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41 stories by "Inge Kjemtrup"

Madam Butterfly at Artsdepot, London " 'a fresh, inventive take on Puccini's opera' by Inge Kjemtrup

Some of the most beloved operas come freighted with the heaviest cultural baggage. Consider Madama Butterfly, Puccini's 1904 opera. Set in Nagasaki,

SOURCE: The Stage Registration at 1:14pm on February 14, 2020☆⚑

Prisoner of the State review at Barbican Centre, London " 'a powerful reworking of Fidelio' by Inge Kjemtrup

The boundless cruelty of a government that imprisons and tortures its opponents, the soul-destroying complicity of functionaries who uphold the state's brutality

SOURCE: The Stage Registration at 12:26pm on January 13, 2020☆⚑

Leonardo review at Victoria and Albert Museum, London " 'intriguing new opera' by Inge Kjemtrup

This year marks the 500th anniversary of Leonardo da Vinci's death, and his life and works are being celebrated around the world

SOURCE: The Stage Registration at 5:15am on November 12, 2019☆⚑

Rinaldo review at Glyndebourne, Lewes " 'diverting but hollow production of Handel's opera' by Inge Kjemtrup

A stirring if fanciful epic poem about the First Crusade by Italian Renaissance poet Torquato Tasso has, for centuries, been a rich

SOURCE: The Stage Registration at 10:47am on October 28, 2019☆⚑

The Elixir of Love review at King's Head Theatre, London " 'invigorating and witty' by Inge Kjemtrup

Donizetti's comic opera classic receives an invigorating new English-language production at the King's Head Theatre, Islington. A co-production of King's Head and

SOURCE: The Stage Registration at 6:15am on October 1, 2019☆⚑

Dear Marie Stopes review at Kings Place, London " 'short but potent' by Inge Kjemtrup

In 1918, birth-control advocate Marie Stopes published Married Life, a book that ignited a firestorm of controversy for its daring premise that

SOURCE: The Stage Registration at 10:03am on September 23, 2019☆⚑

The Picture of Dorian Gray review at the Bedford, London " 'ambitious but patchy new opera' by Inge Kjemtrup

The Picture of Dorian Gray has inspired many playwrights and composers to translate it to the stage. A new operatic adaptation by

SOURCE: The Stage Registration at 6:27am on September 10, 2019☆⚑

Fulham Opera's Die Meistersinger von Nürnberg review " 'refreshing compact contemporary take' by Inge Kjemtrup

An opera about a singing contest would seem an obvious candidate for a modern-era production and that's exactly what Fulham Opera has

SOURCE: The Stage Registration at 6:50am on August 15, 2019☆⚑

Bride and Gloom review at Bampton Opera, Oxfordshire " 'a sparkling score' by Inge Kjemtrup

English composer Stephen Storace was a contemporary and friend of Mozart, and his 1785 opera Gli Sposi Malcontenti contains all the essential

SOURCE: The Stage Registration at 9:40am on July 24, 2019☆⚑

Un Ballo in Maschera review at Opera Holland Park, London " 'a visual feast' by Inge Kjemtrup

Political drama or romantic tragedy? Verdi's Un Ballo in Maschera has elements of both with its plot about the assassination of the

SOURCE: The Stage Registration at 7:33am on June 11, 2019☆⚑

Das Rheingold review at Longborough Festival Opera " 'a generally excellent cast of singers' by Inge Kjemtrup

To launch a new Ring cycle is an ambitious undertaking for any opera company. It's even more audacious when the company in

SOURCE: The Stage Registration at 9:33am on June 10, 2019☆⚑

Lagrime di San Pietro review at Barbican, London " 'potent staging of a Renaissance masterpiece' by Inge Kjemtrup

On the day of the European Union elections, to see Peter Sellars' staged version of an a cappella Renaissance choral work, Orlando

SOURCE: The Stage Registration at 6:20am on May 24, 2019☆⚑

La Traviata review at Royal Opera House, London " 'Engaging revival' by Inge Kjemtrup

Richard Eyre's production of La Traviata is a mainstay of the Royal Opera House, and Bob Crowley's lavish design is one major

SOURCE: The Stage Registration at 10:45am on January 15, 2019☆⚑

It's a Wonderful Life review at San Francisco Opera " 'a visual treat' by Inge Kjemtrup

American composer Jake Heggie is best known for his opera Dead Man Walking. His predilection for turning to popular sources continues with

SOURCE: The Stage Registration at 8:42am on November 26, 2018☆⚑

La Traviata review at Glyndebourne " 'curiously uninvolving' by Inge Kjemtrup

La Traviata is all about passion. Passion propels the opera's drama forward, from the moment the impulsive Violetta decides to abandon her

SOURCE: The Stage Registration at 10:35am on October 16, 2018☆⚑

La Traviata review at King's Head Theatre, London " 'passion, power and pole dancing' by Inge Kjemtrup

The feisty opera company at the King's Head Theatre, under the artistic direction of Adam Spreadbury-Maher, likes to drill down to the

SOURCE: The Stage Registration at 11:44am on October 3, 2018☆⚑

Salome review at London Coliseum " 'visually arresting, but decidedly peculiar' by Inge Kjemtrup

From a feminist perspective, the character of Salome is seriously problematic. In Richard Strauss's opera, based on Oscar Wilde's play, she's a

SOURCE: The Stage Registration at 5:10am on October 1, 2018☆⚑

The Rake's Progress review at Peacock Theatre, London " 'some fine moments' by Inge Kjemtrup

"Since it is not by merit we rise or we fall, but the favour of Fortune that governs us all." That sounds

SOURCE: The Stage Registration at 1:23pm on September 5, 2018☆⚑

Greek review, Arcola Theatre, London " 'energetic revival of Turnage's outrageous opera' by Inge Kjemtrup

It's no wonder that Greek, Mark-Anthony Turnage's first opera, made the 28-year-old composer's name in 1988. Turnage's brilliant, percussive score took an

SOURCE: The Stage Registration at 11:01am on August 13, 2018☆⚑

Cinderella review at Bampton Classical Opera " 'a purposeful staging of a forgotten opera' by Inge Kjemtrup

Had Rossini not composed Le Cenerentola in 1817, it's possible that the most famous operatic version of Perrault's fairytale Cendrillon would be

SOURCE: The Stage Registration at 10:09am on July 24, 2018☆⚑

Ariadne Auf Naxos review at Opera Holland Park, London " 'a vibrant production' by Inge Kjemtrup

Hot on the heels of a well-received revival of Mascagni's forgotten Isabeau, Opera Holland Park chalks up its first Richard Strauss opera with a

SOURCE: The Stage Registration at 11:11am on July 18, 2018☆⚑

The Barber of Seville review at Grange Festival, Hampshire " 'witty and entertaining' by Inge Kjemtrup

Rossini's The Barber of Seville requires a fine balance between fast-paced slapstick and stand-and-deliver vocal showpieces, and an enjoyable new production from

SOURCE: The Stage Registration at 11:52am on June 13, 2018☆⚑

Il Tabarro / Gianni Schicchi review at Hackney Empire, London " 'high energy' by Inge Kjemtrup

English Touring Opera's revival production of Il Tabarro and Gianni Schicchi provides a reminder of the wide range of emotion Puccini crammed

SOURCE: The Stage Registration at 8:12am on March 5, 2018☆⚑

Girls of the Golden West review at War Memorial Opera House, San Francisco " 'a flawed gem' by Inge Kjemtrup

The operas of John Adams " Nixon in China, Doctor Atomic and The Death of Klinghoffer among them " confront the American

SOURCE: The Stage Registration at 9:07am on November 27, 2017☆⚑

The Enchanted Pig review at Jacksons Lane, London " 'a hugely enjoyable evening' by Inge Kjemtrup

The course of love never does run smooth and neither does the course of most fairytales. Random cruelty and stunning setbacks abound

SOURCE: The Stage Registration at 7:29am on November 13, 2017☆⚑
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