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1,481 stories by "Matt Wolf"

Florence Andrews on Letting Her Hair Down in London's School of Rock & More by Matt Wolf

Florence Andrews is lending some sterling vocals and whiplash timing to the London premiere of the Andrew Lloyd Webber musical School of Rock, based on the Richard Linklater/Jack Black film …

SOURCE: Broadway.com at 12:54am on January 20, 2017[SHARE]

Ben Turner on Not Being Pigeon-Holed, Playing an Eight-Year-Old Boy & Flying High in London's The Kite Runner by Matt Wolf

Ben Turner's theater credits include the Eddie Redmayne Richard II at the Donmar and the Almeida's revival of Clifford Odets' Awake and Sing but the classically trained performer…

SOURCE: Broadway.com at 12:42am on January 13, 2017[SHARE]

Matthew Seadon-Young on Playing Gerry Goffin in London's Beautiful, the Art of Taking Over a Role & Not Doing Side Show with His Brother by Matt Wolf

Matthew Seadon-Young's London musical credits include Billy Elliot, Urinetown and Les Miserables and now the ebullient performer is playing the American lyricist (and onetime husband of …

SOURCE: Broadway.com at 12:54am on January 7, 2017[SHARE]

She Loves Me's Scarlett Strallen on Singing 'Ice-Cream' with a British Accent, Meeting Barbara Cook & More by Matt Wolf

No sooner had the gossamer-voiced Scarlett Strallen got herself a base in New York before the English star of such shows as Mary Poppins, A Gentleman's Guide to Love and Murder and the W…

SOURCE: Broadway.com at 5:04pm on January 3, 2017[SHARE]

In a Year of Surprises on the London Stage, Women Held Pride of Place by Matt Wolf

It's not that men were in any way denied a viewing, but Billie Piper, Glenda Jackson, Sophie Melville and others shined.

SOURCE: The New York Times Subscription at 6:26am on January 3, 2017[SHARE]

Ma Rainey, King Lear, Harry Potter & More! The Top Five Shows in London in 2016 by Matt Wolf

Defining productions of Tom Stoppard and August Wilson classics raised the bar high for revivals in a classics-heavy year that also found Glenda Jackson, of all people, taking on the title r…

SOURCE: Broadway.com at 10:24am on December 28, 2016[SHARE]

Broadway round-up by Matt Wolf

Broadway's new season promises a diet of big stars " and the best cure for winter blues is that ray of sunshine Carrie FisherIt's a new year, but Broadway is up to its old tricks, with shows…

SOURCE: The Guardian at 10:24pm on December 23, 2016[SHARE]

An Inspector Calls' Barbara Marten on Soggy Costumes, a Collapsing Set & Her Show-Biz Marriage by Matt Wolf

Barbara Marten is a veteran presence on stage and screen with a sizable range of British TV credits that include a series regular on The Bill. The actress has returned to the West End t…

SOURCE: Broadway.com at 12:06am on December 17, 2016[SHARE]

Review: 'Dreamgirls' Makes an Overdue British Debut by Matt Wolf

The production stars Amber Riley, from the TV series "Glee," as the girl group singer Effie White.

SOURCE: The New York Times Subscription at 10:54am on December 15, 2016[SHARE]

Nice Fish's Jim Lichtscheidl on Working with Mark Rylance, Meeting Celebs and How to Pronounce His Name by Matt Wolf

Jim Lichtscheidl has played London before, as part of an amalgam of Tony Kushner one-acts that came to the Tricycle Theatre in 2010 under the title Tiny Kushner. This season finds the Minnes…

SOURCE: Broadway.com at 4:06pm on December 12, 2016[SHARE]

Philippa Stefani on Meeting Lin-Manuel Miranda, Keeping in Touch with Cynthia Erivo and Playing Mimi in London's Rent by Matt Wolf

Philippa Stefani has a wide-ranging list of musical credits that include Imagine This, Wicked, GhostI Can't Sing! and In the Heights,  and now the performer is taking on the role of…

SOURCE: Broadway.com at 2:18pm on December 5, 2016[SHARE]

Review: 'The Children,' in London, Offers Hints of an Apocalypse by Matt Wolf

The play by Lucy Kirkwood is at the Royal Court; also reviewed are "The Sewing Group" by E.V. Crowe and a revival of Somerset Maughan's "Sheppey."

SOURCE: The New York Times Subscription at 9:18am on December 2, 2016[SHARE]

This House Star Nathaniel Parker on Politics, Star Vehicles and Memories of Wolf Hall's Tony Noms by Matt Wolf

Nathaniel Parker has twice played Broadway, first opposite Dustin Hoffman in 1989 in The Merchant of Venice and then in 2015 in his Tony-nommed performance as Henry VIII in Wolf Hall, f…

SOURCE: Broadway.com at 12:48am on November 23, 2016[SHARE]

Samantha Barks on Keeping Cool in Front of Jason Robert Brown, Not Dissing Russell Crowe & Starring in London's The Last Five Years by Matt Wolf

Samantha Barks came to worldwide attention as Eponine in the film of Les Miserables but has an extensive list of stage credits including Les Miz, Aladdin and City of Angels. The 26-year-old …

SOURCE: Broadway.com at 2:12pm on November 17, 2016[SHARE]

Review: Salieri's Anguish Continues in a New 'Amadeus' in London by Matt Wolf

Peter Shaffer's play about the relationship between Mozart and his rival gains a few tweaks at the National Theater.

SOURCE: The New York Times Subscription at 9:36am on November 17, 2016[SHARE]

Buried Child's Amy Madigan on Working with Hubby Ed Harris, Making Her London Stage Debut & Redefining Family Drama by Matt Wolf

Chicago-born actress and 1985 Oscar nominee (Twice in a Lifetime) Amy Madigan has done TV, film and stage and is now about to make her London theater debut in Sam Shepard’s 1978 play B…

SOURCE: Broadway.com at 12:31am on November 11, 2016[SHARE]

Review: Glenda Jackson Rivets as King Lear in Her Return to the Stage by Matt Wolf

At 80, the Oscar winner has rejoined her profession after decades, much of them spent as a Labour member of Parliament, in Deborah Warner's Old Vic production.

SOURCE: The New York Times Subscription at 1:02pm on November 6, 2016[SHARE]

Michael C. Hall on Shaving His Arms, Being Part of David Bowie's 'Posthumous Homecoming' & Making His London Stage Debut in Lazarus by Matt Wolf

Michael C. Hall is known for his award-winning work on TV’s Six Feet Under and Dexter but has been returning to the theater with increasing regularity of late, whether as one of Broadw…

SOURCE: Broadway.com at 3:54pm on November 3, 2016[SHARE]

Review: A Revival of 'The Dresser' in London by Matt Wolf

Ronald Harwood's play features Ken Stott as a barnstorming actor who is devoted to the role of King Lear.

SOURCE: The New York Times Subscription at 7:48am on November 3, 2016[SHARE]

Review: 'The Red Barn' and 'Blue Heart' by Matt Wolf

David hare's latest and a Caryl Churchill classic revived

SOURCE: The New York Times Subscription at 9:42am on October 28, 2016[SHARE]

Charlie Stemp on Going from Playing the 'Monkey Number Three' in Wicked to Starring in Half a Sixpence by Matt Wolf

Newcomer Charlie Stemp looks set to be stamped for stardom when a revival of the 1965 British musical Half a Sixpence starts previews on October 29 at the Noel Coward Theatre, in advance of …

SOURCE: Broadway.com at 5:06pm on October 27, 2016[SHARE]

A Pacifist's Guide to the War on Cancer, National Theatre by Matt Wolf

Some have responded to the very notion of a musical about cancer as if the idea itself were breaking some unwritten code of what is permissible to put on stage

SOURCE: The Arts Desk at 6:00am on October 21, 2016[SHARE]

Ramin Karimloo on Starring Opposite Kerry Ellis in London's Murder Ballad, Returning to Broadway in Anastasia & Why He Still Lifts Weights by Matt Wolf

Ramin Karimloo needs little introduction as a onetime Phantom in both The Phantom of the Opera and its West End sequel, Love Never Dies, as well as a storming Jean Valjean in Les Misera…

SOURCE: Broadway.com at 12:30am on October 21, 2016[SHARE]

West End Kinky Boots Star David Hunter on Being the Go-To Takeover Guy & Wanting a 'Sleeping Ovation' by Matt Wolf

British actor-singer David Hunter previously inherited the leading role of Guy in London in the Tony-winning musical Once and has now stepped into the co-starring role of Charlie Price …

SOURCE: Broadway.com at 3:39pm on October 17, 2016[SHARE]

Oil, Almeida Theatre by Matt Wolf

Ambition trumps (if you'll forgive that verb) achievement in Ella Hickson's new play, a long-aborning exercise in time-travel whose audacity of vision can't override one's impression that th…

SOURCE: The Arts Desk at 4:03am on October 17, 2016[SHARE]
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