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361 stories by "Paul Taylor, Paul Taylor"

A Midsummer Night's Dream, Shakespeare's Globe, review: Risky gender-bending works like a charm by Paul Taylor, Paul Taylor

An often very funny production, but Emma Rice needs to relax and let things breathe

SOURCE: The Independent at 6:46am on May 6, 2016[SHARE]

Doctor Faustus, Duke of York's Theatre, review: Game of Thrones star Kit Harington's 'audacious commitment' by Paul Taylor, Paul Taylor

An ambitious update of Marlowe's play pulls in young audiences with Game of Thrones star Kit Harington as Faustus

SOURCE: The Independent at 8:28am on April 26, 2016[SHARE]

Kings of War, Barbican, theatre review: 'A coolly penetrating appraisal of political leadership' by Paul Taylor, Paul Taylor

The four-and-a-half hour compression of Shakespeare's Henry V, three Henry VI plays and Richard III is impressive

SOURCE: The Independent at 8:37am on April 25, 2016[SHARE]

The Flick, National Theatre, review: 'Studiedly downbeat but strangely uplifting' by Paul Taylor, Paul Taylor

Sam Gold's production is exquisitely paced, taking its time with real dramatic purpose

SOURCE: The Independent at 7:56am on April 21, 2016[SHARE]

Theatre review: Another World: Losing Our Children to Islamic State - 'enlightens but rarely catches fire' by Paul Taylor, Paul Taylor

Another World: Losing Our Children to Islamic State, Temporary Theatre, National Theatre

SOURCE: The Independent at 6:51am on April 19, 2016[SHARE]

Hamlet, Royal Shakespeare Theatre, review: Paapa Essiedu is in thrillingly unforced command of the role by Paul Taylor, Paul Taylor

Essiedu radiates the impudent charisma, energy and wounded idealism of youth

SOURCE: The Independent at 9:38am on March 23, 2016[SHARE]

The Painkiller, Garrick Theatre, review: Rob Brydon is hilarious and endearingly irritating as Dudley by Paul Taylor, Paul Taylor

The proceedings are enjoyable but rarely generate the requisite helpless hilarity and have a rather dated feel, however

SOURCE: The Independent at 8:06pm on March 17, 2016[SHARE]

The Truth, Menier Chocolate Factory, London, theatre review: A sophisticated dissection of marital hypocrisies by Paul Taylor, Paul Taylor

Alexander Hanson is squirm-making as married Michel who is having an affair with Alice, the wife of his best friend

SOURCE: The Independent at 9:03am on March 17, 2016[SHARE]

Shakespeare: Discovering a timeless journey for the age of the refugee by Paul Taylor, Paul Taylor

Continuing our series marking the 400th anniversary of Shakespeare's death, Paul Taylor explains why even one of his less celebrated plays remains a source of wonder and inspiration

SOURCE: The Independent at 4:39pm on March 10, 2016[SHARE]

Here We Go, National Theatre, review: This is unforgettable by Paul Taylor, Paul Taylor

You feel as though you've aged a decade as the light gradually fades

SOURCE: The Independent at 8:21am on November 30, 2015[SHARE]

Little Eyolf, Almeida Theatre, review: Acting, design and gradation of mood are all masterly by Paul Taylor, Paul Taylor

Richard Eyre directs and adapts this revival with a quietly shattering insight into its terrifying depths

SOURCE: The Independent at 8:36am on November 27, 2015[SHARE]

Evening at the Talk House, Dorfman, NT, theatre review: Wallace Shawn is lethal on stage by Paul Taylor, Paul Taylor

This is a disturbing, balefully hilarious new play

SOURCE: The Independent at 10:37am on November 25, 2015[SHARE]

Sheridan Smith: Taking on Barbra Streisand and being the female Hamlet in revival of Funny Girl musical by Paul Taylor, Paul Taylor

Sheridan Smith can do little wrong these days, whether as Cilla Black or as Shakespeare's Titania

SOURCE: The Independent at 6:02am on November 20, 2015[SHARE]

Dry Land, Jermyn Street Theatre, review: The controversial play with an onstage DIY abortion by Paul Taylor, Paul Taylor

I couldn't watch the appalling scene of the foetus's emergence again unless held at gunpoint

SOURCE: The Independent at 11:07am on November 13, 2015[SHARE]

Waste, Lyttleton Theatre, review: Revival of shrewd and clued-up work is compulsory viewing by Paul Taylor, Paul Taylor

Written in 1907 and revised in 1926, Harley Granville Barker's work is perennially a play for today 

SOURCE: The Independent at 12:09pm on November 11, 2015[SHARE]

Elf, Dominion Theatre, London, review: Absurdly expensive musical is a ridiculous hoot by Paul Taylor, Paul Taylor

An exhilarating and sharp satire of those Christmas films in which a parent thaws and bonds with a wayward child

SOURCE: The Independent at 7:26pm on November 8, 2015[SHARE]

Kenneth Branagh Theatre Company, Garrick Theatre, review: Judi Dench inspires in a marathon for theatre lovers by Paul Taylor, Paul Taylor

A resplendent day showed the different sides of Branagh's personality and reunited him with actors of an older vintage

SOURCE: The Independent at 5:04pm on November 8, 2015[SHARE]

Anita and Me, Theatre Royal, review: Like vintage Coronation Street with musical out-takes from Bend It Like Beckham by Paul Taylor, Paul Taylor

This is warmly recommended

SOURCE: The Independent at 8:43am on November 5, 2015[SHARE]

As You Like It, Olivier Theatre, review: Orlando Gough's music brings a wild celebration to a terrific evening by Paul Taylor, Paul Taylor

It's hilarious " as is Joe Bannister's enchanting performance as Orlando

SOURCE: The Independent at 8:34am on November 4, 2015[SHARE]

The Hairy Ape, Old Vic, London, review: Over-concentrated on stylised physicality, masks, and garish sets by Paul Taylor, Paul Taylor

The emotions that the play's Expressionism is supposed to be heightening get shorter shrift

SOURCE: The Independent at 10:21am on November 2, 2015[SHARE]

The Moderate Soprano, Hampstead Theatre, review: Roger Allam delivers a stunning performance by Paul Taylor, Paul Taylor

Above all, in its very different way, it strikes me as being in the grand tradition of Black Snow

SOURCE: The Independent at 10:07am on October 30, 2015[SHARE]

Barbarians, Former Central School of St Martin's, London, review: Unforgettable show with unflaggingly brilliant dialogue by Paul Taylor, Paul Taylor

Superlative revival sensitises you to the comparable waste of young people's potential today

SOURCE: The Independent at 9:27am on October 29, 2015[SHARE]

Husbands and Sons, Dorfman, National Theatre, review: A magnificent evening of revelatory marvels by Paul Taylor, Paul Taylor

The work presents three of D H Lawrence's stage masterpieces, written between 1911 and 1913, as a single composite drama

SOURCE: The Independent at 10:49am on October 28, 2015[SHARE]

The Magna Carta Plays, Salisbury Playhouse, review: A genuinely thought-provoking evening by Paul Taylor, Paul Taylor

This selection of plays about the iconic charter is uneven in quality, but well worth the trip

SOURCE: The Independent at 11:33am on October 27, 2015[SHARE]

Plaques and Tangles, Theatre Upstairs, Royal Court, London, review: A terrific feat of imagination and fact by Paul Taylor, Paul Taylor

Dementia has now become what daffodils were to Wordsworth to some of the keenest artistic minds of our era

SOURCE: The Independent at 10:44am on October 21, 2015[SHARE]
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