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104 stories by "Naveen Kumar"

Review: In 'Exception to the Rule,' Detention Is Sinister by Naveen Kumar

Teenagers bond after school in a sort of classroom purgatory. And, where is the teacher?

SOURCE: The New York Times Subscription at 9:06pm on May 18, 2022

'Will You Come With Me?' Review: Love in the Age of Revolution by Naveen Kumar

Set around protests in Istanbul that began in 2013, this play follows a couple as they circle, approach and retreat from each other over the years.

SOURCE: The New York Times Subscription at 2:42pm on May 17, 2022

Review: An evasive 'Macbeth' strains for coherence by Naveen Kumar

Lust for power can defy logic. Why does anyone succumb to greed or ambition? Where Shakespeare probes primal urges through poetry and dirty deeds, director Sam Gold seems to question the ver…

SOURCE: Broadway News Subscription at 4:00pm on April 29, 2022

Review: 'Mr. Saturday Night' gets swallowed in ego by Naveen Kumar

Billy Crystal is roving the stage, leading an "oy vey!" call-and-response. There is no exclamation more apt for "Mr. Saturday Night," the moth-eaten cardigan of a new musical now in residenc…

SOURCE: Broadway News Subscription at 10:00pm on April 27, 2022

Review: A 'Funny Girl' that isn't overshadowed by you-know-who by Naveen Kumar

Playing the part of a marquee idol is daunting on its own. Playing one made famous by Barbra Streisand may seem like a fool's errand, doubtless one reason "Funny Girl" hasn't been on Broadwa…

SOURCE: Broadway News Subscription at 10:00pm on April 24, 2022

Review: 'How I Learned to Drive' makes a bracing return by Naveen Kumar

It's been 25 years since Paula Vogel's landmark drama about sexual assault and its reverberations first debuted Off-Broadway. Since then, private transgressions, like those that Li'l Bit exp…

SOURCE: Broadway News Subscription at 9:00pm on April 19, 2022

Review: 'American Buffalo' proves another man's trash isn't always a treasure by Naveen Kumar

It may be that "American Buffalo" belongs in the junk shop where it's set " a token of bicentennial Americana with questionable lasting value. Like the novelty coin at its center, David Mame…

SOURCE: Broadway News Subscription at 10:00pm on April 14, 2022

Review: In 'Birthday Candles,' the cake is too sweet by Naveen Kumar

There are some things in life you can count on. Birthdays will tick by like clockwork, a good cake recipe won't fail and the young will chase their future while elders reminisce. But combini…

SOURCE: Broadway News Subscription at 8:01pm on April 10, 2022

Review: 'Take Me Out' is playing in the wrong ballpark by Naveen Kumar

A star athlete comes out as gay, and the narrator asks, "Why now?" Greeting that question with a shrug, the revival of "Take Me Out" from Second Stage is a down-the-middle throwback that nei…

SOURCE: Broadway News Subscription at 10:00pm on April 4, 2022

Review: A luxe 'Plaza Suite' misses the laughs by Naveen Kumar

People have long ponied up for the promise of elegance, familiarity and a bit of gracious pandering, on Broadway as on Central Park South. Throw in the allure of celebrity, and a revival of …

SOURCE: Broadway News Subscription at 9:00pm on March 28, 2022

'Help' Review: Blindfolds (and Kid Gloves) Off. Let's Analyze Whiteness. by Naveen Kumar

Claudia Rankine's heady new play dares white audiences to deny the realities of their social advantages.

SOURCE: The New York Times Subscription at 8:33pm on March 24, 2022

Review: In 'What You Are Now,' Memory Is a Dangerous Thing by Naveen Kumar

In Sam Chanse's affecting play, a daughter tries to understand her mother, who resists any reminder of her escape from the Khmer Rouge.

SOURCE: The New York Times Subscription at 2:42pm on March 18, 2022

Comedy Undercut 'The Life.' Billy Porter Looks for Its Humanity. by Naveen Kumar

The actor is directing an Encores! revival of the 1997 musical, updating it to confront hard truths about racism, poverty and carceral injustice.

SOURCE: The New York Times Subscription at 2:54pm on March 14, 2022

'This Space Between Us' Review: A Do-Gooder Faces a Chorus of Resistance by Naveen Kumar

Peter Gil-Sheridan's comedy for Keen Company raises a range of topical issues but fails to cover new ground.

SOURCE: The New York Times Subscription at 1:24pm on March 10, 2022

'Wolf Play' Review: What Keeps a Family From Falling to Pieces? by Naveen Kumar

Hansol Jung's new play looks at the broken adoption of a little boy who is plucked from South Korea and moved to one American home, then shunted to another.

SOURCE: The New York Times Subscription at 12:35am on February 16, 2022

'Is There Still Sex in the City?' Review: Candace Bushnell Dishes Hot Details by Naveen Kumar

In her one-woman Off Broadway show, the "Sex and the City" author invites audiences behind the scenes of her life with a wink and a cocktail.

SOURCE: The New York Times Subscription at 3:06pm on December 8, 2021

Review: Getting a Moral Fix From 'Approval Junkie' by Naveen Kumar

The radio and television journalist Faith Salie stars in a one-woman show about the perils of striving for achievement and affirmation.

SOURCE: The New York Times Subscription at 11:06am on November 26, 2021

Review: Three Generations Awaiting Justice in 'Cullud Wattah' by Naveen Kumar

Erika Dickerson-Despenza's play follows one family of women affected by the water crisis in Flint, Mich.

SOURCE: The New York Times Subscription at 10:06pm on November 17, 2021

Review: Sounds and Styles Playfully Collide in 'Only an Octave Apart' by Naveen Kumar

This show brings together two convention-inverting artists: the cabaret star Justin Vivian Bond and the opera singer Anthony Roth Costanzo.

SOURCE: The New York Times Subscription at 9:54am on September 25, 2021

'There's Still So Much to Unearth' in 'Pass Over' by Naveen Kumar

Namir Smallwood and Jon Michael Hill talk about returning to the roles of two men trapped by existential dread and what it means to land on Broadway.

SOURCE: The New York Times Subscription at 10:42am on August 4, 2021

Sing Street review at New York Theatre Workshop " 'soaring and joyous' by Naveen Kumar

There are sonic pleasures aplenty for fans of pop's new wave in Sing Street, a stage adaptation of John Carney's 2016 film

SOURCE: The Stage Registration at 11:38am on December 17, 2019

From Annie to Tina Turner, by Way of a Rock Star Turn by Naveen Kumar

How Adrienne Warren learned to stop fighting herself and interpret the musical role of a lifetime.

SOURCE: The New York Times Subscription at 10:54am on October 30, 2019

The Great Society review at Vivian Beaumont Theater, New York " 'overstuffed yet tedious' by Naveen Kumar

Not every success story gets a sequel. The Great Society, Robert Schenkkan's follow-up to his Tony-winning play All the Way, renders President

SOURCE: The Stage Registration at 10:00pm on October 1, 2019

Frankie and Johnny in the Clair de Lune review at Broadhurst Theatre, New York " 'Audra McDonald and Michael Shannon crackle' by Naveen Kumar

Frankie and Johnny in the Clair de Lune opens with the title characters " played by Audra McDonald and Michael Shannon "

SOURCE: The Stage Registration at 11:44am on May 31, 2019

Ink review at Samuel J Friedman Theatre, New York " 'James Graham's prescient and absorbing play' by Naveen Kumar

Is Rupert Murdoch a hero or a villain? First seen at the Almeida Theatre in London in 2017, ahead of a West

SOURCE: The Stage Registration at 10:00pm on April 24, 2019
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