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1,148 stories from The New York Observer

Review: New Drama About the Murdoch Phone Hacking Scandal by David Cote

This ripped-from-the-headlines story has a strong cast and a worthy message. But it ought to be more thrilling than it is. 

SOURCE: The New York Observer at 10:01pm on March 11, 2024

Review: A Priest and a Nun Walk into a War in Contemporary Classic 'Doubt' by David Cote

'Doubt,' one of the top ten American dramas of this century, is now back on Broadway in an impressive revival.

SOURCE: The New York Observer at 9:01pm on March 7, 2024

Review: It All Comes Out in the Wash at John Patrick Shanley's 'Brooklyn Laundry ' by David Cote

The veteran playwright-director tosses together two soiled souls"played by Cecily Strong and David Zayas"adds softener, and gives 'em a whirl.

SOURCE: The New York Observer at 6:09pm on March 4, 2024

Spring Theater Preview: Navigating a Flood of Shows on Broadway and Off by David Cote

Between now and the end of April a whopping 18 plays and musicals will open on the Great White Way. Here's the best of what's coming, both on and Off Broadway.

SOURCE: The New York Observer at 10:00am on February 28, 2024

Review: Unwinnable Wars Lead to Impossible Debates in 'The Ally' by David Cote

Page-filling blocks of strong words are unfurled in this campus drama, as playwright Itamar Moses articulates"passionately and eloquently"each side of weighty issues of the moment, from Isra…

SOURCE: The New York Observer at 10:01pm on February 27, 2024

Cynthia Nixon On Playing Eight (Out of 10) Roles In 'The Seven Year Disappear' by Harry Haun

The "And Just Like That..." and "Gilded Age" star talks about playing a performance artist (and seven other roles) in the Off Broadway show "The Seven Year Disappear."

SOURCE: The New York Observer at 1:37pm on February 26, 2024

Leslie Rodriguez Kritzer Puts the Pop Diva In 'Spamalot' by Harry Haun

In 'Spamalot,' Leslie Rodriguez Kritzer pays homage to"or shamelessly satirizes"pop icons. "They change every night," she says. "I do a little Celine Dion"although there are some people who …

SOURCE: The New York Observer at 11:14am on February 14, 2024

Review: Second Stage Theatre's 'The Apiary': Stinging or Sweet As Honey? by David Cote

Set 22 years from now " as climate change has doomed the bees and thus humanity " this high-concept play mixes sci-fi with black comedy.

SOURCE: The New York Observer at 9:01pm on February 13, 2024

Review: Fake News Makes Musical Headlines in 'The Connector' by David Cote

This musical about a fabulist at a magazine draws on the Stephen Glass scandal of the '90s, but it's more than a bit of stretch itself.

SOURCE: The New York Observer at 7:01pm on February 6, 2024

David Cromer Juggles Directing and Acting In Some Of This Season's Most Exciting Work by Harry Haun

"I learn more about directing while acting and more about acting while directing," says David Cromer, who directed 'Prayer for the French Republic' on Broadway and is currently appearing in …

SOURCE: The New York Observer at 5:06pm on February 5, 2024

'The Animal Kingdom' Review: This Family Therapy Weepie Is a Flat Zoo Story by David Cote

Set entirely at group therapy sessions, this 80-minute exploration of psychodynamics and healing may leave you wishing for characters with more interesting problems.

SOURCE: The New York Observer at 9:01pm on January 30, 2024

Review: Don't Sleep on Splendiferous Sutton Foster in 'Once Upon a Mattress' by David Cote

Foster generates waves of zany ecstasy in this delightful concert version of this fractured fairytale for City Center Encores.

SOURCE: The New York Observer at 6:25pm on January 27, 2024

Michael Urie Gets Medieval (And Musical) In 'Spamalot' and 'Once Upon a Mattress' by Harry Haun

In 'Maestro,' Michael Urie played choreographer-director Jerome Robbins. He now finds Robbins' spirit haunting the rehearsal spaces at New York City Center, where he's performing in 'Once Up…

SOURCE: The New York Observer at 11:19am on January 26, 2024

Review: Tania El Khoury's 'Cultural Exchange Rate' Tells a Living Tale of Exile and Migration by Farah Abdessamad, Farah Abdessamad

The performance metaphorically and physically draws us into the many strands of a multifaceted quest.

SOURCE: The New York Observer at 11:01am on January 16, 2024

'Stranger Things: The First Shadow' Review: Thrilling And Immersive Theater by Emily Zemler, Emily Zemler

The London stage version of 'Stranger Things' is a prequel with impressive practical effects that provoke gasps and screams, and producers say it's Broadway bound.

SOURCE: The New York Observer at 12:10pm on January 12, 2024

Review: 'Prayer for the French Republic' Is One of Broadway's Best New Plays by David Cote

A Jewish family " shaken by a recent rise in European antisemitism " uproots itself in Joshua Harmon's passionately argued play.

SOURCE: The New York Observer at 10:00pm on January 9, 2024

Patrick Page Brings a Dirty Dozen Shakespeare Villains To The Stage by Harry Haun

After playing the devil himself in 'Hadestown,' Patrick Page keeps it on the dark side with 'All the Devils Are Here: How Shakespeare Invented the Villain'

SOURCE: The New York Observer at 10:44am on January 8, 2024

David Ives On Collaborating With Sondheim On His Final Work, 'Here We Are' by Harry Haun

"I've got this idea for a musical, and I wondered if you wanted to work on it with me," Sondheim said to David Ives. Thus began the collaboration that resulted the adaptation of two Luis Bu�…

SOURCE: The New York Observer at 9:15am on December 26, 2023

Review: 'Appropriate' Is a Family Album of White Supremacy  by David Cote

Branden Jacobs-Jenkins's slow-burning satire of white privilege arrives on Broadway in an impeccable production with a dream cast, led by Sarah Paulson.

SOURCE: The New York Observer at 11:03am on December 19, 2023

Review: Cuba's Past Sings Out in 'Buena Vista Social Club' by David Cote

This jukebox musical alternates passionate renditions of Afro-Cuban son, danzón, and bolero with scenes in English that chart the lives of musicians across four decades of love and loss.

SOURCE: The New York Observer at 8:21pm on December 18, 2023

Chip Zien Counts His Broadway Blessings in 'Harmony' by Harry Haun

"My character didn't exist a year ago," Broadway veteran Chip Zien says of his role as the Rabbi in Barry Manilow and Bruce Sussman's long gestating musical. "It's a real gift."

SOURCE: The New York Observer at 9:53am on December 11, 2023

Review: 'How to Dance in Ohio' Welcomes Autistic Youth Under the Disco Ball by David Cote

'How to Dance in Ohio' was clearly made with love, but this musical adaptation of an HBO documentary about autistic people learning to dance tries to balance good intentions and razzle-dazzl…

SOURCE: The New York Observer at 9:00pm on December 10, 2023

'Adrift: A Medieval Wayward Folly' Review: Demons, Dulcimers, and Dancing Strawberries by Annie Levin, Annie Levin

Using music, dance, puppets, miming, and physical comedy, the Happenstance Theater brings late medieval paintings to life.

SOURCE: The New York Observer at 9:26am on December 8, 2023

Review: An Earnest Yet Awkward Land Acknowledgement for 'Manahatta' by David Cote

Mary Kathryn Nagle's play shifts between the Dutch colonization of Manhattan and the subprime mortgage crisis, a concept that looks good on paper but diminishes the characters and their choi…

SOURCE: The New York Observer at 9:00pm on December 5, 2023

Irish Rep Is Having A Friel Day by Harry Haun

'Translations' is the first of three Brian Friel plays that Irish Rep is staging this season. "It has a kind of politics, but it's so embracing of human life," director Doug Hughes says.

SOURCE: The New York Observer at 10:44am on November 28, 2023
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