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1,498 stories by "Matt Wolf"

Review: First the Party, Then the Crash, in a 'Cabaret' Revival by Matt Wolf

A London production starring Eddie Redmayne pulls the audience into a hedonistic milieu. Then things get dark.

SOURCE: The New York Times Subscription at 11:12am on December 15, 2021

'Habeas Corpus' review " Alan Bennett's farce is now a hit-and-miss comedy by Matt Wolf

Jasper Britton, Ria Jones and Caroline Langrishe in Alan Bennett's 1973 comedy about mortality, directed by Patrick Marber

SOURCE: LondonTheatre.co.uk at 9:36am on December 14, 2021

Review: In 'Best of Enemies,' a TV Duel Becomes a Theater Gem by Matt Wolf

James Graham's new play draws parallels between the bad-tempered 1968 debates between William F. Buckley and Gore Vidal and the rancorous public arena of today.

SOURCE: The New York Times Subscription at 12:12pm on December 13, 2021

'Measure for Measure' at Shakespeare's Globe review " a surprising and delightful twist on the Bard's comedy by Matt Wolf

Hattie Ladbury in superlative form as a gender-flipped Duke, with Georgia Landers as Isabella

SOURCE: LondonTheatre.co.uk at 2:01pm on December 6, 2021

Remembering Stephen Sondheim: the legendary writer's lasting impact by Matt Wolf

RIP Stephen Sondheim, who has died age 91

SOURCE: LondonTheatre.co.uk at 6:47am on December 1, 2021

Stephen Sondheim in memoriam - he gave us more to see by Matt Wolf

The master of musicals remembered, and revered

SOURCE: The Arts Desk at 10:04am on November 29, 2021

'A Christmas Carol' at The Old Vic review " Stephen Mangan is definitive as Scrooge by Matt Wolf

Stephen Mangan is the best Scrooge yet, with Oli Higginson and Rachel John amongst those lending sterling support

SOURCE: LondonTheatre.co.uk at 6:00am on November 26, 2021

Tomfoolery With the Classics? Play It Straight, Please. by Matt Wolf

Two London productions that play fast and loose with their literary sources lack the theatrical magic of another show that gives viewers the original, unadorned.

SOURCE: The New York Times Subscription at 3:54am on November 25, 2021

'Rare Earth Mettle' review " an appealingly acted play that deserves consideration by Matt Wolf

Arthur Darvill as Henry Finn in Royal Court play dogged by controversy; Hamish Pirie directs

SOURCE: LondonTheatre.co.uk at 11:06am on November 23, 2021

'Straight White Men' review " Young Jean Lee's play should spur conversation by Matt Wolf

Alex Mugnaioni gives a breakout performance in London premiere of 2018 Broadway play

SOURCE: LondonTheatre.co.uk at 1:14pm on November 17, 2021

'The Choir of Man' review " a drink-fueled evening of pop music favors song over substance by Matt Wolf

Much-traveled musical needs a narrative makeover - but the songs are cool

SOURCE: LondonTheatre.co.uk at 7:33am on November 10, 2021

'Indecent Proposal' review - a musical misfire needs more work by Matt Wolf

Lizzy Connolly stars in a musical in search of music, and a point-of-view

SOURCE: LondonTheatre.co.uk at 6:59am on November 5, 2021

Three Stars, Three Ways, Three Classic Plays by Matt Wolf

On British stages, Saoirse Ronan, Cush Jumbo and Ian McKellen present contrasting approaches to Shakespeare and Chekhov.

SOURCE: The New York Times Subscription at 5:36am on November 4, 2021

''night, Mother' review - Stockard Channing brings empathy to a challenging play by Matt Wolf

An ageless Stockard Channing excels in fitfully effective revival of Marsha Norman Pulitzer winner

SOURCE: LondonTheatre.co.uk at 2:26pm on October 29, 2021

'The Shark is Broken' review - A murky 'Jaws' backstory with impressive visuals and familial bond by Matt Wolf

Ian Shaw plays his late father, 'Jaws' co-star Robert Shaw, in a play the younger Shaw has co-written

SOURCE: LondonTheatre.co.uk at 6:30am on October 22, 2021

'Love and Other Acts of Violence' review - a pacy drama spirals with a contrived ending by Matt Wolf

Tom Mothersdale excels yet again, this time at the Donmar and directed by Elayce Ismail

SOURCE: LondonTheatre.co.uk at 6:56am on October 18, 2021

White Noise, Bridge Theatre review - provocative if not always plausible by Matt Wolf

Suzan-Lori Parks has tweaked her Off Broadway play to mixed results "I can't sleep": So goes the fateful opening line of White Noise, the Suzan-Lori Parks play disturbing enough to spark ma…

SOURCE: The Arts Desk at 7:03am on October 15, 2021

On London Stages, Brevity Reigns Supreme by Matt Wolf

A new work by Caryl Churchill, the final installment in Hilary Mantel's Cromwell saga and a Larry Kramer play deploy their running times with varied success.

SOURCE: The New York Times Subscription at 4:42am on October 14, 2021

'East is East' review - Ayub Khan Din's play continues to resonate 25 years on by Matt Wolf

Sophie Stanton in 25th anniversary revival of Ayub Khan Din's debut play

SOURCE: LondonTheatre.co.uk at 6:02am on October 13, 2021

'Metamorphoses' review - a collaborative approach offers a fresh take on Ovid by Matt Wolf

Ovid comes to refreshed life courtesy 3 playwrights, 2 directors, and 4 actors

SOURCE: LondonTheatre.co.uk at 11:22am on October 8, 2021

Nathaniel Parker on playing Henry VIII and working with Hilary Mantel on 'The Mirror and the Light' by Matt Wolf

The Olivier winner and Tony nominee returns to the historical well

SOURCE: LondonTheatre.co.uk at 1:20pm on October 6, 2021

Camp Siegfried, Old Vic review - the banality of evil, brilliantly served up by Matt Wolf

Bess Wohl two-hander gets a superlative production A stealthily powerful play gets the production of its dreams in Camp Siegfried, which marks a high-profile UK presence for the American wr…

SOURCE: The Arts Desk at 8:48am on September 21, 2021

'Is God Is' review - a fiery play that belongs to the here and now by Matt Wolf

Aleshea Harris play has a powerful UK debut at the Royal Court

SOURCE: LondonTheatre.co.uk at 12:44pm on September 17, 2021

In London, Musicals That Stay True to a Brand by Matt Wolf

"Frozen" and "Back to the Future: The Musical" are sure to please fans of the original screen works, without offering much more of interest.

SOURCE: The New York Times Subscription at 4:32am on September 16, 2021

'Indecent' review - a radiant ensemble finds beauty in the quiet moments by Matt Wolf

Paula Vogel's play - delayed at the Menier by the pandemic - is even more moving in London than it was in New York.

SOURCE: LondonTheatre.co.uk at 6:21am on September 15, 2021
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