Producers Mara Isaacs and Dale Franzen, and Brian Joosten from Warner Music Group, in collaboration with Ghostlight Records, will release the cast album for the acclaimed Off-Broadway musica…
We close out April this week with Set Designer and current Lortel nominee Rachel Hauck Aside from being a busy designer, Rachel is also a member of the Off-Broadway committee of designers th…
The demon barber of Fleet Street has slashed his way to the front of the pack. The Off-Broadway League announced April 4 this year’s Lucille Lortel Awards nominees over 19 categor…
The winners of the 32nd annual edition of the Lucille Lortel Awards honoring the best of off-Broadway will be announced on May 7 at a ceremony at the NYU Skirball Center. One-time “SNL…
Hadestown and Sweeney Todd each led the Lucille Lortel Award nominations this year, with seven apiece, including Outstanding Musical and Outstanding Revival respectively.  Swe…
The two musicals lead the field with seven mentions each, followed by the scaled-down revival of 'Sweet Charity' that starred Sutton Foster, with six. Top plays are 'Oslo,' 'Indecent' and 'A…
The Off-Broadway League today announced nominations in 19 categories for the 32nd Annual Lucille Lortel Awards for Outstanding Achievement Off-Broadway.
BroadwayWorld has just learned that a a revised version of Hadestown, which ran off-Broadway at New York Theatre Workshop last year, will get a New York City Workshop later this week. The ca…
Anais Mitchell, writer of the HADESTOWN musical, has just penned a blog post for The Huffington Post about the renewed relevance of her song 'Why We Build the Wall' in light of the current p…
By Megan Patterson. Megan Patterson on the New York Theatre Workshop production of the musical Hadestown by Anaïs Mitchell, developed with and directed by Rachel Chavkin.
There's something in the water at New York Theatre Workshop the famed East Village theater is known for producing hits: RENT, Once, and " most recently " David Bowie's final project, …
Damon Daunno, Nabiyah Be, Amber Gray, and Patrick Page sit down with Broadway Style Guide to talk about the contemporary parellels in Anaïs Mitchell's new musical.
Have you ever not completely connected with a show when you first sat through it, only to fall head over heels in love with it in retrospect? It's happened to me on only a few occasions that…
