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1,125 stories by "Natasha Tripney"

Astronauts of Hartlepool review at Vault, London " 'giddily ambitious' by Natasha Tripney

Tim Foley's giddily ambitious Astronauts of Hartlepool is like the theatre equivalent of one of those origami fortune-tellers that children make wrapped

SOURCE: The Stage Registration at 5:57am on February 13, 2017[SHARE]

The House of Bernarda Alba review at Royal Exchange Theatre, Manchester " 'rich, thoughtful, timely' by Natasha Tripney

In Jenny Sealey's production of The House of Bernarda Alba words wrap around the stage. Graeae co-production with the Royal Exchange uses

SOURCE: The Stage Registration at 7:43pm on February 7, 2017[SHARE]

A Hundred Different Words for Love review at Vault, London " 'bittersweet and carefully crafted' by Natasha Tripney

Storyteller and performer James Rowland describes himself "a child of Richard Curtis." His debut show, Team Viking, opened with a funeral. His

SOURCE: The Stage Registration at 4:59am on February 5, 2017[SHARE]

Greywing House review at Vault, London " 'atmospheric' by Natasha Tripney

Few solo shows are as well suited to the murk and lung-fug of the Vaults as Greywing House. With its dripping brickwork

SOURCE: The Stage Registration at 12:53pm on February 3, 2017[SHARE]

Sex With Strangers review at Hampstead Theatre, London " 'slight and frustrating' by Natasha Tripney

Olivia is a writer. Ethan is a writer. They meet at a conveniently snowed-in-and-internet-free cabin for a writers' retreat. She's still smarting

SOURCE: The Stage Registration at 4:21am on February 3, 2017[SHARE]

Years of Sunlight review at Theatre503, London " 'slow-burning and tender' by Natasha Tripney

Skelmersdale in Lancashire was meant to be a place of hope. One of the experiments in urban planning of the 1960s it's

SOURCE: The Stage Registration at 5:25am on January 31, 2017[SHARE]

10 don't-miss shows at London's Vault Festival 2017 by Natasha Tripney

London’s Vault Festival, which has been cooking up new and experimental work in the warren of tunnels beneath Waterloo railway terminus since

SOURCE: The Stage Registration at 5:26am on January 25, 2017[SHARE]

Maree Basse review at Barbican Centre, London " 'melancholic wordless circus' by Natasha Tripney

A knife thuds into a plank of wood, millimetres from a man's hand. Despite its often leisurely pace, this two-hander by French

SOURCE: The Stage Registration at 8:59am on January 23, 2017[SHARE]

The Convert review at the Gate Theatre, London " 'richly written, captivatingly performed' by Natasha Tripney

On one level Danai Gurira's The Convert plays out a twisted reworking of Pygmalion. A man reshapes a young girl, putting words

SOURCE: The Stage Registration at 6:07am on January 20, 2017[SHARE]

How the Vault Festival is thriving beneath London's streets by Natasha Tripney

The walls of London's Leake Street are covered in graffiti. A face stares down from the intricately decorated brick ceiling and there's

SOURCE: The Stage Registration at 9:05am on January 19, 2017[SHARE]

Natasha Tripney: Decent theatre loos should not be an optional extra by Natasha Tripney

The announcements are not helping. Five minutes to go, the tannoy says. Three minutes. One minute. It's the interval of In the

SOURCE: The Stage Registration at 2:00am on January 17, 2017[SHARE]

Stuart Slade: 'Nothing is off-limits, but I would never do gags that are just cruel' by Natasha Tripney

You came to playwriting relatively late. What was it about writing for the stage that appealed to you? I was running a

SOURCE: The Stage Registration at 2:18am on January 16, 2017[SHARE]

He(art) review at Theatre N16, London " 'delicately drawn' by Natasha Tripney

Andrew Maddock's previous work includes The Me Plays and The We Plays, both double bills of short plays. His new piece, He(art)

SOURCE: The Stage Registration at 1:25pm on January 12, 2017[SHARE]

Natasha Tripney: 5 things I'd like to see in theatre in 2017 by Natasha Tripney

With the infant year tottering around on unsteady legs, it feels like the right time, not for resolutions exactly, but for a

SOURCE: The Stage Registration at 2:20am on January 5, 2017[SHARE]

Le Gateau Chocolat: Icons review at Soho Theatre, London " 'celebratory and fabulous' by Natasha Tripney

Le Gateau Chocolat solo show is a celebration of the music that shaped him. Icons is a cabaret show with a very

SOURCE: The Stage Registration at 8:08am on January 4, 2017[SHARE]

Saint Joan starring Gemma Arterton " review at the Donmar Warehouse, London by Natasha Tripney

Gemma Arterton is the only woman on stage amid a sea of men. As the Maid of Orleans " the illiterate young

SOURCE: The Stage Registration at 6:56pm on December 19, 2016[SHARE]

Natasha Tripney: It's time for my seasonal panto rant by Natasha Tripney

It's not as if I haven't tried. But I still find panto a puzzle. I just don't understand the appeal. Okay, maybe

SOURCE: The Stage Registration at 2:00am on December 15, 2016[SHARE]

Love review at National Theatre, London " 'potent and emotive' by Natasha Tripney

Alexander Zeldin's follow up to the painstakingly directed, Beyond Caring, is an even more emotionally devastating piece of theatre. Love explores the

SOURCE: The Stage Registration at 7:03pm on December 13, 2016[SHARE]

Ivo van Hove's Hedda Gabler review at National Theatre, London " 'bold but cold' by Natasha Tripney

Hedda Gabler is one of those roles: she is slippery and difficult, brilliant and appalling; she digs her own holes with her

SOURCE: The Stage Registration at 7:24pm on December 12, 2016[SHARE]

Sinbad the Sailor review at Theatre Royal Stratford East, London " 'a treasure' by Natasha Tripney

This year's Theatre Royal Stratford East is a treasure. It’s funny, smart, accessible and big-hearted. It also has a lot of fun

SOURCE: The Stage Registration at 7:14am on December 12, 2016[SHARE]

Benighted review at the Old Red Lion, London " 'entertaining and atmospheric' by Natasha Tripney

JB Priestley's early novel, Benighted, was filmed by James Whale as The Old Dark House in 1932. In his stage adaptation, playwright

SOURCE: The Stage Registration at 7:20am on December 9, 2016[SHARE]

Once in a Lifetime review at the Young Vic Theatre, London " 'slick but slight' by Natasha Tripney

George S Kaufman and Moss Hart's 1930 comedy is set in a time of great change in the entertainment industry. It takes

SOURCE: The Stage Registration at 5:49pm on December 6, 2016[SHARE]

Natasha Tripney: Is our reverence for Shakespeare holding us back? by Natasha Tripney

Near the beginning of Aleksandar Popovski's fascinating production of Hamlet for Belgrade's Jugoslovensko Dramsko Pozoriste, Hamlet " played by awesome Serbian actor

SOURCE: The Stage Registration at 2:00am on December 5, 2016[SHARE]

Peter Pan review at National Theatre, London " 'heart-filling' by Natasha Tripney

Sally Cookson's 2012 production of JM Barrie's Peter Pan, revived and revised at the National Theatre for Christmas, sees her reuniting with

SOURCE: The Stage Registration at 7:21pm on December 2, 2016[SHARE]

Buried Child review at Trafalgar Studios, London " 'Ed Harris fills the stage' by Natasha Tripney

Buried Child is the antithesis of a memory play. First produced in 1978, but not staged on Broadway until 1996 when it

SOURCE: The Stage Registration at 7:37pm on December 1, 2016[SHARE]
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