Catherine Kodicek: It's important theatre costumes do not reinforce gender stereotypes
This week, I am in the early stages of costume design for a Restoration comedy featuring gender-swapping, disguise and the usual tomfoolery
This week, I am in the early stages of costume design for a Restoration comedy featuring gender-swapping, disguise and the usual tomfoolery
In a way, this is a bold move for the consistently exciting Barn Theatre: a little-known musical, based on a little-known novel,
As the National Theatre mounts an exhibition to showcase the work of its costume department, its head of costume takes Nick Smurthwaite
Cush Jumbo is to present this year's Evening Standard Theatre Awards, which will be held at the London Coliseum for the first
Former National Theatre head of casting Serena Hill has joined Trafalgar Theatre Productions as its first in-house casting director. Trafalgar Theatre Productions
Former students and tutors at Drama Centre London have warned that a review of actor training by management will result in the
Set in a traditional London pub on the night it goes out of business, We Anchor in Hope is a nostalgic elegy
Talks are underway to set recommended fees and create a basic contract for dramaturgs working in the UK. The Dramaturgs' Network, a
In his Broadway debut, Slave Play, Jeremy O Harris sharply explores how white supremacy interferes with interracial relationships today. Harris plunges the
The final part of Bertrand Lesca and Nasi Voutsas' unofficial trilogy " following Eurohouse and Palmyra " once again sees them exploring
Matthew Xia has committed to only commissioning female playwrights for his first three years as artistic director of Actors Touring Company in
Earlier this week, the Royal Shakespeare Company announced it had severed its sponsorship deal with BP, following a public backlash from young
Voila! festival directors Sharlit Deyzac and Amy Clare Tasker tell Nick Awde about celebrating 'Europeanness' in London, taking inspiration from the fringe
A dancer is suing Disney for £80,000, claiming her career was ruined when she suffered an injury while working on musical The
Set in a dystopian, parallel version of 1950s Britain occupied by "the Motherland", Maggot Moon follows a severely dyslexic 15-year-old, Standish Treadwell.
If you need to confirm that we live in a world built on men's terms, take a look at the toilets in
Gaslight " Watford Palace Theatre Richard Beecham directs a 21st-century re-imagining of Patrick Hamilton's 1938 study of psychological abuse, performed by an
The Royal Shakespeare Company has finally capitulated to pressure and ended its sponsorship deal with BP, which was due to run until
In January 2017, Natasha Tripney wrote a list titled: "Five things I'd like to see in theatre in 2017." Top of the
It's a bold move to revive a musical not seen on these shores for 50 years. But Manchester's Hope Mill Theatre has
The second instalment of English National Opera's Orpheus season is an operetta, and one of the most famous of all: Offenbach's Orpheus
This week's round-up includes an announcement that Tom Bateman will star in Coriolanus at Sheffield's Crucible as part of their new season,
Emily White's assured debut play Pavilion depicts the community of a run-down Victorian spa town somewhere in Wales, where everything is closing
An eloquently expressive piece about depression, Boy Blue's Redd is a fittingly subdued follow-up to the company's blistering 2017 show Blak Whyte
Inspired by Edgar Allan Poe's The Masque of the Red Death " with some twisted fairytales thrown into the mix " Red