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35,882 stories from The Stage

Catherine Kodicek: It's important theatre costumes do not reinforce gender stereotypes by Catherine Kodicek

This week, I am in the early stages of costume design for a Restoration comedy featuring gender-swapping, disguise and the usual tomfoolery

SOURCE: The Stage Registration at 2:00am on October 8, 2019☆⚑

Daddy Long Legs review at the Barn Theatre, Cirencester " 'charming and romantic' by Tim Bano

In a way, this is a bold move for the consistently exciting Barn Theatre: a little-known musical, based on a little-known novel,

SOURCE: The Stage Registration at 12:25pm on October 7, 2019☆⚑

NT head of costume Carol Lingwood: 'I make sure the designer's vision is preserved' by Nick Smurthwaite

As the National Theatre mounts an exhibition to showcase the work of its costume department, its head of costume takes Nick Smurthwaite

SOURCE: The Stage Registration at 12:00pm on October 7, 2019☆⚑

Cush Jumbo to present this year's Evening Standard Theatre Awards at the London Coliseum by Matthew Hemley

Cush Jumbo is to present this year's Evening Standard Theatre Awards, which will be held at the London Coliseum for the first

SOURCE: The Stage Registration at 11:48am on October 7, 2019☆⚑

Serena Hill joins Trafalgar Theatre Productions as first in-house casting director by Matthew Hemley

Former National Theatre head of casting Serena Hill has joined Trafalgar Theatre Productions as its first in-house casting director. Trafalgar Theatre Productions

SOURCE: The Stage Registration at 11:48am on October 7, 2019☆⚑

Former Drama Centre staff and students warn: We are witnessing dismantling of school as we know it by Matthew Hemley

Former students and tutors at Drama Centre London have warned that a review of actor training by management will result in the

SOURCE: The Stage Registration at 11:48am on October 7, 2019☆⚑

We Anchor in Hope review at the Bunker, London " 'passionate performances, but lacks dramatic drive' by Dave Fargnoli

Set in a traditional London pub on the night it goes out of business, We Anchor in Hope is a nostalgic elegy

SOURCE: The Stage Registration at 11:47am on October 7, 2019☆⚑

Dramaturgs in talks with theatre bodies to establish standard contract and fees by Ruth Comerford

Talks are underway to set recommended fees and create a basic contract for dramaturgs working in the UK. The Dramaturgs' Network, a

SOURCE: The Stage Registration at 11:27am on October 7, 2019☆⚑

Slave Play review at Golden Theatre, New York " 'searing satire' by Nicole Serratore

In his Broadway debut, Slave Play, Jeremy O Harris sharply explores how white supremacy interferes with interracial relationships today. Harris plunges the

SOURCE: The Stage Registration at 11:26am on October 7, 2019☆⚑

One review at Battersea Arts Centre, London " 'torturously funny exploration of compromise' by Ava Wong Davies

The final part of Bertrand Lesca and Nasi Voutsas' unofficial trilogy " following Eurohouse and Palmyra " once again sees them exploring

SOURCE: The Stage Registration at 9:46am on October 7, 2019☆⚑

Matthew Xia commits to commissioning female playwrights only in first three years at ATC by Giverny Masso

Matthew Xia has committed to only commissioning female playwrights for his first three years as artistic director of Actors Touring Company in

SOURCE: The Stage Registration at 8:42am on October 7, 2019☆⚑

Poll: Was the RSC right to end its sponsorship deal with BP? by The Stage

Earlier this week, the Royal Shakespeare Company announced it had severed its sponsorship deal with BP, following a public backlash from young

SOURCE: The Stage Registration at 7:31am on October 7, 2019☆⚑

Voila! " The London festival keeping the channel open to the rest of Europe by Nick Awde

Voila! festival directors Sharlit Deyzac and Amy Clare Tasker tell Nick Awde about celebrating 'Europeanness' in London, taking inspiration from the fringe

SOURCE: The Stage Registration at 7:30am on October 7, 2019☆⚑

Dancer sues Disney for £80k after allegedly suffering an injury on The Lion King by Matthew Hemley

A dancer is suing Disney for £80,000, claiming her career was ruined when she suffered an injury while working on musical The

SOURCE: The Stage Registration at 6:48am on October 7, 2019☆⚑

Maggot Moon review at Unicorn Theatre, London " 'timely, powerful and moving' by Anna James

Set in a dystopian, parallel version of 1950s Britain occupied by "the Motherland", Maggot Moon follows a severely dyslexic 15-year-old, Standish Treadwell.

SOURCE: The Stage Registration at 6:33am on October 7, 2019☆⚑

Sarah Ditum: A theatre with inadequate women's toilets is a theatre that doesn't care about women by Sarah Ditum

If you need to confirm that we live in a world built on men's terms, take a look at the toilets in

SOURCE: The Stage Registration at 6:00am on October 7, 2019☆⚑

Top 5 theatre shows to see this week (October 7-13) by Natasha Tripney

Gaslight " Watford Palace Theatre Richard Beecham directs a 21st-century re-imagining of Patrick Hamilton's 1938 study of psychological abuse, performed by an

SOURCE: The Stage Registration at 2:00am on October 7, 2019☆⚑

Lyn Gardner: The RSC was right to ditch BP's money, but it must keep funding youth schemes by Lyn Gardner

The Royal Shakespeare Company has finally capitulated to pressure and ended its sponsorship deal with BP, which was due to run until

SOURCE: The Stage Registration at 2:00am on October 7, 2019☆⚑

Kate Maltby: Stop putting lazy scenes of sexual violence against women on stage by Kate Maltby

In January 2017, Natasha Tripney wrote a list titled: "Five things I'd like to see in theatre in 2017." Top of the

SOURCE: The Stage Registration at 2:00am on October 7, 2019☆⚑

Mame review at Hope Mill Theatre, Manchester " 'Tracie Bennett rises to the challenge spectacularly' by Chris Bartlett

It's a bold move to revive a musical not seen on these shores for 50 years. But Manchester's Hope Mill Theatre has

SOURCE: The Stage Registration at 10:24am on October 6, 2019☆⚑

Orpheus in the Underworld review at London Coliseum " 'Emma Rice's misjudged production of Offenbach's operetta' by George Hall

The second instalment of English National Opera's Orpheus season is an operetta, and one of the most famous of all: Offenbach's Orpheus

SOURCE: The Stage Registration at 6:09am on October 6, 2019☆⚑

Production news round-up: Tom Bateman set to star in Coriolanus and Miles Jupp makes RSC debut by Ruth Comerford

This week's round-up includes an announcement that Tom Bateman will star in Coriolanus at Sheffield's Crucible as part of their new season,

SOURCE: The Stage Registration at 1:06pm on October 4, 2019☆⚑

Pavilion review at Theatr Clwyd, Mold " 'an assured debut' by Nigel Smith

Emily White's assured debut play Pavilion depicts the community of a run-down Victorian spa town somewhere in Wales, where everything is closing

SOURCE: The Stage Registration at 12:44pm on October 4, 2019☆⚑

Redd review at Barbican Theatre, London " 'redemptive depiction of depression' by Anna Winter

An eloquently expressive piece about depression, Boy Blue's Redd is a fittingly subdued follow-up to the company's blistering 2017 show Blak Whyte

SOURCE: The Stage Registration at 11:44am on October 4, 2019☆⚑

Red Palace review at the Vaults, London " 'smart, sexy immersive theatre' by Anna James

Inspired by Edgar Allan Poe's The Masque of the Red Death " with some twisted fairytales thrown into the mix " Red

SOURCE: The Stage Registration at 10:58am on October 4, 2019☆⚑
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