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916 stories by "Laura Collins-Hughes"

'Four Saints in Three Acts' Review: An Opera Becomes a One-Man Show by Laura Collins-hughes

The actor David Greenspan is a tour-de-force, taking on all the roles of Gertrude Stein and Virgil Thomson's large-cast opera from 1934, sans music.

SOURCE: The New York Times Subscription at 10:49am on September 20, 2022

In This Playwright's Dystopia, Forgetting Is Forbidden by Laura Collins-hughes

Steven Fechter's "The Memory Exam" begins with a promising setup, our critic writes, while Grant MacDermott's marriage story "Jasper" struggles for emotional resonance.

SOURCE: The New York Times Subscription at 2:55pm on September 16, 2022

Opening Old Wounds as the Man Who Warned About the Holocaust by Laura Collins-hughes

In the solo play "Remember This," David Strathairn portrays Jan Karski, a witness to the Nazi genocide during World War II.

SOURCE: The New York Times Subscription at 3:43pm on September 12, 2022

'Burbank' Review: When Disney's Animators Went on Strike by Laura Collins-hughes

Cameron Darwin Bossert's smart new play fictionalizes a 1941 labor dispute to explore the tension between passions and paychecks.

SOURCE: The New York Times Subscription at 5:07pm on September 9, 2022

Review: In 'On That Day in Amsterdam,' a Traveler Becomes a Tourist by Laura Collins-hughes

Two young men wander the city before they both must say farewell and return to very different lives.

SOURCE: The New York Times Subscription at 2:33pm on September 1, 2022

'Patience' Review: At the Top of His Game, and Lonely by Laura Collins-hughes

Johnny G. Lloyd's new play about a solitaire champion examines talent, ambition and the rising stakes of success when you're Black.

SOURCE: The New York Times Subscription at 12:07pm on August 18, 2022

What to Do With an Absent Father? Cast Him as a Character Onstage. by Laura Collins-hughes

The experimental theater maker Aya Ogawa ponders her distant father as well as failure and forgiveness in "The Nosebleed" at Lincoln Center Theater.

SOURCE: The New York Times Subscription at 4:37pm on August 11, 2022

'Oresteia' Review: A Mother's Grief, Underestimated by Laura Collins-hughes

Anastasia Hille is riveting as Klytemnestra in Robert Icke's production of "Oresteia" at the Park Avenue Armory.

SOURCE: The New York Times Subscription at 3:42pm on July 28, 2022

'Romeo & Juliet' Review: Older, Gentler Star-Crossed Lovers by Laura Collins-hughes

With age-blind casting at the Hudson Valley Shakespeare Festival, two actors who have been married for 38 years play the teenage leads.

SOURCE: The New York Times Subscription at 2:54pm on July 25, 2022

'Cannabis!' Review: Preaching to the Partaking Choir by Laura Collins-hughes

This vaudevillian show at La MaMa in Manhattan is like a party where weed is the guest of honor, thrown by ardent, uncritical hosts.

SOURCE: The New York Times Subscription at 2:54pm on July 22, 2022

A Bold Concert of Songs and a Potent Play Leave Audiences Abuzz by Laura Collins-hughes

At the Williamstown Theater Festival, Daniel Fish's "Most Happy in Concert" confounds and Anna Ouyang Moench's "Man of God" raises it own question.

SOURCE: The New York Times Subscription at 1:33pm on July 20, 2022

An 'Impossible Dream' Comes True, Again, for Marylouise Burke in 'Epiphany' by Laura Collins-hughes

The 81-year-old actress stars as an eccentric dinner party host. When she was a teenager, though, wanting to act was a secret she didn't dare tell.

SOURCE: The New York Times Subscription at 8:54pm on July 18, 2022

Review: In 'Between the Lines,' Romance Is Thwarted by Reality by Laura Collins-hughes

A new Off Broadway musical, based on the best-selling young adult novel by Jodi Picoult and Samantha van Leer, is uneven but sweet, our critic writes.

SOURCE: The New York Times Subscription at 5:33pm on July 17, 2022

'Twelfth Night' Review: A Shot of Joy Under a Darkening Sky by Laura Collins-hughes

At an uptown amphitheater, the Classical Theater of Harlem stages Shakespeare's comedy with fizzy delight.

SOURCE: The New York Times Subscription at 3:12pm on July 12, 2022

'He Presented Another Path': Actors and Directors on Peter Brook by Laura Collins-hughes

Patrick Stewart, Tarell Alvin McCraney, Tina Landau and Tim Robbins on being challenged and inspired by the legendary theater maker, who died last weekend.

SOURCE: The New York Times Subscription at 2:18pm on July 8, 2022

She'll Have You at Moo: Milky White and the Power of Puppetry by Laura Collins-hughes

She breathes, coughs and mourns, and now the cow puppet that captured hearts in the Encores! "Into the Woods" revival is on Broadway.

SOURCE: The New York Times Subscription at 10:42am on June 29, 2022

'Chains' Review: Drab Lives, but Dreaming of More by Laura Collins-hughes

A young boarder's plan to make a new life in Australia unsettles a staid British family in Elizabeth Baker's 1909 play, revived by the Mint Theater Company.

SOURCE: The New York Times Subscription at 3:43pm on June 27, 2022

'Lessons in Survival: 1971' Review: The Past Echoes in the Present by Laura Collins-hughes

The writer James Baldwin and the poet Nikki Giovanni are at the center of a crackling work of verbatim theater at the Vineyard Theater.

SOURCE: The New York Times Subscription at 2:24pm on June 23, 2022

Review: In High-Tech 'Orchard,' It's Hard to See the Forest for the Trees by Laura Collins-hughes

Jessica Hecht, Mikhail Baryshnikov and Chekhov himself too often get overwhelmed by this ambitious Arlekin Players Theater adaptation.

SOURCE: The New York Times Subscription at 8:42pm on June 16, 2022

'Quince' Review: A Mexican American Tale That Explains Too Much by Laura Collins-hughes

The new play, about a 15-year-old girl and her impending quinceañera, creates a fitting party vibe. If only the script didn't clarify every cultural reference.

SOURCE: The New York Times Subscription at 3:07pm on June 10, 2022

In 'Buggy Baby,' Shadows Creep In by Laura Collins-hughes

Josh Azouz's vivid, nightmarish play at Astoria Performing Arts Center in Queens is a hallucinatory tale about two refugees and a talkative infant.

SOURCE: The New York Times Subscription at 12:07pm on June 7, 2022

Review: In 'A Kid Like Rishi,' Hazy Uncertainty Shrouds a Teen's Killing by Laura Collins-hughes

A cast of three recount the gripping drama of the death of a teenager by the Dutch police in 2012.

SOURCE: The New York Times Subscription at 6:18pm on June 2, 2022

Review: In 'Romeo & Bernadette,' It's Off to Brooklyn for This Tale of Joy by Laura Collins-hughes

In this sweet, spoofy romp of a musical comedy, Romeo awakens from a 400-year slumber and follows a Juliet look-alike to Brooklyn.

SOURCE: The New York Times Subscription at 7:42pm on May 31, 2022

'I Know Why the Caged Bird Sings' Review: A Life Too Simplified by Laura Collins-hughes

This New York City Children's Theater adaptation of Maya Angelou's celebrated memoir faces the challenge of faithfully telling a story that encompasses a great deal of pain.

SOURCE: The New York Times Subscription at 5:07pm on May 25, 2022

Why the Tonys Need an Award for Best Ensemble by Laura Collins-hughes

Theater has always been a team sport. But this Covid-stalked Broadway season has made clear that a prize for the entire cast should be added.

SOURCE: The New York Times Subscription at 10:33am on May 17, 2022
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