Review: The King's Speech at Curtainup/London
Adrian Noble's touching production is not a pale imitation of the movie but has more fascinating detail from David Seidler's detailed research.
Adrian Noble's touching production is not a pale imitation of the movie but has more fascinating detail from David Seidler's detailed research.
As in any Philip Ridley play there is discomfort with painful moments but I liked its multiplicity of themes .
What is more satisfying than a well written dark comedy of human behaviour with underlying and enduring themes and a sense of place? Don't miss this one by David Eldridge
Jonathan Church's well received production of from Chichester comes into London's famous musical theatre.
Josie Rourke kicks of her residency at the Donmar Warehouse with a cracking production of George Farquhar's oft neglected masterpiece.
The inspiration for Nicholas Wright's new play at the National Theatre is the shtetls of Russia and the many Jewish filmmakers who made Hollywood what it is today.. . .
Writer Abi Morgan's play arrives in London as she is riding on the crest of a wave with her screenplay of Prime Minister Margaret Thatcher's political career and her acclaimed serial last ye…
a very accomplished debut as joint playwrights, Task Fairbanks and Toby Wharton. . .
a bold reinterpretation that will no doubt provoke strong reactions from its audiences. However, whether you love it or hate it, there is no doubt that you will have experienced something tr…
Matthew Warchus's delightful production for all ages about the precocious little girl who loves books and is born into a family of book hating telly addict
The last of Neil LaBute trilogy about how we look and relationships opens in London where it all started. . .
Simon Russell Beale gives an affectionate, quizzical and jokey portrait of Joseph Stalin in John Hodge's play
Nicholas Wright's excellent play set in 1980 about the last years of the Duchess of Windsor in Paris
A monumental multi-author enterprise at the Bush. . .
Conor McPherson's gothic story receives a big production directed by the playwright himself.
Edward Bond's play Saved Lyric Hammersmith director Sean Holmes and his actors give us a fresh production of Edward Bond's groundbreaking play
David Leveaux has crafted a musical which while true to the Beatles' tradition and the memory of Stuart Suttcliffe has us dancing in the aisles to an authentic sound.
Not one of Arthur Miller's best plays but there are still flashes of his great writing. The ending is sad but not predictable
tephen Poliakoff's work stays with you. So it is with his first new play in 12 years now at the National Theatre
Kneehigh's dark fairy tale fantasy is not for children, but it's a stunning, not to be missed experience.
The Landor is a tiny pub theatre in Clapham with a big heart and their production of this musical is the most comprehensive I have seen in London.
debbie tucker green's (lower case is her choice) new play for the Royal Court
Alexi Kaye Campbell's new play for the Royal Court engages the intellect with a contemporary analysis of ethics
a largely British cast needs extra concentration to maintain the American accents, in song as well as voice. . .
If we had to name an actress for our day who measures up to the reputation of the enigmatic Garbo, it surely would be Ruth Wilson who has an ability to emotionally envelop an audience with h…