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223 stories by "Michael Schulman"

"Assassins": Vaudeville of Political Bloodlust by Michael Schulman

Stephen Sondheim and John Weidman's musical draws out what's scary and silly about America's armed malcontents.

SOURCE: The New Yorker Subscription at 5:00am on June 30, 2017[SHARE]

An Activist for New York's Mom-and-Pop Shops by Michael Schulman

For the past ten years, a pseudonymous blogger has been writing Vanishing New York, chronicling the demises of beloved spots. Now he's ready to unmask himself.

SOURCE: The New Yorker Subscription at 12:00am on June 19, 2017[SHARE]

The 2017 Tony Awards: Lost in Spacey by Michael Schulman

Who says that theatre can't cause a ruckus? On Sunday, as CBS was teasing "Broadway's biggest night," controversy was engulfing the Public Theatre's production of "Julius Caesar," at Shakesp…

SOURCE: The New Yorker Subscription at 9:37pm on June 13, 2017[SHARE]

Brigitte Lacombe's Behind-the-Scenes Photos of Iconic Theatre Performances - The New Yorker by Michael Schulman

Over the years, Lacombe has captured such iconic performers as Alec Baldwin, Meryl Streep, Denzel Washington, and Madonna (during the singer's volatile marriage to Sean Penn).

SOURCE: The New Yorker Subscription at 8:58am on June 11, 2017[SHARE]

Brigitte Lacombe's Behind-the-Scenes Photos of Iconic Theatre Performances by Michael Schulman

Actors are, by definition, an exhibitionist bunch. But they can also be deeply protective of a process that requires them to dive inside themselves before resurfacing with pearls of performa…

SOURCE: The New Yorker Subscription at 8:00am on June 10, 2017[SHARE]

Night Out: Amber Tamblyn Rallies Her Troops to the Red Carpet by Michael Schulman

The actress, poet and new director celebrates her film "Paint It Black" with family and a sisterhood of famous friends.

SOURCE: The New York Times Subscription at 12:27pm on May 19, 2017[SHARE]

Elizabeth Marvel's Authority Figures by Michael Schulman

"I've never been a girl-woman," Elizabeth Marvel said recently. "I've always been a Woman with a capital 'W.' " With her deep timbre and penetrating eyes, the forty-seven-year-old actress…

SOURCE: The New Yorker Subscription at 5:00am on May 19, 2017[SHARE]

The Feminist Consultants for "A Doll's House, Part 2" by Michael Schulman

"A woman cannot be herself in the society of the present day, which is an exclusively masculine society," Henrik Ibsen wrote in 1878, proving himself, in 2017 parlance, to be a woke bae. He …

SOURCE: The New Yorker Subscription at 5:00am on May 15, 2017[SHARE]

Summer Theatre Preview by Michael Schulman

Among the signifiers of a New York summer"the Mister Softee jingle, air-conditioner droplets messing up your hair"is the sound of blank verse. Shakespeare has become a mostly May-to-August a…

SOURCE: The New Yorker Subscription at 5:00am on May 12, 2017[SHARE]

The Musical Eccentric Who Turned Tolstoy's Pierre Into Every Seeker by Michael Schulman

Imagine writing yourself the role of a lifetime, only to be replaced by a photogenic, puppy-eyed celebrity version of yourself. Such was the fate of Dave Malloy, the writer, composer, and or…

SOURCE: The New Yorker Subscription at 6:21pm on May 5, 2017[SHARE]

The 2017 Tony Nominations: War, Peace, and Bette Midler by Michael Schulman

It seems like a lifetime ago that "Hamilton" swept the 2016 Tony nominations and pointed us toward a bright, progressive future. This year's nominations, which were announced Tuesday morn…

SOURCE: The New Yorker Subscription at 4:16pm on May 2, 2017[SHARE]

Not Exactly Golden Tickets: "Charlie and the Chocolate Factory" and "Anastasia" on Broadway by Michael Schulman

What's sweeter than a rags-to-riches story? Cinderella, Little Orphan Annie, Eliza Doolittle"all made the journey from poverty to the palace, and all have been the subjects of Broadway music…

SOURCE: The New Yorker Subscription at 4:00pm on April 25, 2017[SHARE]

Immersive War Games Under the High Line by Michael Schulman

It's not easy to describe what Randy Weiner does for a living. Some people call him an "impresario," but he comes across more like a mild-mannered cardiologist than like P. T. Barnum. With h…

SOURCE: The New Yorker Subscription at 12:00am on April 21, 2017[SHARE]

The Tao of "Groundhog Day," Onstage by Michael Schulman

What did you do this morning? Perhaps you woke up at your regular time, made coffee in the same machine that you did yesterday, took the same commute to work that you do every day. In adult …

SOURCE: The New Yorker Subscription at 6:00pm on April 18, 2017[SHARE]

Allison Janney's Modern Art by Michael Schulman

Allison Janney spiralled, cranelike, up the ramp of the Guggenheim Museum. She stopped in front of a Kandinsky""Black Lines" (1913), a jumble of Technicolor splotches"and gasped. "My gosh, t…

SOURCE: The New Yorker Subscription at 12:00am on April 10, 2017[SHARE]

"Amélie" Arrives on Broadway by Michael Schulman

The heroine of "Amélie," the new musical at the Walter Kerr Theatre, is a dreamy Parisian café waitress who channels her childlike wonder into staging anonymous good deeds on the streets o…

SOURCE: The New Yorker Subscription at 7:40pm on April 6, 2017[SHARE]

"The Play That Goes Wrong" Is Quite Good by Michael Schulman

"Firstly, I would like to apologize to those of you involved in our little box-office mixup," a tuxedoed man with a posh accent tells us. "I do hope the six hundred and seventeen of you affe…

SOURCE: The New Yorker Subscription at 7:03pm on April 5, 2017[SHARE]

Sara Bareilles Picks Up a Shift in "Waitress" by Michael Schulman

The singer-songwriter Sara Bareilles has one of those silvery voices that can bring intimacy to a large stage. Born in Eureka, California, Bareilles played in bars in Los Angeles before brea…

SOURCE: The New Yorker Subscription at 12:00am on March 24, 2017[SHARE]

Stuck in Gander, Newfoundland by Michael Schulman

The town of Gander, Newfoundland, has six traffic lights and a population of less than thirteen thousand. Snowmobiling is popular, and people leave their car doors unlocked while they're at …

SOURCE: The New Yorker Subscription at 12:00am on March 20, 2017[SHARE]

Spring Theatre Preview by Michael Schulman

Since the film "Groundhog Day" came out, in 1993, it's been claimed by existentialists, Buddhists, political theorists, and comedy nerds alike. The story has become a modern parable: a morda…

SOURCE: The New Yorker Subscription at 11:00pm on March 2, 2017[SHARE]

Scenes from the Oscar-Night Implosion by Michael Schulman

Not long after "La La Land" was announced Best Picture at the eighty-ninth annual Academy Awards"after which "Moonlight" was announced Best Picture at the eighty-ninth annual Academy Awards,…

SOURCE: The New Yorker Subscription at 5:25pm on February 27, 2017[SHARE]

Oscar Spotlight: Best Director and Best Picture by Michael Schulman

"I'm the king of the world! Whooooo!" That line is not, in fact, from President Trump's Inaugural Address but from James Cameron's infamous speech at the 1998 Academy Awards, when he won the…

SOURCE: The New Yorker Subscription at 6:00pm on February 23, 2017[SHARE]

Shakeup at the Oscars by Michael Schulman

The Academy of Motion Picture Arts and Sciences occupies a squat nineteen-seventies building on Wilshire Boulevard, surrounded by car dealerships. On January 14th of last year, Cheryl Boone …

SOURCE: The New Yorker Subscription at 11:00pm on February 19, 2017[SHARE]

Inside Julie Andrews's Puppet Show by Michael Schulman

Lisa Henson and Emma Walton Hamilton met only recently, but they have something rare in common: each has a parent who likely held a deep, enchanted place in your childhood. Henson, who is fi…

SOURCE: The New Yorker Subscription at 11:00pm on February 19, 2017[SHARE]

Oscar Spotlight: The Screenplays by Michael Schulman

"We didn't need dialogue," Norma Desmond tells a young screenwriter in "Sunset Boulevard," recalling her silent-film-era glory days. "We had faces!" Screenwriters famously suffer all sorts o…

SOURCE: The New Yorker Subscription at 12:00am on February 14, 2017[SHARE]
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