John Lithgow, on Barnstorming His Way to Broadway
For nine years, this actor has taken his one-man show on the road like a "time-warp vaudevillian." What did he learn along the way?
For nine years, this actor has taken his one-man show on the road like a "time-warp vaudevillian." What did he learn along the way?
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Actors develop rituals for each show, and out of such rituals friendships are born. Opening night celebrates those friendships just as much as it celebrates the show.
As opening night nears, the director Dan Sullivan gives his last notes and John Lithgow feels a far stronger sense of an ending than a beginning.
Those crowd sounds you hear but can't quite make out? Hub-bub. Here's how it evolved in this production of "Lear."
After a torrential rain, the performance resumed with a vivid feeling of dislocation and desolation, of a world teetering toward madness.
John Lithgow recounts how it feels to perform in the first preview of "Lear."
John Lithgow gets a visit by an old friend.
During rehearsals for "King Lear," John Lithgow gets a poignant reminder of his long past with Shakespeare's plays.
John Lithgow checks out the set and lighting at the Delacorte Theater, where he will soon step onstage in the title role of "King Lear."
John Lithgow asks for help when back pain intrudes on the rehearsals for "King Lear."
John Lithgow, preparing for "King Lear," takes his fellow actors out to lunch.
John Lithgow and a fellow actor find their attention divided between the World Cup and the stage business at hand.
With a photographer on the scene, John Lithgow finds rehearsal opposite Annette Bening to be more charged than he expected.
John Lithgow on how he's learned to modulate his energy in rehearsing "King Lear," after sitcom experience "conducted at a pace far over the speed limit."
John Lithgow, a Tony-winning actor and writer, is writing about his rehearsals for the Shakespeare in the Park production of "King Lear."
A report on the long days " and the long beard " that go along with "King Lear."
The three-stage complex of the National Theater in London allows for one particularly meaningful tradition, described by an American visitor and participant, John Lithgow.