrights all excavate memories and meaning from their lives in creating these four shows, which arrive in New York in the coming months.
Memory plays are having a moment in theater but "The Memory Exam" may not live up to its name.
Running until July 16, 'White on White' may already be sold out for the rest of its extended run, yet clearly they did something right.