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377 stories by "Paul Taylor"

A Midsummer Night's Dream review: Nicholas Hytner's take on the Bard comedy is another mould-breaker by Paul Taylor, Paul Taylor

This production, which reunites the team responsible for last year's smash hit 'Julius Caesar', stars Gwendoline Christie from 'Game of Thrones' as Titania

SOURCE: The Independent at 8:18am on June 12, 2019[SHARE]

The Starry Messenger, Wyndham's Theatre, review: Matthew Broderick excels in Kenneth Lonergan's play by Paul Taylor, Paul Taylor

The actors play characters that range from laugh-out-loud funny to twisty, wrong-footing ambivalence

SOURCE: The Independent at 10:54am on May 30, 2019[SHARE]

Maggie Smith: A career of outstanding performances, from Othello to Downton Abbey by Paul Taylor, Paul Taylor

It has been 12 years since the dame last appeared on stage " but now she's back with 'A German Life', a one-woman play about Goebbels secretary Brunhilde Pomsel. Paul Taylor charts the actor…

SOURCE: The Independent at 11:43am on April 10, 2019[SHARE]

Top Girls review, Lyttelton: 'A work of genius that will never date' by Paul Taylor, Paul Taylor

Both Caryl Churchill's classic and Ibsen's 'A Doll's House' woke their audiences up to the necessity of a feminist movement and also to the pain inescapable from progress

SOURCE: The Independent at 9:58am on April 4, 2019[SHARE]

From Joni Mitchell to James Taylor: How singing voices can get better with age by Paul Taylor, Paul Taylor

Recent theatre productions starring mature singers have inspired theatre critic Paul Taylor to pay tribute to the nuances and joys " rather than fear " to be found in ageing voices

SOURCE: The Independent at 3:57pm on March 26, 2019[SHARE]

Downstate review, Dorfman: Bruce Norris's studiedly provocative play asks how long we expect a paedophile to suffer for his heinous acts by Paul Taylor, Paul Taylor

The acting is excellent throughout, with K Todd Freeman impressing

SOURCE: The Independent at 9:42am on March 21, 2019[SHARE]

Betrayal review: Tom Hiddleston excels in a brilliant performance by Paul Taylor, Paul Taylor

Jamie Lloyd directs an exceptionally thoughtful and searching revival of this time-reverse play

SOURCE: The Independent at 5:17am on March 14, 2019[SHARE]

From Harold Pinter's Betrayal to Christopher Nolan's Memento: why create art that goes backwards? by Paul Taylor, Paul Taylor

As 'Betrayal' returns to the stage, starring Tom Hiddleston, Paul Taylor looks at the vast body of art in which people are shown living their lives backwards " to arresting and revealing eff…

SOURCE: The Independent at 4:17am on March 12, 2019[SHARE]

Waitress, Adelphi Theatre, review: 'This show is the real deal' by Paul Taylor, Paul Taylor

This is both a romcom set in the workplace and a feminist drama

SOURCE: The Independent at 7:11am on March 7, 2019[SHARE]

Come from Away, Phoenix Theatre, review: Drama thrives on conflict and this musical about 9/11 has very little of that by Paul Taylor, Paul Taylor

It would be impossible to imagine a more complete antidote to Neil LaBute's 2002 play 'The Mercy Seat' than this warm musical by Irene Sankoff and David Hein

SOURCE: The Independent at 5:54pm on February 18, 2019[SHARE]

All About Eve, Noel Coward Theatre, review: Gillian Anderson is arresting in emphatically successful update of classic film by Paul Taylor, Paul Taylor

The supporting cast are hit-and-miss, but Anderson and Lily James deliver strong performances in production of Joseph Mankiewicz's 1950 masterpiece

SOURCE: The Independent at 7:54am on February 13, 2019[SHARE]

Pinter 7, Harold Pinter Theatre, London review: This season will be much missed by Paul Taylor, Paul Taylor

It's hard to credit the profusion of top talent that has been involved in this project over the past six months

SOURCE: The Independent at 9:12am on February 7, 2019[SHARE]

Cost of Living, Hampstead Theatre, London review: Adrian Lester heads a crack cast in this sharp-talking Pulitzer-winner by  paul Taylor,  paul Taylor

Edward Hall and Greg Ripley-Duggan's hundredth production at the theatre is worthy of congratulation

SOURCE: The Independent at 7:36am on February 1, 2019[SHARE]

The Tragedy of King Richard the Second review, Almeida, London: A fresh and challenging evening by Paul Taylor, Paul Taylor

Simon Russell Beale proves himself our foremost Shakespearean actor

SOURCE: The Independent at 6:12am on December 19, 2018[SHARE]

The Cane, Royal Court, review: Mark Ravenhill's new play is clever, witty and slyly provocative by  paul Taylor,  paul Taylor

A baying mob of schoolchildren gang up on a teacher over his past use of the cane, in a play that asks if it's fair to judge past actions by the standards of the present

SOURCE: The Independent at 4:32am on December 14, 2018[SHARE]

True West, Vaudeville Theatre, review: An engaging dose of visceral elation by Paul Taylor, Paul Taylor

While Harington impresses, it's Johnny Flynn whose comic perfection elevates this wonderfully warped production

SOURCE: The Independent at 7:36am on December 5, 2018[SHARE]

Pinter Three and Four, review: 'Surprisingly joyous. I can't wait for the next batch of shows' by Paul Taylor, Paul Taylor

Jamie Lloyd's six month season celebrating the complete corpus of Pinter's short plays continues

SOURCE: The Independent at 12:12pm on November 12, 2018[SHARE]

White Teeth, Kiln Theatre, London, review: The first ever stage adaptation of Zadie Smith's novel by Paul Taylor, Paul Taylor

You can't help but raise a cheer for Smith and for this lively, light-footed take on her work

SOURCE: The Independent at 7:18pm on November 6, 2018[SHARE]

'Ear for eye', Royal Court, review: An impassioned play about stalled progress by Paul Taylor, Paul Taylor

debbie tucker green's piece gives us snapshots of African American and black British experience at a time of deep frustration with the racist forces at the top

SOURCE: The Independent at 8:42pm on November 1, 2018[SHARE]

A Very Very Very Dark Matter review, Bridge Theatre, London: Martin McDonagh play lacks intellectual nuance by Paul Taylor, Paul Taylor

From the man who wrote and directed 'Three Billboards Outside Ebbing, Missouri' comes this determinedly dark and twisted fable that fails to live up to expectations

SOURCE: The Independent at 5:12pm on October 24, 2018[SHARE]

Company review, Gielgud Theatre, London: Broadway legend Patti LuPone steals show in modern version of groundbreaking Sondheim musical by Paul Taylor, Paul Taylor

Bobby becomes Bobbie in this female-led version of the sexual revolution classic

SOURCE: The Independent at 7:04pm on October 17, 2018[SHARE]

David Hare's 'I'm Not Running', National Theatre, Lyttelton review: An absorbing, flawed evening by Paul Taylor, Paul Taylor

Play starring Sian Brooke and Alex Hassell is a bemusing work that seems to be operating in a kind of vacuum or alternative past

SOURCE: The Independent at 7:42am on October 10, 2018[SHARE]

Pinter at the Pinter, Harold Pinter Theatre, London review: A remarkable endeavour by  paul Taylor,  paul Taylor

A rolling season of one-act plays by Harold Pinter sees a star-studded line-up of acting talent

SOURCE: The Independent at 8:32am on September 28, 2018[SHARE]

Antony & Cleopatra, Olivier, National Theatre review: Ralph Fiennes and Sophie Okonedo offer blazing star power by Paul Taylor, Paul Taylor

Simon Godwin's production of the Shakespearian tragedy proves to be an astute and moving work

SOURCE: The Independent at 7:24am on September 27, 2018[SHARE]

Heathers, Theatre Royal, Haymarket, review: Packed with talent, but is this jollied-up version sufficiently unsettling? by Paul Taylor, Paul Taylor

Part of the appeal of the cult 1989 movie is how it traces a fine line between satire and bad taste as it tackles peer pressure, bullying, body image, teen suicide and mass school shootings

SOURCE: The Independent at 7:32pm on September 13, 2018[SHARE]
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