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539 stories by "Karen Fricker - Theatre Critic"

Come From Away finds joy in the darkness: review by Karen Fricker - Theatre Critic

The big-hearted, thoroughly enjoyable new musical celebrates the kindness of humble Newfoundlanders who welcomed thousands of travelers stranded on Sept. 11, 2001.

SOURCE: Toronto Star at 1:17pm on November 24, 2016[SHARE]

Seussical celebrates difference at Young People's Theatre: review by Karen Fricker - Theatre Critic

Thom Allison's production of Seussical walks the walk of commitment to inclusion on multiple levels.

SOURCE: Toronto Star at 4:55pm on November 18, 2016[SHARE]

The Realistic Joneses puts us in Will Eno-land: review by Karen Fricker - Theatre Critic

Exceptional set, costumes and lighting contribute to Tarragon Theatre production of work of wonderful writer.

SOURCE: Toronto Star at 1:12pm on November 17, 2016[SHARE]

Theatrical thriller Agency could use more development: review by Karen Fricker - Theatre Critic

Play an exploration of the tangled bonds of love and loyalty between three central characters on both sides of Berlin Wall.

SOURCE: Toronto Star at 7:28pm on November 14, 2016[SHARE]

Secrets of a Black Boy attempts to tell its creators' stories on their own terms: review by Karen Fricker - Theatre Critic

The show, which began as a male response to da kink in my hair, treats concerns specific to Toronto, while setting them in a broader international context.

SOURCE: Toronto Star at 4:43pm on November 13, 2016[SHARE]

Too many plots and themes in The Enchanted Loom: review by Karen Fricker - Theatre Critic

Production from novice playwright deserves praise for addressing Tamil history but needs further development.

SOURCE: Toronto Star at 3:29pm on November 11, 2016[SHARE]

The Queen's Conjuror tackles complexity of opposing belief systems: review by Karen Fricker - Theatre Critic

The play explores the world of John Dee, a real-life figure who was a trusted advisor to Queen Elizabeth I.

SOURCE: Toronto Star at 12:01am on November 7, 2016[SHARE]

The view from Brent Carver's corner by Karen Fricker - Theatre Critic

Celebrated stage actor finds meaning in the eclectic collection of songs in his latest show, Walk Me to the Corner.

SOURCE: Toronto Star at 10:00am on November 6, 2016[SHARE]

Cuisine and Confessions a little undercooked: review by Karen Fricker - Theatre Critic

7 Fingers' ambitious combination of circus acts, monologues and food preparation doesn't always jell.

SOURCE: Toronto Star at 5:08pm on November 3, 2016[SHARE]

The (Post) Mistress delights as a one-woman musical in two languages: review by Karen Fricker - Theatre Critic

Performed by Patricia Cano at the Berkeley Street Theatre, with scripts, music, lyrics and piano accompaniment by the accomplished Tomson Highway.

SOURCE: Toronto Star at 3:54pm on October 17, 2016[SHARE]

Convergence Theatre's roving production, The Unending, is a bold challenge by Karen Fricker - Theatre Critic

Three-act performance moves from a diner to an alleyway and a backyard, rewarding the audience of 25 with dramatic settings and thought-provoking dialogue.

SOURCE: Toronto Star at 5:04pm on October 15, 2016[SHARE]

Lone male genius gets centre stage in All but Gone: review by Karen Fricker - Theatre Critic

The collection of short plays by Samuel Beckett is offered as an abstract experiment, but the way the material is organized reinforces a tired gender binary " women feel, men act.

SOURCE: Toronto Star at 2:54pm on October 15, 2016[SHARE]

ZoomerMedia takes a zig into live theatre by Karen Fricker - Theatre Critic

Indie playwright Kat Sandler and media mogul Moses Znaimer find common ground staging Late Night in new theatre venue.

SOURCE: Toronto Star at 8:00am on October 11, 2016[SHARE]

Brave New World adaptation answers the what, not the why: review by Karen Fricker - Theatre Critic

Performances are excellent, but Litmus Theatre production doesn't tell us why Huxley's story matters today.

SOURCE: Toronto Star at 3:41pm on October 7, 2016[SHARE]

Concord Floral is a show that stays with you: review by Karen Fricker - Theatre Critic

Jordan Tannahill's script, young actors' unstudied performances and beautiful staging combine for a rich experience.

SOURCE: Toronto Star at 2:24pm on October 7, 2016[SHARE]

Numbers Game brings the TV miniseries to the stage by Karen Fricker - Theatre Critic

A playwriting dream team, very committed actors and pioneering producers stage the story of a Harlem mob queen in T.O.

SOURCE: Toronto Star at 9:00am on October 6, 2016[SHARE]

Rutas Panamericanas aims to connect Canada to the Americas by Karen Fricker - Theatre Critic

Performing arts festival brings theatre, dance, film and more to Toronto.

SOURCE: Toronto Star at 3:00pm on October 4, 2016[SHARE]

Brilliant performances in Soulpepper's Hosanna: review by Karen Fricker - Theatre Critic

But Michel Tremblay's 1973 play about a drag queen doesn't advance the conversation about gender roles.

SOURCE: Toronto Star at 6:47pm on October 3, 2016[SHARE]

Noises Off shows Soulpepper's way with farce: review by Karen Fricker - Theatre Critic

Company attempts an updated approach to some of the Michael Frayn play's stereotypical representations.

SOURCE: Toronto Star at 11:43am on October 3, 2016[SHARE]

The Watershed sheds light on water politics: review by Karen Fricker - Theatre Critic

The sprawling docu-play is great fun to watch but sometimes loses focus " it's also curiously silent on Trudeau's contribution to the issue.

SOURCE: Toronto Star at 2:43pm on September 30, 2016[SHARE]

Hit show Blind Date gets a same-sex twist by Karen Fricker - Theatre Critic

For the first time, Rebecca Northan's creation features same-sex pairings of performer and audience volunteer.

SOURCE: Toronto Star at 2:07pm on September 22, 2016[SHARE]

This Music Man has merit but some sour notes too: review by Karen Fricker - Theatre Critic

Talk Is Free Theatre musical in downtown Barrie faces logistical problems but has some fine performances too.

SOURCE: Toronto Star at 4:11pm on September 17, 2016[SHARE]

Millennial rebellion writ large: review by Karen Fricker - Theatre Critic

The theatrical cocktail here is kitchen-sink drama dosed with anarchism, acted at ever-increasing levels of intensity

SOURCE: Toronto Star at 7:20pm on September 10, 2016[SHARE]

The Container brings refugee experience to harrowing life: review by Karen Fricker - Theatre Critic

Locked in a shipping container with the actors, the audience experiences the tension of illegal migration.

SOURCE: Toronto Star at 5:38pm on September 6, 2016[SHARE]

Yiddish-language Death of Salesman will be remembered for its cultural work: review by Karen Fricker - Theatre Critic

Toyt Fun a Seylsman is visiting the Toronto Centre for the Arts as part of the Ashkenaz Festival.

SOURCE: Toronto Star at 10:52am on September 6, 2016[SHARE]
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