DESKTOP
Contact
The Season
On Broadway
Broadway Weather
Broadway Wrap
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
241 stories by "Michael Schulman"

Daniel Radcliffe and the Art of the Fact-Check by Michael Schulman

Researching his role in "The Lifespan of a Fact," the actor embeds in The New Yorker's fact-checking department.

SOURCE: The New Yorker Subscription at 5:00am on October 8, 2018☆⚑

Jane Fonda Is Paying Close Attention by Michael Schulman

Michael Schulman interviews the actress and activist Jane Fonda about talking to voters, supporting \#MeToo, and growing into herself.

SOURCE: The New Yorker Subscription at 4:18pm on September 26, 2018☆⚑

The 2018 Emmys: Nerd Love and Hannah Gadsby Won the Night by Michael Schulman

Michael Schulman writes about the 2018 Primetime Emmy awards, where a surprise marriage proposal one the night.

SOURCE: The New Yorker Subscription at 7:49am on September 18, 2018☆⚑

Carrie Coon's Existential Journey to TV Stardom by Michael Schulman

In shows such as "The Leftovers" and "Fargo," she exudes a Midwestern pragmatism that has its own kind of mystery, Michael Schulman writes.

SOURCE: The New Yorker Subscription at 5:00am on September 17, 2018☆⚑

When Bees Go Rogue, Call the N.Y.P.D. by Michael Schulman

A swarm struck Times Square. Members of an élite beekeeping squad rushed to the scene, Michael Schulman writes. 

SOURCE: The New Yorker Subscription at 5:00am on September 10, 2018☆⚑

The Shaming of Geoffrey Owens and the Inability to See Actors as Laborers, Too by Michael Schulman

Michael Schulman writes on the inability to see actors as laborers in light of the recent shaming of the actor Geoffrey Owens, of "The Cosby Show," after he was photographed working at a Tra…

SOURCE: The New Yorker Subscription at 6:06pm on September 2, 2018☆⚑

Glenn Close Grabs the Limelight in "The Wife" by Michael Schulman

Michael Schulman reviews the new film "The Wife," starring Glenn Close, and writes about the parallels between Close's life and personality and those of the character she plays in the movie.

SOURCE: The New Yorker Subscription at 10:00am on August 29, 2018☆⚑

A Frog's-Eye View of the Five Boroughs by Michael Schulman

Michael Schulman on the intrepid British writer touring the city's public and private pools on a hot summer day.

SOURCE: The New Yorker Subscription at 5:00am on August 20, 2018☆⚑

Fall Preview by Michael Schulman

Superstar Vehicles, a Radical "Oklahoma!"

SOURCE: The New Yorker Subscription at 5:00am on August 17, 2018☆⚑

Is "Pretty Woman" on Broadway a Big Mistake? by Michael Schulman

Michael Schulman reviews the newly opened Broadway musical "Pretty Woman," at the Nederlander Theatre, starring Samantha Barks, Andy Karl, Eric Anderson, and Orfeh.

SOURCE: The New Yorker Subscription at 10:42pm on August 16, 2018☆⚑

A Hollywood Hedonist Turns Ninety-Five by Michael Schulman

Michael Schulman on Matt Tyrnauer's new documentary, "Scotty and the Secret History of Hollywood," about the nonagenarian Scotty Bowers, whose 2012 tell-all book, "Full Service," recounted X…

SOURCE: The New Yorker Subscription at 2:00pm on August 9, 2018☆⚑

Trapped in the Garden with Parker Posey by Michael Schulman

At her new digs in the West Village, the actress and newly minted memoirist gets locked out.

SOURCE: The New Yorker Subscription at 5:00am on July 30, 2018☆⚑

"Head Over Heels," Reviewed: A Trans-Positive Spin on a Sixteenth-Century Romance, with Help from the Go-Go's by Michael Schulman

Michael Schulman reviews the musical "Head Over Heels,"at the Hudson Theatre, which features the first openly transgender woman to originate a major role on Broadway.

SOURCE: The New Yorker Subscription at 12:06pm on July 27, 2018☆⚑

The Complexities of Whitney Houston in "Whitney" by Michael Schulman

Michael Schulman on "Whitney," a new documentary about the singer Whitney Houston, directed by Kevin Macdonald.

SOURCE: The New Yorker Subscription at 5:00am on July 7, 2018☆⚑

Bo Burnham's Age of Anxiety by Michael Schulman

Michael Schulman writes about the film "Eighth Grade," in which the former YouTube star turns on the medium that made him famous.

SOURCE: The New Yorker Subscription at 5:00am on June 25, 2018☆⚑

Encounters: Alison Brie Swaps Her Wrestling Costume for Boxing Gloves by Michael Schulman

The star of Netflix's "GLOW," which returns for Season 2, is not afraid of getting physical.

SOURCE: The New York Times Subscription at 5:00am on June 22, 2018☆⚑

Aunt Lydia's Garden Karma by Michael Schulman

Michael Schulman on the in-demand character actress Ann Dowd, and her adventures with cattle prods, nuns, and hoarders.

SOURCE: The New Yorker Subscription at 5:00am on June 18, 2018☆⚑

The 2018 Tony Awards: Springsteen, Meet SpongeBob by Michael Schulman

Michael Shulman reviews the 2018 Tony Awards, which he writes did not stint on weird juxtapositions, tuneful numbers, or memorable speeches.

SOURCE: The New Yorker Subscription at 8:16am on June 11, 2018☆⚑

Review: The Tender Biographies of "House of Nutter" by Michael Schulman

Michael Schulman reviews "House of Nutter: The Rebel Tailor of Savile Row," a new book by Lance Richardson about the brothers Tommy and David Nutter.

SOURCE: The New Yorker Subscription at 9:11am on June 1, 2018☆⚑

The N.Y.P.D. Police Band Takes the Stage by Michael Schulman

At a performance of "The Band's Visit," on Broadway, New York's police band jammed with the show's Alexandria Ceremonial Police Orchestra.

SOURCE: The New Yorker Subscription at 5:00am on May 28, 2018☆⚑

How Interview Magazine Uplifted and Reshaped Celebrity Culture by Michael Schulman

Michael Schulman writes about the folding of Interview Magazine, which was created in 1969 by the artist Andy Warhol.

SOURCE: The New Yorker Subscription at 4:40pm on May 24, 2018☆⚑

Kathleen Turner Finds Her Voice at Café Carlyle by Michael Schulman

Telling stories punctuated by standards, Turner recalls falling in love with the theatre.

SOURCE: The New Yorker Subscription at 5:00am on May 18, 2018☆⚑

Carol Burnett Gets Woke by Michael Schulman

Now that the kids who grew up on "The Carol Burnett Show" are middle-aged, the actress is finding new fans on Netflix, Michael Schulman writes.

SOURCE: The New Yorker Subscription at 5:00am on May 14, 2018☆⚑

Summer Theatre Preview by Michael Schulman

"Pretty Woman" comes to Broadway, Armie Hammer stars in "Straight White Men," and Chukwudi Iwuji plays Othello in Central Park.

SOURCE: The New Yorker Subscription at 5:00am on May 11, 2018☆⚑

The 2018 Tony Nominations: "Mean Girls," "Harry Potter," and Singing SpongeBob by Michael Schulman

Michael Schulman writes about the 2018 Tony Award nominees, including "Mean Girls," "Three Tall Women," "The Iceman Cometh," "SpongeBob SquarePants," and others.

SOURCE: The New Yorker Subscription at 3:57pm on May 1, 2018☆⚑
« Previous 25   Page 4 of 10   Next 25 »